AVALIAÇÃO DA IMDb
5,2/10
2,2 mil
SUA AVALIAÇÃO
Uma garota inocente vai passar o fim de semana em uma ilha com uma mulher e seu irmão, mas logo ela se vê envolvida em uma teia de experiências sexuais fantasiosas.Uma garota inocente vai passar o fim de semana em uma ilha com uma mulher e seu irmão, mas logo ela se vê envolvida em uma teia de experiências sexuais fantasiosas.Uma garota inocente vai passar o fim de semana em uma ilha com uma mulher e seu irmão, mas logo ela se vê envolvida em uma teia de experiências sexuais fantasiosas.
- Direção
- Roteiristas
- Artistas
María Luisa Ponte
- Madame Mistival
- (as Ingrid Swenson)
Anney Kablan
- Augustin
- (as Kaplan)
Jesús Franco
- Man on red ritual scene
- (não creditado)
Herbert Fux
- Hardin
- (não creditado)
Colette Jack
- Colette
- (não creditado)
Nino Korda
- Roches
- (não creditado)
Kathy Lagarde
- Maid
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Franco fans like to hold up EUGENIE as proof of his technical prowess. In fact, it only stands as further testament to his ineptitude. Okay, so Franco had access to the crane on this one... and so excited is he that he uses it again and again, with no imagination or purpose. The cinematographer was clearly a bit more accomplished than usual too, in fact the budget is clearly higher than your average Franco pic. But don't worry, his amateurism shines right through. Ridiculous casting (Liljedahl is way to old and tarty to play an 'innocent young girl'), lame dialogue, bad acting, inappropriate and clueless use of the camera, lame attempts at surrealism, un-erotic soft porn sequences... all the usual Franco 'trademarks' are here in abundance. If you want to watch porn, then buy the real thing. If you want to watch a movie, don't waste your time here.
In a career that spanned seven decades, Jess Franco achieved over 200 directorial credits in numerous genres, with the quality of his output varying wildly from inspired surrealism to entertaining sleaze to almost unwatchable garbage (with the majority tending to veer towards the latter). However, although Franco's skill as a film-maker was questionable, his ability to get hot Euro-totty to strip off in front of a camera and do whatever he asked was never in doubt, and large doses of frequent female nudity frequently made his movies more bearable.
Eugenie... the Story of Her Journey Into Perversion is a prime example of an otherwise rather dull (despite the lurid subject matter) and not particularly well directed movie made more enjoyable largely thanks to Franco's remarkable way with women. His two female stars in this film—regular Franco actress Maria Rohm and Swedish sex-bomb Marie Liljedahl—regularly disrobe, give each other rub-downs, and indulge in all manner of kinky activities, all of which helps the time pass a lot less painfully.
Stylistically, the film is fairly typical of Franco's work from the 60s and early 70s, when his films reflected the fashion and mood of the times, exploited the liberated attitudes of the young and incorporated psychedelic visuals to enhance the hallucinatory vibe. Nudity aside, the groovy music by Bruno Nicolai is probably the films greatest strength, his jazzy score really adding to the creepy, decadent vibe. The film is also notable for it's cameo by Christopher Lee, who doesn't get involved in the saucy action, but is still probably not all that proud of his involvement.
5.5 out of 10, happily rounded up to 6 for the lovely Marie Liljedah, who almost rivals Christina Lindberg in the major Swedish babe stakes.
Eugenie... the Story of Her Journey Into Perversion is a prime example of an otherwise rather dull (despite the lurid subject matter) and not particularly well directed movie made more enjoyable largely thanks to Franco's remarkable way with women. His two female stars in this film—regular Franco actress Maria Rohm and Swedish sex-bomb Marie Liljedahl—regularly disrobe, give each other rub-downs, and indulge in all manner of kinky activities, all of which helps the time pass a lot less painfully.
Stylistically, the film is fairly typical of Franco's work from the 60s and early 70s, when his films reflected the fashion and mood of the times, exploited the liberated attitudes of the young and incorporated psychedelic visuals to enhance the hallucinatory vibe. Nudity aside, the groovy music by Bruno Nicolai is probably the films greatest strength, his jazzy score really adding to the creepy, decadent vibe. The film is also notable for it's cameo by Christopher Lee, who doesn't get involved in the saucy action, but is still probably not all that proud of his involvement.
5.5 out of 10, happily rounded up to 6 for the lovely Marie Liljedah, who almost rivals Christina Lindberg in the major Swedish babe stakes.
