Os Paraquedistas Estão Chegando

Yes, the movie does miss greatness. But it is far from a failure. As a slice of American with fascinating characters (yes, I like and cared about them), this film is worth seeing. True, there are problems. The husband in particular comes off as emotionally dead, yet I have known of men like that. The wife (Deborah Kerr) comes off almost as hopeless; worse, it is never clear what she wants or what is driving her. Yet, here again I have known marriages like this. I suspect modern viewers will want to be shown the underly rage and desperation of these characters, which has to be present, but like Days of Heaven, they are muted. No doubt, It would have helped if the film had been longer. Nevertheless, it works with great photography and stunt work and is well worth a look. BTW for those who are interested (this is an R-Rated movie after all) even at 48 years, Deborah Kerr looks great nude. I know if I had been the husband in the movie, I sure would have kept trying.

John Frankenheimer's drama of itinerant skydivers intersecting with small town doldrums is heavy on atmosphere but frustratingly ambiguous in its storytelling.

Not having read James Drought's source novel, it's hard to say just what went wrong here. Perhaps in an attempt to avoid conventional melodramatics, adapter William Hanley's script was kept as low-key and naturalistic as possible, to the extent that all of the silences and unspoken words end up conveying practically nothing of the characters' motivations beyond a kind of inchoate yearning. Usually I'm all for scripts that don't shout and scream, that rather rely on subtlety and restraint, but this one is so elliptical that its own best intentions are undermined. The ending seems flat and pointless. Yes, a death has occurred, but has anyone in the story really changed?

It's particularly frustrating given the talent involved. Stars Burt Lancaster and Deborah Kerr, with support from younger players like Scott Wilson, Gene Hackman, and Bonnie Bedelia, give strong and convincing portrayals. Add to that some remarkable aerial photography of skydiving derring-do -- plus a love scene which features the beautiful Ms. Kerr's bare breasts -- and you probably won't feel you've wasted 2 hours. But if only there were more.

Not a 'lost treasure' of Frankenheimer's, Lancaster's and Kerr's careers, but an intriguing, minor footnote.

As a very young boy in El Dorado, Kansas, I marveled when the film crews came to town from Hollywood to shoot this film, what is considered John Frankenheimer's `lost classic.' The story is sub-par: three barnstormers stop at a small Kansas town to put on a show and get involved in a less-than-intriguing soap opera with the occupants of a house where they are staying. What makes the movie work for me is the reoccurrence of so many memorable images from the town where I grew up, but for outsiders, the essence of small-town Kansas life is captured so purely you'll be transported to the peacefulness of a world where the arrival of daredevil skydivers is a Big Event.

Most interesting to note in this film are the back-stories. Scott Wilson was called in to replace an injured John Philip Law, who was originally cast as the young daredevil. Gene Hackman was still a fledgling, relatively unknown, and yet he managed to steal most of the scenes from the established Burt Lancaster. For the locals, this film still lingers in the memory. The Victorian home where the barnstormers stay still stands, and the screened in porch on the house's north side--built exclusively for this film by the visiting film crew--is still referred to by locals as the `MGM porch.' The fight song that the marching band plays throughout this film is still the fight song of the Butler County Grizzlies, the athletic team of the local community college. And even today, old-timers wonder whether or not that was really Deborah Kerr in the buff … or if a body double was used. Either way, you'll get a real feel for this community, an interesting first look at up-and-comers Gene Hackman and Bonnie Bedalia, and a fascinating series of sky-diving sequences that set the tone for many such scenes to come.

Although this film wasn't a career high for either of these great performers it did demonstrate that there was majic between them. If you check Kerr's biography, this film isn't list on her film chronology. In fact, it is hardly mention on any other site other than IMDb's. I think it was because she appeared nude. She was 48 when this film was released. I think she is one of the greatest beauties that ever graced the screen.

Actor & director combo Burt Lancaster and John Frankenheimer team for this appealing film that explores the lives of three sky divers, played by Lancaster, Gene Hackman, and Scott Wilson. They come to a small Midwest town named Bridgeville where they stun the locals with their aerial feats. Meanwhile, they affect the lives of some of the local woman. Mike Rettig (Lancaster) finds himself falling for Elizabeth Brandon (Deborah Kerr), who happens to be the aunt of Malcolm Webson (Wilson).

Fundamentally, this is a good story (scripted by William Hanley, based on the novel by James Drought) well told, and it's punctuated by absolutely dazzling sky diving footage. Some viewers may wish there was more of this type of thing in the movie and less romance. The film flirts with melodrama (such as a back story involving Elizabeth) but Frankenheimer and the actors help keep it on an even keel.

It's the cast that makes this worth watching. The majority of the performances are agreeably subtle, with the exception of Hackman, who's playing the extrovert of the group anyway. Lancaster and Kerr have a very alluring sex scene; both actors look incredibly good. Hackman strikes up a relationship with a hottie waitress (Sheree North) while Wilson is attracted to the college student (Bonnie Bedelia) who's boarding with the Brandons. North absolutely sears the screen. William Windom is good as Kerrs' husband whose aloof nature is a factor in her being turned on by Lancaster.

Frankenheimer gets great use out of the real Midwestern locations (this was filmed in various parts of Kansas); the movie is definitely a real slice of Americana. Overall it's endearing enough and exciting enough to make it an okay view; it's ultimately rather predictable, but it remains watchable throughout.

Seven out of 10.