Um dentista finge ser casado para evitar compromissos, mas quando ele se apaixona por uma mulher, ele deve recrutar sua amada enfermeira para se fazer passar por sua esposa.Um dentista finge ser casado para evitar compromissos, mas quando ele se apaixona por uma mulher, ele deve recrutar sua amada enfermeira para se fazer passar por sua esposa.Um dentista finge ser casado para evitar compromissos, mas quando ele se apaixona por uma mulher, ele deve recrutar sua amada enfermeira para se fazer passar por sua esposa.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 Oscar
- 3 vitórias e 6 indicações no total
- Bar Patron
- (não creditado)
- Club Patron
- (não creditado)
- Waitress
- (não creditado)
- First Waiter
- (não creditado)
- Club Patron
- (não creditado)
- Man Dancing in Club
- (não creditado)
- Restaurant Patron
- (não creditado)
- Parcel Post Man
- (não creditado)
Avaliações em destaque
It's a story played for laughs from beginning to end, good-humored stuff that never runs out of dry humor and wit throughout its running time. There are plenty of one-liners or gags that are way above the usual situation comedy stuff one hears on TV--the lines ring true because they blend so well with the characters and their motives.
As the daffy girl who contemplates (in the beginning) committing suicide over her unhappy affair with Matthau, GOLDIE HAWN (fresh from her days as a star on TV's "Laugh In") does a dumb blonde role to perfection. Easy to see why she won that Supporting Actress Oscar.
Ingrid is surprisingly fetching in a rare comedy role, although there are times when she seems just a bit too matronly for the part. At any rate, she's a surprising choice to play the nurse who puts on a freeze act at the office but is considerably warmer off duty.
As Goldie's next door neighbor, Igor, Rick Lenz acquits himself admirably, and makes a suitable match for her in that final scene.
Matthau plays the kind of character that became his stock in trade in all those Neil Simon roles he had--a lovable cad who gets caught up in his own messes when he tells lie after lie.
It's the kind of rib-tickling comedy that'll have you laughing out loud at some of the amusing lines that Abe Burrows and I.A.L. Diamond have managed to scrap together, based on a French farce.
I am a movie junkie but I had never even HEARD of this movie (or if I did in 1971, I forgot). It's worth watching just for the performance of Goldie Hawn as the tart-tongued ingénue. Her acting is a revelation in this movie. Yes, the script is sharp and excellent (when was the last time they made a Hollywood comedy with a smart script?) but her acting is extraordinary. I never realized how funny Goldie could be, and it makes her later appearances in roles such as Laugh-In and Private Benjamin a little sad. In her later career she is far too over-the-top compared to her minimalist, wickedly funny appearance here.
It's a pleasure watching the young Matthau, the great Bergman and the stellar supporting cast, but it's Goldie Hawn that will make this movie worth watching again.
I was surprised to learn that Ingrid Bergman was in her 50s during filming. At most I guessed her to be in her early 40s. She looks amazing. The actress has always had a flair for comedy and she brings class to her role. A supercute Goldie Hawn is absolutely charming and vivacious. I couldn't have pictured anyone other than Walter Matthau as Julian. The rest of the cast are impressive.
'Cactus Flower' is a well made movie. Quincy Jones's music has a foottapping effect. The cinematography and editing are solid. Saks never derails from the main story.
This film has plenty of laugh out loud moments but my favourite one is the final dance sequence. That had me pretty much rolling on the floor. To sum it up, 'Cactus Flower' is a wonderful comedy. I'll be revisiting it sometime.
1969 film "Cactus Flower", directed by Gene Saks (who has already introduced us, a year earlier, to another stage play classic adapted for the big screen, Neil Simon's "The Odd Couple") is a feel-good movie--based on Abe Burrows' Broadway stage adaptation of its witty French original, Pierre Barillet and Jean-Pieerre Grédy's play "Fleur de cactus"--scripted by a legendary comedic writer I.A.L. Diamond (who is, among his other memorable works, credited with the screenplay for an all-time favourite comedy "Some Like It Hot" (1959)), with impish dentist Walter Matthau, accompanied by his reputable nurse-receptionist Ingrid Bergman, coming across as likable and funny leads, further supported by young and sweet Goldie Hawn, in her Oscar awarded depiction of a-cute-dumb-blond stereotype.
Bergman's Stephanie Dickinson, for all her decency and selflessness, is a character who is easy to identify with and root for in her initially seemingly unconscious pursuit of her apparently long suppressed, quietly emerging affection for Matthau's Dr. Julian Winston, a rogue we cannot hate because he behaves like a boy from Mark Twain's novel, or Dennis the menace who has grown up and old, but never out of his mischievous ways. In his no-strings-attached wished for relationship with Hawn's sparkling Toni Simmons, he pretends to be married. However, this new "fact" tickles well meant youngster's curiosity, so, surely free spirited, but not unscrupulous as eventual household breaker, Toni, tormented by many unanswered questions becomes--as seen in the introductory scene--suicidal, and... what was meant to be a small "preventive" lie asks for more lies, ultimately spiraling out of control.
Interaction between the three, further helped with an additional "accomplice", Winston-like lovable cad Harvey Greenfield, played by Jack Weston, produces some truly hilarious and--specially when the most believable miss Dickinson is involved--touchy moments for a wide-range audience to enjoy. "Cactus Flower" easily stands the test of time and even improves with each repeated viewing.
Current year (2011) production "Just Go with It", a loose remake of the 1969 original, provides a solid, yet, somewhat inferior entertainment when compared to its predecessor.
Você sabia?
- CuriosidadesMaking this movie was the first time Ingrid Bergman had been on a Hollywood sound stage since the 1940s--all her subsequent films up to that point had been made in Europe, even those for American studios.
- Erros de gravaçãoWhen Julian is driving Stephanie home, the shot from the driver's side of the car reveals the shadow of the car against the traffic on the movie screen behind them.
- Citações
Dr. Julian Winston: I must say, it's grotesque. A woman your age, throwing yourself at a kid like that!
Stephanie: And what about that eh, father-daughter thing of yours, if you don't think that's ridiculous...
Dr. Julian Winston: Well, it's different for a man. If a man is with a younger woman it looks entirely appropriate, but when it's the other way around, it's disg...
Stephanie: Well, you go to your church and I'll go to mine.
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Flor de Cactus
- Locações de filme
- 252 W. 11th Street, Manhattan, Nova Iorque, Nova Iorque, EUA(Toni's apartment building)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.000.000 (estimativa)
- Tempo de duração
- 1 h 44 min(104 min)
- Mixagem de som
- Proporção
- 1.85 : 1