Os Paraquedistas Estão Chegando

Actor & director combo Burt Lancaster and John Frankenheimer team for this appealing film that explores the lives of three sky divers, played by Lancaster, Gene Hackman, and Scott Wilson. They come to a small Midwest town named Bridgeville where they stun the locals with their aerial feats. Meanwhile, they affect the lives of some of the local woman. Mike Rettig (Lancaster) finds himself falling for Elizabeth Brandon (Deborah Kerr), who happens to be the aunt of Malcolm Webson (Wilson).

Fundamentally, this is a good story (scripted by William Hanley, based on the novel by James Drought) well told, and it's punctuated by absolutely dazzling sky diving footage. Some viewers may wish there was more of this type of thing in the movie and less romance. The film flirts with melodrama (such as a back story involving Elizabeth) but Frankenheimer and the actors help keep it on an even keel.

It's the cast that makes this worth watching. The majority of the performances are agreeably subtle, with the exception of Hackman, who's playing the extrovert of the group anyway. Lancaster and Kerr have a very alluring sex scene; both actors look incredibly good. Hackman strikes up a relationship with a hottie waitress (Sheree North) while Wilson is attracted to the college student (Bonnie Bedelia) who's boarding with the Brandons. North absolutely sears the screen. William Windom is good as Kerrs' husband whose aloof nature is a factor in her being turned on by Lancaster.

Frankenheimer gets great use out of the real Midwestern locations (this was filmed in various parts of Kansas); the movie is definitely a real slice of Americana. Overall it's endearing enough and exciting enough to make it an okay view; it's ultimately rather predictable, but it remains watchable throughout.

Seven out of 10.

When action scenes for "Gypsy Moths" were about to be shot, mostly at the Benton,Kansas airfield, I was 18 and living in Wichita. Due to my interest in acting, mainly in High School productions, I, along with my five brothers and sisters and Mother who was a bit of a ham herself, answered a "cattle call" for crowd scenes at Benton Airfield. Because I was Burt Lancaster's general height and build and was the same size, 42 Long, I was upgraded to Stand-in for him and ended up standing in for all the principle male characters except Gene Hackman who used his brother. There was a scene in a park in El Dorado, KS where Deborah Kerr and Burt Lancaster sit on a merry-go-round and talk. He then stands up and leans in rather closely to Ms. Kerr. The director wanted to change the lighting on that particular shot to compensate for Mr. Lancaster's new position. He called for the "Seconds" to take the actors' places while they fine tuned the lighting. At that moment Deborah's stand-in was over by the swings, in the process of losing the greasy chili which had been catered that night and couldn't answer the call. John Frankenheimer was upset by her failure to report and acted like he was about to fire her, but, always the gracious lady, Ms. Kerr said she was fine just sitting there and would stand in for herself. The scene required that Burt Lancaster lean in to the point that their faces are mere inches apart. There she was, the consummate professional and I, standing in for Mr. Lancaster, was face to face with an actress I had loved ever since seeing her in such films as "From Here to Eternity" and "The King and I". It's understating my uneasiness by saying I was sweating bullets and worrying about my breath. She sensed my discomfort and proceeded to ask me questions like what I aspired to be (she didn't say 'when I grew up', which was, to me, just more evidence of her class) to set me at ease. At the time I was very interested in an acting career and she said that if I ever got to Hollywood to look her up and she would get me an appointment with her agent. What amazed me about the exchange was that I realized she was serious and would very probably have taken the time out of her busy schedule to do just that. My esteem for her grew many fold that night. Although I understand she now lives in Switzerland, I have often thought that even though I am in my 50's and gave up the thought of acting professionally years ago, it would be great if she still lived in Hollywood and I was able contact her. I would remind her of what she said 36 years ago and ask when she would be able to take me to see her agent. At 85 years old, I wouldn't be surprised if she said, "Give me a couple of minutes and we'll go over right now." Deborah Kerr, I still love you and I always will.

Burt Lancaster, Gene Hackman, and Scott Wilson portray a team of professional sport parachutists barnstorming their way through small-town America.

The movie features some fine performances, particularly Lancaster's. I enjoyed the way the small town was depicted; it felt curiously familiar and yet distant at the same time. The movie holds its own, even 30 years after its initial release.

The jumping sequences are fantastic...truly the finest jump sequences ever captured on film at that time (1969). Pay particular attention to the 'cape' jumps, particularly the last one (Scott Wilson's) which gets me bug-eyed every time I see it (yes, I'm a jumper too).

Longish and slow-moving at times but well worth it.

John Frankenheimer's drama of itinerant skydivers intersecting with small town doldrums is heavy on atmosphere but frustratingly ambiguous in its storytelling.

Not having read James Drought's source novel, it's hard to say just what went wrong here. Perhaps in an attempt to avoid conventional melodramatics, adapter William Hanley's script was kept as low-key and naturalistic as possible, to the extent that all of the silences and unspoken words end up conveying practically nothing of the characters' motivations beyond a kind of inchoate yearning. Usually I'm all for scripts that don't shout and scream, that rather rely on subtlety and restraint, but this one is so elliptical that its own best intentions are undermined. The ending seems flat and pointless. Yes, a death has occurred, but has anyone in the story really changed?

It's particularly frustrating given the talent involved. Stars Burt Lancaster and Deborah Kerr, with support from younger players like Scott Wilson, Gene Hackman, and Bonnie Bedelia, give strong and convincing portrayals. Add to that some remarkable aerial photography of skydiving derring-do -- plus a love scene which features the beautiful Ms. Kerr's bare breasts -- and you probably won't feel you've wasted 2 hours. But if only there were more.

Not a 'lost treasure' of Frankenheimer's, Lancaster's and Kerr's careers, but an intriguing, minor footnote.

Although this film wasn't a career high for either of these great performers it did demonstrate that there was majic between them. If you check Kerr's biography, this film isn't list on her film chronology. In fact, it is hardly mention on any other site other than IMDb's. I think it was because she appeared nude. She was 48 when this film was released. I think she is one of the greatest beauties that ever graced the screen.