AVALIAÇÃO DA IMDb
6,5/10
2,6 mil
SUA AVALIAÇÃO
John e Mary se conhecem em um bar de solteiros, dormem juntos e passam o dia seguinte se conhecendo.John e Mary se conhecem em um bar de solteiros, dormem juntos e passam o dia seguinte se conhecendo.John e Mary se conhecem em um bar de solteiros, dormem juntos e passam o dia seguinte se conhecendo.
- Ganhou 1 prêmio BAFTA
- 1 vitória e 5 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
A single man and woman (Dustin Hoffman as John, Mia Farrow as Mary), having met in a bar the night before, wake up in bed "the morning after"; they go back and forth on where they should take their 'relationship'. The two charismatic leads try to enlighten a curiously flat screenplay from John Mortimer, adapting the novel by Mervyn Jones, and an uncharacteristically low-keyed direction from Peter Yates. It isn't easy: the sluggish narrative (often flashing back in time) and sterile atmosphere make it practically impossible. Still, Yates' work is fluid, with flights-of-fancy to help fill in the gaps, and the stars look just beautiful in their prime. Farrow's Mary is all over the place: guarded and vague (and a little rude), she then turns sheepish and huggable; Hoffman's John is suspicious and cynical, but yielding. Some of their thoughts and emotions ring true--and if finale is pure fantasy, at least it is well done and satisfying, breaking us out of the rut of fashionable cynicism that most of "John and Mary" occupies. **1/2 from ****
I saw this film when it opened in 1969. My memory may be clouded by the past, but I remember enjoying the teaming of Mia Farrow and Dustin Hoffman very much.
Both actors are very good in this movie. It's a small intimate two character story and depicts the "one-night" stand morals that were just beginning to take hold.
The conceit is they don't ask each other's name until the end.
Mia had just completed "Rosemary's Baby" and Dustin had "The Graduate." They were young and especially successful as actors.
I highly recommend it, if you can find it.
Both actors are very good in this movie. It's a small intimate two character story and depicts the "one-night" stand morals that were just beginning to take hold.
The conceit is they don't ask each other's name until the end.
Mia had just completed "Rosemary's Baby" and Dustin had "The Graduate." They were young and especially successful as actors.
I highly recommend it, if you can find it.
I know, this is just a small movie, but one that I'm able to see again and again, mainly because of little things as the bright blue sky upon Mia Farrow eating an apple or the original egg-cups in Dustin Hoffman's kitchen. It's difficult to explain but I love every moment of this movie without a strong reason: this is to me as an old family photo, not perfect, but still so dear... Then: good actors, original script, with refreshing ironic touches, and really beautiful set.
"It's Not Your Mother's Love Story," the ads for "John and Mary" proclaimed, and I suppose that back in 1969, such indeed was the case. Telling the story of a one-night stand and the rainy day after, as the couple in question gets to know one another in the guy's spacious apartment at 52 Riverside Drive (in actuality, a 15-floor, redbrick building at 78th St. whose asking price today must be astronomical!), the film certainly must have engendered some controversy, back when. Fortunately, this sweet, realistic, adult slice of life, though certainly a product of its time, is not as dated as one might expect, and the tentative, uncertain steps that John and Mary (whose names we never know until the picture's final moments) take when learning about each other should seem familiar to even Gen Y'ers. This process of discovery is accomplished mainly through talk, but the viewer gets to know the two characters even better, via flashbacks, fantasy sequences and their voiced-over thoughts. In the leads, Dustin Hoffman and Mia Farrow are quite fine, and director Peter Yates brings his picture in with great sensitivity. The trio had recently participated in three enormously successful films--"The Graduate," "Rosemary's Baby" and "Bullitt," respectively--and while "John and Mary" is certainly a smaller film than those others, it is still of great interest. Hoffman and Farrow were immensely ingratiating screen presences at this early stage of their careers, and their unique pairing here makes this film something special. And speaking of early-career performances, "John and Mary" also features Tyne Daly, Cleavon Little and Olympia Dukakis, all in small but amusing parts. Anyway, it is my feeling that viewers of this film will gradually come to really like John and Mary, and root for them as a couple, and wish them many more nights together....
Remember the days when we were all having free sex and enjoining our elders to make love-not war? Well, if you long for those days or would just like to see what they were like, a good way to telescope back to `those thrilling days of yesteryear' would be to watch John and Mary.
This wonderful little gem from the height of the Sexual Revolution era is about young people trying to connect after the sex part is done.
The story begins on the morning after the night before when two strangers awake together in bed. A delightful, youthful Mia Farrow is compelling, bright, sexy and very appealing as Mary. Dustin Hoffman as John is excellent. The story unfolds as the two young characters struggle toward mutual understanding and respect. As they do, I could easily imagine myself among a theater audience in 1969 all rooting for them to succeed.
The script is intelligent and the flashbacks very effective and interesting.
If you like a mature story emphasizing superb character development with fully-realized, appealing characters, this is for you. I give it four stars-my highest rating! But don't try to get this on video or DVD because as far as I know they are not available. You have to wait for it to be shown on cable or at your local art house theater.
This wonderful little gem from the height of the Sexual Revolution era is about young people trying to connect after the sex part is done.
The story begins on the morning after the night before when two strangers awake together in bed. A delightful, youthful Mia Farrow is compelling, bright, sexy and very appealing as Mary. Dustin Hoffman as John is excellent. The story unfolds as the two young characters struggle toward mutual understanding and respect. As they do, I could easily imagine myself among a theater audience in 1969 all rooting for them to succeed.
The script is intelligent and the flashbacks very effective and interesting.
If you like a mature story emphasizing superb character development with fully-realized, appealing characters, this is for you. I give it four stars-my highest rating! But don't try to get this on video or DVD because as far as I know they are not available. You have to wait for it to be shown on cable or at your local art house theater.
Você sabia?
- CuriosidadesWhen Ruth Gordon won her Best Actress in a Supporting Role Oscar for O Bebê de Rosemary (1968) in April 1969, she was asked backstage by the reporters if Mia Farrow was upset at being overlooked for a nomination in the same film. "Nahhh," Gordon replied. "Besides she'll win it next year for John & Mary (1969)." But Farrow was snubbed for this film as well, and in fact never received a nomination in her decades-long career.
- Citações
Mary: I don't want anymore to do with it. Not with jealousy, competition, the sound of bugles when we're all meant to line up for battle. When the bugle blows, I want to go home quietly. Lock the door, take off the telephone. I'll wash my hair, watch the saturday night movie and go to bed with a plate of cornflakes. I can do that most efficiently. I can vanish.
- ConexõesReferenced in Laugh-In: Guest Star Tony Curtis (1970)
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 8.000.000
- Tempo de duração
- 1 h 32 min(92 min)
- Cor
- Proporção
- 2.35 : 1
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