Um Golpe à Italiana

I enjoyed The Italian Job in general, I don't revere it as a classic but it is entertaining with a great cast, fabulous locations and a brilliant soundtrack. The secondary characters could have been developed much more though, and the direction was a little too flashy. That said, a vast majority of the dialogue is above decent, there are occasions where it could have been better, but it is good enough. It is well paced though, and the cinematography, scenery, set pieces and costumes are fabulous, Turin looks glamorous and the interiors from Twickenham Studios are stunning. Quincy Jones's soundtrack is brilliant, and the cast is first rate, with Michael Caine suave and charismatic, Noel Coward marvellous and Benny Hill great value. Overall, not a classic by all means but very good. 8/10 Bethany Cox

At the behest of Mr Bridger, Charlie Croker puts together a crew to pull of a massive job. The job is to rob an armoured car on the streets of Turin and then get away clean. The plan involves explosives a traffic jam, a football match and a load of mini coopers.

I watched this recently on TV – it was shown the night before England played Argentina in World Cup 2002 (1-0, Argentina then dropped put in the first round!). The reason it was shown was simply that it's strength is that it's a good caper movie where the Brits go over there and put one over on the Italians! It may smack of zenophobia but that's what it is!

The criminals even go so far as to use Mini's for the job – in the most famous scene of the film, making them cool for decades! The reason it was shown before the game was just to feed on the fact that national pride was high. Even if you ignore the British element (the song `self preservation society' is now even a football anthem) then it's still quite fun to watch. The build up to the job is breezy and funny with good lines, while the job itself is fanciful but great fun.

The ending must be known to everyone – but it's still good no matter how many times you see it! The cast are all good – with a range of British TV faces in there bringing a distinct British comedy. Caine is great, as are Coward and Hill but the real stars are the Mini's and the daring comedic race across Turin.

Overall this is not a great film – but it is a classic caper movie. It's made even better by the fact that it makes you proud to be British in a weird way! Say it with me my friends – `hang on lads, I've got an idea……..'

It is unfortunate that the 2003 film was released with the same name as the 1969 film because it clouds the (unsophisticated) mind with subjective judgment. For everyone who compares the two films - stop! The original was filmed in a different time period and the viewer must make a conscious effort to put him/herself in that state of mind to understand it. The film is pure entertainment, and it accomplishes that with humor and some clever stunts. As viewers, we need to be objective and aware of the differences that have arisen on so many levels as the years have passed.

For those who complain that the premise of the heist is not realistic, it was never supposed to be. Consider that if it had been intended as a realistic portrayal, the crooks would have killed those in their way and taken the loot without concern for collateral damage. The existing plot kept the mood decidedly "all in good fun."

Michael Caine made as good a performance as ever in this film. It is fun for fans of him to see the many different roles he has undertaken in his prolific career.

"The Italian Job" is a comedic heist film that is mostly renowned for the extended car chase getaway. In it, a thief recently released from prison (Michael Caine) organizes a scheme to steal a shipment of gold bars by creating a massive traffic jam and using a trio of Mini Coopers to escape with the loot.

The cast is pretty decent with the always dependable Caine perfectly cast as charismatic thief Charlie Croker, Noel Coward as the incarcerated backer of the titular job and Benny Hill in a small role as a computer expert obsessed with plump women. Besides that there's no-one worth remarking on and not much acting that isn't up to snuff.

The script is bold and inventive with much of the humour being understated and unpredictable. The heist itself is clever but the staging of the getaway is a real work of art. Again, there is an inventiveness that is quite refreshing. Nevertheless, I was starting to get a little tired of waiting for the heist to be set in motion. Finally, the ending caps the proceedings in memorable fashion.

The direction by Peter Collinson is solid and above average for an action-comedy. The music, handled by Quincy Jones, is memorable but also characteristic of the era, meaning that it is unlikely to appeal to all tastes.

If you're looking for a lighthearted crime caper this is just the ticket. I particularly recommend the film since it includes what is, in my opinion, the best car chase ever filmed.

The Italian Job is one of the best-loved British classics ever made. Most people in my home country of Britain have seen the film many times (most of those times spent drinking tea and speaking like the queen, of course), but there's more than enough for audiences from other countries to like about this delightful thriller as well. As you almost certainly already know, The Italian Job stars Michael Caine as the criminal at the centre of the job, dubbed 'The Italian Job' (would you believe). Caine is iconic in this film; his voice and mannerisms are often imitated, and it is this film that is probably most responsible for that. The plot follows Charlie Croker (Caine), a freshly released crook that, with a tip off from a deceased friend, decides to steal £4 million from Italy. However, it's not an easy job and there are many risks involved, so the job must be astutely planned and flawlessly executed for it to work right - and it is there that the film really takes off.

The Italian Job is well remembered for two things, the first of which is the Mini's. This is the film that made Mini's cool, so as you might expect, there is a fair amount of stunt work involving the Mini, a lot of which is truly spectacular - these little cars can be seen driving up stairs, onto and across roofs, through shopping centres, flying over various chasms etc and it's all very exciting. The second thing that it is remembered for is, of course, the line - "you were only supposed to blow the bloody doors off!", which is one of the most quoted of all time. The film's impact on popular culture has been immense, and that line's impact in particular is legendary; people that don't know the film know that line, and I dare say that a lot of them quote it even. It's up there with 'I'll be back' or 'that' line from Dirty Harry. The film also highlights a lot of British culture, most notably the reaction to something going right. English patriotism is a little different to the American version - while in America, the whole country may be united under the stars and stripes, very apple pie-like; England is much more content to chant a little inside of a prison. I know which version I prefer.

I could waffle on all day about this film, but we've both got better things to do, I'm sure so I'll finish by commenting on the ending; which is, simply, sublime and a perfect way to end the film; funny, well executed and absolutely genius. Well played.