Que o Céu a Condene

Beatrice Cenci is an usual film, especially considering that it was directed by Lucio Fulci who is most known for his horror and giallo films which include A Lizard in a Woman's Skin and The House by the Cemetery. The film is based on a true story and Fulci does not approach the subject matter in the way that you would expect, which helps to elevate the film above similarly-themed films of the same time period. Although not quite cinema verite, the film does show the setting of Rome in the late 1500s in a very grim, dingy, and sweaty fashion, which perhaps is the clue that this is a Fulci film. Although we are dealing with aristocrats living in a Rome known for its excess, we are shown people who are not pretty actors on a stage, but are very human, which necessarily involves displays of brutality and inhumanity.

The film is nonlinear and involves the case of Beatrice Cenci who was alleged to have led several associates in the murder of her father, one of the wealthiest men in Rome. If there is a weakness in the film it is perhaps that it tries hard to establish the guilt of the father, immediately showing him as a heartless monster, rather than perhaps taking a modern line where everyone is guilty. The nonlinearity also isn't always successful because of a lack of distinction on film between the present and the past. The at times restrained acting and the icy beauty of the female characters is perhaps characteristically Fulci. The film is not groundbreaking, but it's worth a watch.

A terrificly executed period piece from the Godfather of Gore, Beatrice Cenci(1969) is a masterpiece of tragic beauty. This movie is a contradiction to the accusation of Fulci as a misogynist from his later films. Adrienne LaRussa does a nice job in conveying the almost gentle nature of the female protagonist. George Wilson as the father does a good job in portraying someone truly evil. Cries of death to the director were shouted in a theatre due to the film's anti-catholic nature.

The Catholic church is presented in the film with absolute disdain. In fact, they are seen as greedy and hypocritical. Beatrice Cenci(1969), along with The Witchfinder General(1968) are probably the best films dealing with the late middle ages. The direction is nearly perfect, and the story is well done. The film revolves around a labyrinth of flashbacks in the style of Reservoir Dogs(1992). The main source of influence seems to been The play version of The Cenci by Artoud, Antonin as well as the five act play by Percelly Shelly.

There are two films that Beatrice Cenci(1969) compares with. One film is Don't Torture A Duckling(1972) which also deals with Catholic repression. Another film is The Devil's Honey(1986) which deals deals with a woman's urge to be an independant woman. Beatrice Cenci(1969) is not only overlooked by Fulci supporters but by Fulci distractors as well. This movie shows that Fulci was capable of more ambigious and personal films then the many ones that he direct in his career(Its too bad as he had the talent that would have made him one of the best directors of his generation in Italy).

I recently watched the Italian film 🇮🇹 Conspiracy of Torture (1969) on Tubi. The story centers on a castle ruled by a tyrant who abuses his daughter, mistreats his wife, and is no better to his servants. When the daughter devises a plan to kill her cruel father and free the family from his grip, the question becomes: can she trust her co-conspirators, or will they betray her when it matters most?

Directed by Lucio Fulci (The New York Ripper), the film stars Tomas Milian (Traffic), Adrienne Larussa (Terror at Alcatraz), Georges Wilson (The Longest Day), and Ignazio Spalla (Sabata).

The film evokes the feel of a Hammer production, with its gothic castle setting, period costumes, and atmosphere of moral decay. The cast gives solid performances, and the characters are entertainingly drawn. As expected in the genre, there's no shortage of beautiful women and flashes of horror nudity. The torture scenes are creatively staged, featuring unique contraptions and memorable kills. While the practical effects are minimal and the blood looks like red paint, the film maintains a consistent level of tension and intrigue throughout.

In conclusion, Conspiracy of Torture is a well-executed period horror film, full of gothic flair, striking women, and engaging twists. I'd give it a 7/10 and recommend watching it at least once.

While Lucio Fulci considered Zombie Flesh Eaters and The Beyond the two films that forever catapulted him to cult film stardom, there were two films at the start of his career that he considered his best all-round work: Don't Torture a Duckling, and this.

And it's easy to see why - 'Beatrice Cenci' (aka The Conspiracy of Torture) is arguably his most mature effort: a fact-based historical drama laced with revenge, politics, and a touch of religion; a film which, going by release date, belies its position in the director's filmography.

Set in 1599, the story is told mainly through flashbacks of how Beatrice Cenci plotted the murder of her abusive father with the aid of her stepmother and lover.

It's rare when a Fulci film contains a story that takes priority over violence, but it's refreshing. There's no gratuitous gore on display here, just brutal, historically accurate torture methods. It's also thematically satisfying, with love servicing the narrative well, particularly when accompanied by a poignant score to bolster its impact in the latter stages.

It might take its time to grip you, but once it does, 'Beatrice Cenci' proves to be a compelling effort from the soon-to-be-labelled Godfather of Gore, with strong direction, solid performances, and great camera work making for an impactful historical drama.

8/10.

I read the 12 reviews (at this time), and not much to add really. It really feels like the 16th century. There is something special about the detail put in to the costumes and set designs. The acting is really 1st class, and Fulci really works them to get convincing performances. The story line deserves a lot of credit, this being a 1969 flick. Its non-linear structure is maximised to full effect. Sadly its literally unheard of, despite coming out 2 years before The Devils (1971). Would have thought the controversial content, would have at least have kept it in the spot light over the years. Its a fine period piece, and I can see why Fulci was proud of it.