One hundred seventy features have been submitted for consideration in the Documentary Feature category for the 90th Academy Awards. That’s 25 more than 2016. Assuming they all book their qualifying runs in New York and Los Angeles, the members of the documentary branch have just a few more weeks to see as many films as possible and file their votes for the shortlist of 15 to be announced in December. They’re each supposed to watch an assigned list of about 20 films, plus as many more as they can.
Read More:2018 Oscar Predictions: Best Documentary Feature
It’s possible for documentaries to also vie for Best Picture, although it is rare. Among this year’s most lauded features are “City of Ghosts,” “Faces Places,” “Jane,” “Kedi” and “One of Us.”
The submitted features, listed in alphabetical order, are:
“Abacus: Small Enough to Jail”
“Aida’s Secrets”
“Al Di Qua”
“All the Rage...
Read More:2018 Oscar Predictions: Best Documentary Feature
It’s possible for documentaries to also vie for Best Picture, although it is rare. Among this year’s most lauded features are “City of Ghosts,” “Faces Places,” “Jane,” “Kedi” and “One of Us.”
The submitted features, listed in alphabetical order, are:
“Abacus: Small Enough to Jail”
“Aida’s Secrets”
“Al Di Qua”
“All the Rage...
- 27/10/2017
- por Anne Thompson
- Thompson on Hollywood
One hundred seventy features have been submitted for consideration in the Documentary Feature category for the 90th Academy Awards. That’s 25 more than 2016. Assuming they all book their qualifying runs in New York and Los Angeles, the members of the documentary branch have just a few more weeks to see as many films as possible and file their votes for the shortlist of 15 to be announced in December. They’re each supposed to watch an assigned list of about 20 films, plus as many more as they can.
Read More:2018 Oscar Predictions: Best Documentary Feature
It’s possible for documentaries to also vie for Best Picture, although it is rare. Among this year’s most lauded features are “City of Ghosts,” “Faces Places,” “Jane,” “Kedi” and “One of Us.”
The submitted features, listed in alphabetical order, are:
“Abacus: Small Enough to Jail”
“Aida’s Secrets”
“Al Di Qua”
“All the Rage...
Read More:2018 Oscar Predictions: Best Documentary Feature
It’s possible for documentaries to also vie for Best Picture, although it is rare. Among this year’s most lauded features are “City of Ghosts,” “Faces Places,” “Jane,” “Kedi” and “One of Us.”
The submitted features, listed in alphabetical order, are:
“Abacus: Small Enough to Jail”
“Aida’s Secrets”
“Al Di Qua”
“All the Rage...
- 27/10/2017
- por Anne Thompson
- Indiewire
The Rolling Stones are celebrating their 50th anniversary this year, so naturally, goodies are coming out of the vaults. The latest is the legendary but never-before-released documentary "The Rolling Stones – Charlie Is My Darling – Ireland 1965." Produced by Stones’ manager/producer Andrew Loog Oldham, he enlisted director Peter Whitehead ("The Fall," "Tonite Let's All Make Love in London") to travel with the group and film before they broke big and just as “(I Can’t Get No) Satisfaction” began to rocket the group to the pinnacle of the U.S. and U.K. charts. The doc will be making its world premiere at the New York Film Festival this weekend (Andrew Loog Oldham himself will be in attendance). Mick Gochanour and Robin Klein, the directors behind "The Rolling Stones Rock and Roll Circus," created a new version of the doc by painstakingly restoring over 90,000 frames of optical screen...
- 27/09/2012
- por Edward Davis
- The Playlist
My Week with Marilyn envelops the star in a chaste aura. This desire to desexualise goes back to Arthur Miller
It is not entirely the fault of the recent movie My Week with Marilyn – about Monroe's disastrous attempt to make The Prince and the Showgirl with Laurence Olivier – that it is devoid of sex, which is something like depicting the life of Napoleon without mentioning that he was French. Monroe might have been one of the most sexual beings who ever lived, but the portrayals of her, even by disillusioned observers, sooner or later descend into a sanitised ideal.
The sex is overtaken by sentimental treacle, or heroic fantasy, or defensive over-analysis. In his book on Monroe, Norman Mailer, for all his worldly candour, concluded that "she was our angel, the sweet angel of sex, and the sugar of sex came up from her like a resonance of sound in...
It is not entirely the fault of the recent movie My Week with Marilyn – about Monroe's disastrous attempt to make The Prince and the Showgirl with Laurence Olivier – that it is devoid of sex, which is something like depicting the life of Napoleon without mentioning that he was French. Monroe might have been one of the most sexual beings who ever lived, but the portrayals of her, even by disillusioned observers, sooner or later descend into a sanitised ideal.
The sex is overtaken by sentimental treacle, or heroic fantasy, or defensive over-analysis. In his book on Monroe, Norman Mailer, for all his worldly candour, concluded that "she was our angel, the sweet angel of sex, and the sugar of sex came up from her like a resonance of sound in...
- 07/01/2012
- The Guardian - Film News
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