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IMDbPro

De Sade 70

  • 1970
  • X
  • 1 h 27 min
AVALIAÇÃO DA IMDb
5,2/10
2,2 mil
SUA AVALIAÇÃO
Marie Liljedahl in De Sade 70 (1970)
DramaDrama psicológicoHorror

Uma garota inocente vai passar o fim de semana em uma ilha com uma mulher e seu irmão, mas logo ela se vê envolvida em uma teia de experiências sexuais fantasiosas.Uma garota inocente vai passar o fim de semana em uma ilha com uma mulher e seu irmão, mas logo ela se vê envolvida em uma teia de experiências sexuais fantasiosas.Uma garota inocente vai passar o fim de semana em uma ilha com uma mulher e seu irmão, mas logo ela se vê envolvida em uma teia de experiências sexuais fantasiosas.

  • Direção
    • Jesús Franco
  • Roteiristas
    • Harry Alan Towers
    • Marquis de Sade
  • Artistas
    • Maria Rohm
    • Marie Liljedahl
    • Jack Taylor
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,2/10
    2,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Jesús Franco
    • Roteiristas
      • Harry Alan Towers
      • Marquis de Sade
    • Artistas
      • Maria Rohm
      • Marie Liljedahl
      • Jack Taylor
    • 29Avaliações de usuários
    • 40Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 3:23
    Official Trailer

    Fotos74

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    + 68
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    Elenco principal13

    Editar
    Maria Rohm
    Maria Rohm
    • Madame Saint Ange
    Marie Liljedahl
    Marie Liljedahl
    • Eugenie
    Jack Taylor
    Jack Taylor
    • Mirvel
    Christopher Lee
    Christopher Lee
    • Dolmance
    Paul Muller
    Paul Muller
    • Mistival
    María Luisa Ponte
    María Luisa Ponte
    • Madame Mistival
    • (as Ingrid Swenson)
    Anney Kablan
    • Augustin
    • (as Kaplan)
    Uta Dahlberg
    • Therese
    Jesús Franco
    Jesús Franco
    • Man on red ritual scene
    • (não creditado)
    Herbert Fux
    Herbert Fux
    • Hardin
    • (não creditado)
    Colette Jack
    • Colette
    • (não creditado)
    Nino Korda
    • Roches
    • (não creditado)
    Kathy Lagarde
    • Maid
    • (não creditado)
    • Direção
      • Jesús Franco
    • Roteiristas
      • Harry Alan Towers
      • Marquis de Sade
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários29

    5,22.2K
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    10

    Avaliações em destaque

    alice_resnais

    utter trash

    Franco fans like to hold up EUGENIE as proof of his technical prowess. In fact, it only stands as further testament to his ineptitude. Okay, so Franco had access to the crane on this one... and so excited is he that he uses it again and again, with no imagination or purpose. The cinematographer was clearly a bit more accomplished than usual too, in fact the budget is clearly higher than your average Franco pic. But don't worry, his amateurism shines right through. Ridiculous casting (Liljedahl is way to old and tarty to play an 'innocent young girl'), lame dialogue, bad acting, inappropriate and clueless use of the camera, lame attempts at surrealism, un-erotic soft porn sequences... all the usual Franco 'trademarks' are here in abundance. If you want to watch porn, then buy the real thing. If you want to watch a movie, don't waste your time here.
    6BA_Harrison

    De Sade à la Franco.

    In a career that spanned seven decades, Jess Franco achieved over 200 directorial credits in numerous genres, with the quality of his output varying wildly from inspired surrealism to entertaining sleaze to almost unwatchable garbage (with the majority tending to veer towards the latter). However, although Franco's skill as a film-maker was questionable, his ability to get hot Euro-totty to strip off in front of a camera and do whatever he asked was never in doubt, and large doses of frequent female nudity frequently made his movies more bearable.

    Eugenie... the Story of Her Journey Into Perversion is a prime example of an otherwise rather dull (despite the lurid subject matter) and not particularly well directed movie made more enjoyable largely thanks to Franco's remarkable way with women. His two female stars in this film—regular Franco actress Maria Rohm and Swedish sex-bomb Marie Liljedahl—regularly disrobe, give each other rub-downs, and indulge in all manner of kinky activities, all of which helps the time pass a lot less painfully.

