Enquanto Viverem as Ilusões

While not a laugh-out-loud comedy, "If It's Tuesday, This Must Be Belgium" is a humorous, affectionate take on group travel that will resonate with anyone who has been on a European bus tour. Ian McShane is the British guide for World Wind Tours Number 225, which will sweep through nine countries in eighteen days. McShane's American tourists include such comedic talents as Norman Fell, Marty Ingels, Reva Rose, Peggy Cass, Pamela Britton, and Sandy Baron. Although not well known for comedy, Murray Hamilton, Michael Constantine, and Mildred Natwick are spot-on funny as well and fill out the bus-load of stereotypes. Murray Hamilton stands out as the congenital cynic who was dragged away from his comfy couch for the trip. Hamilton's expressions and delivery capture the feelings of every male who has submitted to his wife's desire for a cultural experience in a foreign land.

The photography by Vilis Lapenieks captures the beauty of a Europe that flits by faster than the group can either absorb or appreciate. Strangely enough, only the Marty Ingels character, who is obsessed with photographing beautiful women to inspire jealousy among his male friends back home, appears to carry a camera. Predictably, a romantic liaison develops between tourist Suzanne Pleshette, who is as lovely as ever, and guide McShane. The Pleshette-McShane relationship, however, shines in contrast to the bloodless attraction between teens Hilary Thompson and Luke Halpin, who had better chemistry with dolphins. However, when the movie hits its target, it is engaging and oddly nostalgic, which the wistful title tune by Donovan underscores. For many, a quick glimpse of European wonders is a once in a lifetime experience whose memories must endure, and McShane emphasizes to Pleshette that tourists like her get an enormous return for their money.

Unfortunately, younger viewers may not react to the satire and sharp observations, because the film is firmly set in the 1960's. Veterans of World War II are increasingly rare and few make trips back to the battlefields. Hotels no longer monogram their towels for sticky fingered guests. Carnaby Street is no longer a mecca for mod fashion, and inoculations are unnecessary for European trips. However, anyone who has crossed the pond will recognize that Rome will never be a place to rent a car, American franchises abound in European cities, and yodeling is still an acquired taste. "If It's Tuesday, This Must Be Belgium" is a time capsule for those who want to relive or catch a glimpse of European travel before the EU, the euro, and the proliferation of the English language homogenized the continent and stole some of the fun away. With a bit of nostalgia, some talented comedians, and director Mel Stuart's pacing, which is nearly as fast as the tour bus, the film is gentle fun and above average entertainment.

This was a big studio attempt to tap into the counter-culture movement. It attempts to be satiric, ironic, quirky, and off-beat. And it succeeds much of the time. The direction, editing, and sound can be witty, playing with the subject matter, situations, and setting. The comedy doesn't always work, the pace drags in places, and the characters get tedious at times riding their respective hobby-horses. But there's a lot of fun on the way, and a decent love story between antipathies, played by Suzanne Pleshette, and Ian McShane. You'll also see a lot of faces more familiar to you from TV of the era and succeeding decades. In the end, the movie does manage not to be bound by conventions of Hollywood storytelling. To know what I mean, you'll have to watch it all the way through yourself. Just know some of these 60s counter-culture films worked and some didn't. Those that didn't usually had one foot in the production code era and one foot in the cultural revolution that had not yet hit the suburbs yet, with a script seeming to be at war with itself. This is one film that worked and did not have these problems.

What makes this 1969 movie so entertaining is the collection of character actors who are given an opportunity to showcase their talents. Lots of little stories about a group of American tourist who are essentially barnstorming their way through Europe on a tour bus make up the plot. Each one of them has some special experience in one of their many tour stops.

This is one of those movies that can be watched over and over and never gets old. It is doubtful that a film like this could be made now because there just doesn't seem to be the same kind of character actors today who could appear and deliver in small scenes like the performers in this movie do.

Comedy about a group of Americans on a 18 day (I think) tour of Europe.

Unlike some previous posters, I've never been to Europe, so watching this film was not like reliving old memories. On its own, this was a very pleasant movie. The script is not bad and the jokes are pretty funny. There are some real groaners too, but the good ones far outweigh them. And the cast is full of talented character actors giving their all.

The movie basically concentrates on a romance between the tour guide Charlie Cartwright (Ian McShane) and tourist Samantha Perkins (Suzanne Pleshette). Usually romance subplots in comedies are the kiss of death, but this one works. McShane is very handsome and Pleshette incredibly beautiful; the dialogue is well-written; they both give good performances and they have great chemistry with each other. It also is a good excuse to show all the romantic places in Europe (this was shot on location). And the romance has a surprising, realistic ending.

Another point of interest is an 18 year old girl Shelly (Hilary Thompson) meeting a guy her age Bo (Luke Halpin). Their fashions are VERY 60s and the dialoge is SO old-fashioned...but it's all interesting. Also a visit to Canaby Street in London (which was the place to be in the late 60s) is visually fascinating. Also Murray Hamilton's one liners throughout the movie are frequently hilarious.

They visit London, Holland, Germany, Switzerland, Italy, Venice and end in Rome. I saw a widescreen print on TV in strong color and the movie just looked beautiful. Sometime it was like seeing a travelogue but an INTERESTING travelogue.

It's not a great movie but a pleasant one. You could do worse! Recommended.

I have no idea. But I know that I first saw that movie as a child, shortly after it came out, and never stopped loving it. I think the best word to describe the entire film is "colorful". The cast is, the characters are, the cinematography is, the script is. I bought a VHS copy a few years back and every 6 months or so, I just have to pop it in, jump into bed with my wife and a bowl of popcorn and enjoy it again. The movie hasn't aged well at all but as another reviewer said, it's a pure time capsule of 1969 and that in itself is a great positive attribute.