O Esquadrão das Águias

It's the Dunkirk evacuation in 1940. British soldiers fight bravely in a rear guard action. They encounter German soldiers dressed in British uniforms. They're killed and their identities stolen. The Germans secretly board the ships to England and work to sabotage the war effort. They zero in on the new radar installations.

No expense was spared in recreating Dunkirk. There are lots of extras and lots of explosions. Captain Paul Stevens is shown to have discovered the dead soldiers and he suspects infiltration. The problem is that he fails to catch the first guy. It seems like a great opportunity to confirm the situation to him so that when the higher ups refuse to accept it, it becomes even more intense. The fact that he gets full cooperation saps the movie of its potential tension. The other fact that an enemy gets so close to him detracts from the audience's opinion of the Captain. The problem is that the film loses intensity once they get home from Dunkirk.

There is a laughable miniature scene. There is bad history. The radar stations don't look like that. Most of them are located in remote places along the coast. The film becomes a lot flatter after a rip roaring start. The reinvention of the Battle of Britain gets to a wrong place. I guess that there is some good action. Even there, there is too much big dying in the shootouts. I'm willing to give this a pass for some fun action.

This is an odd case of casting, as the very American actor, Van Johnson, plays a British officer! However, despite this, the film looks very good for an Italian-made WWII film--sort of like a 'spaghetti' war film. For example, the Dunkirk scene was quite nice and had a pretty expansive look--with a relatively large cast and lots of ships. And SOME of the airplanes were done well (such as the fake He-111 cockpits--VERY nice). Unfortunately, the rest of the planes in the film are an odd lot--probably because the original models weren't available to the Italian film company. The German fighters were often American T-6s or even British Spitfires and the Spitfires were sometimes some odd plane (I assume Italian) that looks a bit like it but whose cockpit and undercarriage look more like that of the German Bf-109. To make it even more confusing, the exact same plane was often used interchangeably by BOTH sides in the film. And, at one point a British fighter plane becomes a Lysander observation plane. Clearly the film's attention to these sort of details was pretty poor...at best. And, late in the film the planes are CLEARLY cheap models. It's best to just close your eyes or so get a snack during these scenes because even if you don't care about these details, it still will confuse you.

The plot itself is rather clever. At Dunkirk, a group of Germans who speak English well are chosen to assume the identities of dead British soldiers. Then, when the British army is rescued, these agents can then infiltrate the country and eventually attack the Brit's most important secret weapon--their radar.

The bulk of the film is executed reasonably well (not always great--but not bad) and it's obvious they spend some money on the film. However, there were a few problems. The punching sounds in the fight scenes sounded EXACTLY like the punching sounds from a kung fu film! There also was a scene involving the killing of a German female agent and it was silly and WAY overdone--and completely unnecessary. All together, the film was very uneven but the good still far outweighed the bad. I would really love to see this film re-done--with a tighter script and more consistent special effects.

If you know anything about WWII history this will have you either laughing at the ridiculousness of it all or raging at the inaccuracies (Warning - this film contains a PIAT-zooka). But beneath it all is a reasonable plot, with some classic characters, the hard as nails sarge, the clueless youngster., etc which make it still kinda fun.

WWII Italian/Spanish epic , this time about British airmen who prevented threatened Nazi invasion. Action,suspense and entertainment with an unit of Nazis (Francisco Rabal , Luigi Pistilli , among others) infiltrated on England . It commences at Dunkirk when a German band infiltrates British lines and unites the evacuation to Great Britain for the aim of conducting covert missions . As the Battle of Britain starts the Germans focus on attempting the sabotage new Allied Radar installations .A British Captain (Frederick Stafford ) tries to track down the Germans aided by a sergeant (Renzo Palmer) and under direct orders of a British Air Marshal (Van Johnson). It is 1940, and the diabolical mind of Adolf Hitler is planning to bomb England into submission to his warped dreams of a 'Fortress Europe'. Standing between Britain's freedom and Hitler's terrifying plans is the R.A.F - dedicated pilots who took to the skies in the face of overwhelming odds. The German Luftwaffe's planes outnumber the R.A.F's by more than 2 to 1 - 650 planes of the R.A.F. vs. 2,500 of the Luftwaffe! These odds , however, do not deplete the determination of the R.A.F. to stop Hitler, and as the Luftwaffe launches wave after wave of Heinkel 111 bombers against British cities, the R.A.F. responds, under the political leadership of Winton Churchill . Squadron Leaders lead the newest pilots of the R.A.F. into dogfighting with the Luftwaffe's experienced veterans, with the aim of driving Hitler's forces away from Dover's white cliffs for good .

This European co-production between Italy/Spain/France contains noisy action , wartime intrigue, explosions, shootouts, bombing and is quite amusing . But it's also a historical reenactment of the air war in the early days of WWII for control of the skies over Britain as a subject matter that deals with a vital period of world history as the new Luftwaffe and the Royal Air Force determine whether or not an invasion can take place . Well-made war-action/thriller/adventure/ Eurotrash film , is a standout in its genre : The Spaghetti-Italian warlike. This exciting movie gets lots of action, spectacular scenes , displays several extras and tanks, in fact, the production wishes thanks the British Ministry of defense and the Army general staff for their collaboration in making this film. Relentless plot twists ,in spite of some flaws ,the warlike action keep you breathless , thanks to suspense and acceptable widescreen aerial sequences , which will suffer on small television. Great aerial photography with nice special effects aerial unit by Emilio Ruiz Del Rio. Fine cinematography by Alejandro Ulloa of ¨Horror Express¨ and atmospheric score by Francesco De Massi. Rough,elegant Francisco Rabal is good as the group leader of the motley pack ,he along with Luigi Pistilli leads the misfit group of Nazis from behind enemy lines . Remainder casting has such a terrific plethora formed by several European actors , as French : Frederick Stafford ,Jacques Berthier ; Spanish : Teresa Gimpera , Luis Davila ,Eduardo Fajardo ; Italian : Luigi Pistilli , Ida Galli and Renzo Palmer , furthermore special appearance by Van Johnson as Air Marshall Taylor. The film takes part from American classic movies referred to Commandos genre ,just like :¨ Dirty dozen¨, ¨Kelly's heroes¨ and ¨Where the eagles dare¨ but especially of ¨ Battle of England¨ by Guy Hamilton . The picture is professionally directed by Enzo Girolami Castellari who made another good war film: ¨Inglorious bastards¨. He had a lot of hit-smash in the action cinema and Spaghetti as ¨Keoma¨ and ¨Go kill and come back¨, in fact the film is an Italian Western developed on the WWII. The pic will appeal to Eurocult fans and Italian-Spaniard production enthusiasts.

Using the chaos of the Dunkirk evacuation as a cover, several German agents take on the identities of English soldiers in order to gain access to England and take out the radar installations. One Captain aware of the ruse has to track the men down and stop them before the Germans can bomb England into surrendering.

Good, if a bit long, spy story set in London. there are several action set pieces that are quite good, though they suffer a great deal in pan and scan because of the use of multiple images. (Oh how this film cries out for a good letterbox edition.) This is the sort of film that grabs you from the first couple of moments and then drags you along at its conclusion. I really liked this and probably should have rated it higher than 6 but I think the viewing experience was really hindered by a lack of widescreen.

Worth searching out, especially if you can find a wide screen copy.