A Defesa do Castelo

An eccentric allegory dealing with a Major , Burt Lancaster, and his underlings , a captain : Patrick O'Neal, a lieutenant : Tony Bill and soldiers : Al Freeman Jr , Michael Conrad , Scott Wilson, James Patterson , Peter Falk . As Burt Lancaster as the one-eyed American Major billets his few remaining men at an Ardennes fortress filled with priceless art treasures .All of them take shelter at a French castle inhabitated by an aristocrat : Jean Pierre Aumont and his young wife : Astrid Heeren . At the finale , the Germans throw everything at the fortified location and its occupants .As there takes place an endgame in which the platoon fights to hold the medieval castle keep against the Nazi invaders.

An interesting but disjointed film with surrealist scenes , emotion , a love story , skirmishes throughout , and impressive final battle . Being based on William Eastlake's novel , critically culted in France , it results to be an acceptable movie , though a little bit boring and some scenes with no much sense. A pretty bizarre yarn that hovers between reality and fantasy , adding some breathtaking warlike battles at its end , including a really colossal holocaust . This is a failed attempt at likewise fusing European style with American wartime genre . But Sidney Pollack flops and it remains as a simple and at times confusing flick , in spite of its pretensions.

It contains a colorful and glimmer cinematography by Henry Decae , shot in Yugoslavia and France . As well as lush and sterling production design from art design by Max Douy . Equally , a sensitive and attractive musical score by Michael Legrand . The motion picture was professionally directed by Sidney Pollack, though it has some flaws , gaps and failures , it resulted in failling commercially at the box office everywhere. Deemed to be a moving curio and an ill-omened flick that was marred by its Euro art-house wake. Sidney Pollack was a good professional who acted/wrote/produced and directed several films , as he made the following ones : The property is condemned , Scalphunters , The Shoot Horses Don't They? , Jeremiah Johnson , The Way We Were , Yazuka , 3 Days of Condor, The Electric Horseman, Absence of Malice , Tootsie , Out of Africa , Havana , The Firm, Sabrina Random Hearts , The Interpreter , among others .

Saw the movie yesterday. I liked the fact that there was noshow and glamour about the soldiers, they are dirty and tired, they actually look like a war is going on. The whole castle theme adds an interesting poetic dimension to the story. The characters are brilliantly developped, as there seems to be a personal quest to each and everyone of the squad, the yougster wants to go to the red queen, the local whorehouse etc... The count or baron and his wife are by far the trippiest characters, i didn t understand their story but they are some kind of magical couple in theire fairy tale castle. The wife Therese is mesmerizing as she is of outstanding beauty (Astrid Heelen). The combat sequences do not look fake, the tanks, and bazookas are cool. As I said it actually looks and sounds like war, with blood and explosions... It is a great movie for those of you who, like me, enjoy those artsy, semi fantastic retro movies with a beautifull female character.

Thanks to this film, I can never entirely think of "Private Benjamin" as a comedy about a society girl in the army (not that this one doesn't have a lot of funny moments, of the very strange kind). "Hessian" is right - it's so strange, you almost have to either love or hate it, and I'm completely attached to it. With the kinds of actors in it, it's really hard to think of anyone as especially standing out, but (as attached as I've always been to Burt Lancaster) the answer would almost have to be Patrick O'Neal as Beckman. It took me a long while to think of it, but he's almost like the Eleanor character in The Haunting, because of the way he's taken over by the castle completely, and his "private war" with the major because of it. One of the best scenes was between him and Private Benjamin (played by Al Freeman Jr.), who was pictured as his "soulmate" in a way. Beckman admitted that he'd been a war hero (before the beginning of the story), but he wrote it off as being temporarily crazy. Benjamin said, "But you'd fight to save this castle." Beckman said, "Yes - but I don't know who. Which side."

One of the best funny lines was one of Peter Falk's - "Swim the moat? What the hell war is this?"

I remember watching Castle Keep many times as a youngster. The film was a staple on local TV and showed up several times a year. I loved it then and recently saw it again, for the first time in 20 years, on TCM. The film has lost none of its lustre and in its widescreen format is even better than before. Cinematographer Henri Decae (The 400 Blows) creates a surreal fairytale atmosphere without sacrificing wartime realism in this tale of stranded GIs in the Ardennes at the end of World War II. The squad, led by an eye-patched Burt Lancaster, try to halt the German advance by hunkering down in a medieval castle that has been miraculously unaffected by the tribulations of the war. The film has echoes of Cocteau's Beauty and the Beast and it's stylistic contemporary, King of Hearts, but stands on it's own as a superb philosophical exploration of warfare and violence. If you enjoyed A Midnight Clear, you will enjoy Castle Keep.

Burt Lancaster leads the able cast assembled here for a WWII tale of an eyepatch wearing Major and his team of quirky characters, who take over the isolated Belgian castle of a Count played by Jean-Pierre Aumont. They are determined to defend it from the Germans, even as the war is starting to move towards a conclusion. The Captain on the team, a man named Beckman (Patrick O'Neal), knows that he would rather the Nazis not get their hands on the vast treasures taking up space inside this castle.

"Castle Keep" is based on a novel by William Eastlake, and is directed by Sydney Pollack, the latter making one of his more intriguing films. It does come off as a bit pretentious and self-consciously "arty" at times, but at the same time does make some interesting parallels between art and war. Beckman, in fact, tries to drive this idea home to a rather disinterested bunch of soldiers, as he gives them a lecture on art history.

This picture does become more conventional as it goes along, delivering some genuinely intense battle scenes that are pretty exciting. Overall, it's still more of a war drama "for the thinking person", albeit with some memorable absurdist humour. (Scott Wilson plays a Private named Clearboy who becomes enamoured of a Volkswagen, and saves it from receiving a death sentence.)

Lancaster is efficient as always, in a rather unsympathetic role, but concedes the major acting showcases to under-rated actors such as O'Neal and Al Freeman Jr. (as the Private with literary aspirations), and the typically amusing Peter Falk as a Sergeant who temporarily puts fighting on hold to pursue his more valued vocation of baker. The excellent ensemble also includes the gorgeous Astrid Heeren as the Countess, Tony Bill as the serious-minded Lieutenant, James Patterson as the "Indian" soldier Elk, Bruce Dern as a conscientious objector who's found religion, and Michael Conrad as Sergeant DeVaca.

This viewer would agree that "Castle Keep" is not for all tastes. However, it does provide a striking and surreal alternative to the traditional war film.

Seven out of 10.