It is not difficult to understand why this languorous Franco ero-drama caused quite the controversy when released in 1970. It is sexually frank and throws in incest, lesbianism and interracial kissing with gleeful abandon.
Today, it seems very tame from a graphic point of view, but its sexual politics are way ahead of the ultra-conservative (sexual) climate the film industry currently operates in.
This is not an el cheapo Franco flutter shot on a castle set with bad lighting and hit-and-miss focus. It is beautifully shot by Manuel Merino and, as always, Bruno Nicolai delivers a rich, evocative score.
Eugenie's "journey" into perversion encompasses light lesbianism, a little rough intercourse and some soft whipping of her tender breasts. She emerges more lost and confused than liberated and ends up wandering nude for several minutes on an island; this sequence, the film's strongest, is quite surreal.
Marie Liljedahl, who plays Eugenie, is not Soledad Miranda, and is quite bland in her leading lady role.
Jack Taylor is suitably oily as Maria Rohm's lust-filled brother and Rohm makes the most of her role as Eugene's corrupter.
I like EUGENIE DE SADE quite a bit more than this and find it far more erotic, but this is worth a look, if not high praise.
Today, it seems very tame from a graphic point of view, but its sexual politics are way ahead of the ultra-conservative (sexual) climate the film industry currently operates in.
This is not an el cheapo Franco flutter shot on a castle set with bad lighting and hit-and-miss focus. It is beautifully shot by Manuel Merino and, as always, Bruno Nicolai delivers a rich, evocative score.
Eugenie's "journey" into perversion encompasses light lesbianism, a little rough intercourse and some soft whipping of her tender breasts. She emerges more lost and confused than liberated and ends up wandering nude for several minutes on an island; this sequence, the film's strongest, is quite surreal.
Marie Liljedahl, who plays Eugenie, is not Soledad Miranda, and is quite bland in her leading lady role.
Jack Taylor is suitably oily as Maria Rohm's lust-filled brother and Rohm makes the most of her role as Eugene's corrupter.
I like EUGENIE DE SADE quite a bit more than this and find it far more erotic, but this is worth a look, if not high praise.
Eugenie is a film that shocked 1969 audiences, with interracial kissing, woman-to-woman fondling, and brother-sister sex games. It is beautifully filmed, sublimely acted (within its cult pedigree), and has reams of coolness, which makes it a good bet for modern audiences. If you get bored watching Connery drive his Aston Martin to a romantic rendezvous for some witty repartee, Eugenie will likely bore you. If you prefer graphic to simulated, you might find it lame. But if you can buy into the characters and appreciate the care of the filmmaking, Eugenie is a rewarding, disturbing piece of celluloid. In the interview, Franco states "Of all my films, it is the one I hate the least." If you know Franco and his staggering body of work, that's saying something.
Jess Franco - smut king with talent. Maybe not at his best in this film, but worth buying for de Sade's writings flung into (what was then) present day, as an innocent girl gets seduced by a pervy couple and goes to stay with them upon her father's agreement. She gets sucked into a perversion story before becoming the perversion herself, when violent things naturally happen.
The sex is very restrained for a Franco film, and Chris Lee looks vaguely ashamed in a limited role. But Lee's comments on the DVD about finding himself in a film showing in porn cinemas in Soho, entirely to his surprise, are worthy of purchase alone. He also praises Franco, as he should - the guy has vision, but don't ask me what that vision is!
To see Jess Franco at his erotic best, buy Female Vampire. For Franco completists, and fans of: quirky genre films, the forgotten roles of Christopher Lee, or mildly spicy filmic delights - get to see Eugenie!
The sex is very restrained for a Franco film, and Chris Lee looks vaguely ashamed in a limited role. But Lee's comments on the DVD about finding himself in a film showing in porn cinemas in Soho, entirely to his surprise, are worthy of purchase alone. He also praises Franco, as he should - the guy has vision, but don't ask me what that vision is!
To see Jess Franco at his erotic best, buy Female Vampire. For Franco completists, and fans of: quirky genre films, the forgotten roles of Christopher Lee, or mildly spicy filmic delights - get to see Eugenie!
Você sabia?
- CuriosidadesSince Sir Christopher Lee was cast at the last minute, he decided to bring along his own wardrobe: the smoking jacket he had worn as Sherlock Holmes in Sherlock Holmes und das Halsband des Todes (1962)
- ConexõesFeatured in Perversion Stories (2002)
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- How long is Eugenie?Fornecido pela Alexa
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- Eugenie
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- US$ 83.500
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