    Stylistically, the film is fairly typical of Franco's work from the 60s and early 70s, when his films reflected the fashion and mood of the times, exploited the liberated attitudes of the young and incorporated psychedelic visuals to enhance the hallucinatory vibe. Nudity aside, the groovy music by Bruno Nicolai is probably the films greatest strength, his jazzy score really adding to the creepy, decadent vibe. The film is also notable for it's cameo by Christopher Lee, who doesn't get involved in the saucy action, but is still probably not all that proud of his involvement.

    5.5 out of 10, happily rounded up to 6 for the lovely Marie Liljedah, who almost rivals Christina Lindberg in the major Swedish babe stakes.
    5fertilecelluloid

    Worth a look, if not high praise

    It is not difficult to understand why this languorous Franco ero-drama caused quite the controversy when released in 1970. It is sexually frank and throws in incest, lesbianism and interracial kissing with gleeful abandon.

    Today, it seems very tame from a graphic point of view, but its sexual politics are way ahead of the ultra-conservative (sexual) climate the film industry currently operates in.

    This is not an el cheapo Franco flutter shot on a castle set with bad lighting and hit-and-miss focus. It is beautifully shot by Manuel Merino and, as always, Bruno Nicolai delivers a rich, evocative score.

    Eugenie's "journey" into perversion encompasses light lesbianism, a little rough intercourse and some soft whipping of her tender breasts. She emerges more lost and confused than liberated and ends up wandering nude for several minutes on an island; this sequence, the film's strongest, is quite surreal.

    Marie Liljedahl, who plays Eugenie, is not Soledad Miranda, and is quite bland in her leading lady role.

    Jack Taylor is suitably oily as Maria Rohm's lust-filled brother and Rohm makes the most of her role as Eugene's corrupter.

    I like EUGENIE DE SADE quite a bit more than this and find it far more erotic, but this is worth a look, if not high praise.
    9Rob_Lineberger

    Better than you'd think

    Eugenie is a film that shocked 1969 audiences, with interracial kissing, woman-to-woman fondling, and brother-sister sex games. It is beautifully filmed, sublimely acted (within its cult pedigree), and has reams of coolness, which makes it a good bet for modern audiences. If you get bored watching Connery drive his Aston Martin to a romantic rendezvous for some witty repartee, Eugenie will likely bore you. If you prefer graphic to simulated, you might find it lame. But if you can buy into the characters and appreciate the care of the filmmaking, Eugenie is a rewarding, disturbing piece of celluloid. In the interview, Franco states "Of all my films, it is the one I hate the least." If you know Franco and his staggering body of work, that's saying something.
    markgordonpalmer

    NOT HIS BEST, BUT WORTH BUYING CHEAPLY

    Jess Franco - smut king with talent. Maybe not at his best in this film, but worth buying for de Sade's writings flung into (what was then) present day, as an innocent girl gets seduced by a pervy couple and goes to stay with them upon her father's agreement. She gets sucked into a perversion story before becoming the perversion herself, when violent things naturally happen.

    The sex is very restrained for a Franco film, and Chris Lee looks vaguely ashamed in a limited role. But Lee's comments on the DVD about finding himself in a film showing in porn cinemas in Soho, entirely to his surprise, are worthy of purchase alone. He also praises Franco, as he should - the guy has vision, but don't ask me what that vision is!

    To see Jess Franco at his erotic best, buy Female Vampire. For Franco completists, and fans of: quirky genre films, the forgotten roles of Christopher Lee, or mildly spicy filmic delights - get to see Eugenie!

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Since Sir Christopher Lee was cast at the last minute, he decided to bring along his own wardrobe: the smoking jacket he had worn as Sherlock Holmes in Sherlock Holmes und das Halsband des Todes (1962)
    • Citações

      Eugenie: Can't you leave me alone? Questions, questions, all the time. I can't meet anybody, go anywhere, do anything, without you wanting to know everything! I'm old enough to do what I want to when I please!

    • Conexões
      Featured in Perversion Stories (2002)

    Principais escolhas

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    Perguntas frequentes14

    • How long is Eugenie?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • março de 1970 (Espanha)
    • Países de origem
      • Alemanha Ocidental
      • Espanha
      • Liechtenstein
      • Reino Unido
    • Idiomas
      • Inglês
      • Espanhol
      • Alemão
    • Também conhecido como
      • Eugenie
    • Locações de filme
      • Barcelona, Catalunha, Espanha
    • Empresas de produção
      • Etablissement Sargon
      • Hape-Film Company GmbH
      • Producciones Cinematográficas Balcazar
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 83.500
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 27 min(87 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 2.35 : 1

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