AVALIAÇÃO DA IMDb
6,1/10
2,8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaPost-apocalyptic England. Survivors navigate surreal wasteland, mutating into inanimate objects. Girl living on train meets commuter and doctor. Follows their interactions amidst chaos, focu... Ler tudoPost-apocalyptic England. Survivors navigate surreal wasteland, mutating into inanimate objects. Girl living on train meets commuter and doctor. Follows their interactions amidst chaos, focusing on girl's pregnancy.Post-apocalyptic England. Survivors navigate surreal wasteland, mutating into inanimate objects. Girl living on train meets commuter and doctor. Follows their interactions amidst chaos, focusing on girl's pregnancy.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 3 indicações no total
Avaliações em destaque
This is a movie that has followed me all throughout my life even though I have only watched it one time approx. 22 years ago. The classic British humor in this prepared me to enjoy other comedy such as Monty Python. I am new to the net and am desperately trying to purchase a copy of this masterpiece to dedicate to the now deceased friend I had watched it with years ago. Any suggestions would be appreciated.
After the grim realism of Peter Watkins' 'The War Game' this film marked the sixties' headlong retreat into total fantasy in which the Central Line still functions and radiation causes mutation into a bed-sitting room rather than boring old radiation sickness.
An amazing cast - including two Goons - make complete fools of themselves in the film in which Dick Lester blew once and for all blew all the professional capital he'd made directing the Beatles.
Ken Thorne's music like the rest of the film is likeable but far too emphatic.
An amazing cast - including two Goons - make complete fools of themselves in the film in which Dick Lester blew once and for all blew all the professional capital he'd made directing the Beatles.
Ken Thorne's music like the rest of the film is likeable but far too emphatic.
Buried in the sheer oddity and downright perversity of the humour there is a deep pathos. People of all classes from Lord to lunatic try through activities and language to cling to a civilization represented by heaps of objects. The horrors of holocaust are tempered by humour arising mainly from the ridiculous pretensions of the cast. Every mainstay of British middle and upper class culture has been made absurd - some of the characters are busy mutating into absurd objects - a bed sitting room, a wardrobe, a parrot. The humour is zany, the one-liners often mixing double entendre, understatement and naievity with real pathos. Arthur Lowe as the pompous father, Mona Washbourne as the all-sympathetic mother can bring a lump to the throat.
The nearest rival to Milligan's and Antrobus' satire is to be found in Swift. Lampooning society after it has endured the very worst of tragedies and demonstrating through a torrent of absurdities, that human decency survives is something difficult to sustain in text, but this Fellini-like panorama could never be contained by the pages of a book. It almost defines one of the things which film can do best.
It is ragged and patchy - but a film which includes Harry Seacombe as a 'regional seat of government' defies conventional criticism!
The nearest rival to Milligan's and Antrobus' satire is to be found in Swift. Lampooning society after it has endured the very worst of tragedies and demonstrating through a torrent of absurdities, that human decency survives is something difficult to sustain in text, but this Fellini-like panorama could never be contained by the pages of a book. It almost defines one of the things which film can do best.
It is ragged and patchy - but a film which includes Harry Seacombe as a 'regional seat of government' defies conventional criticism!
A very strange film, this one, a surreal post-apocalypse comedy with some broad satire aimed at British politics and culture. It's quite unmissable on account of the incredible cast of famous faces and worth seeing just for them doing their bit, but the rest is more of a sketch show than anything else. It's moderately funny, on par with a typical MONTY PYTHON episode of the era.
This was a commercial disaster on release and has been little seen since. It was written by Spike Milligan and it is set in a post-apocalyptic world populated by very few people. The cast is very good with Milligan, Michael Hordern, Ralph Richardson, Arthur Lowe, Harry Secombe, Roy Kinnear, Peter Cook, Dudley Moore, Marty Feldman etc on hand. There is barely a story and it is more a series of situations which are driven by the eccentric characters who live on the barren wasteland. The tone is comedic and absurd throughout and it looks great visually. As the old saying goes, it's certainly not for everyone but it's a bizarre film which is enjoyable so long as you can get into its peculiar groove.
Você sabia?
- CuriosidadesProducer and director Richard Lester is said to have been depressed that many of the outdoor locations were found so quickly, and needed so little modification.
- Erros de gravaçãoA London Underground train appears several times. The legend over the cab states 'Circle' as in Circle Line. But the Circle is a sub-surface line while the train depicted is London Underground 1962 deep line stock.
- Cenas durante ou pós-créditosIn the opening credits, cast members are listed in order of height.
- ConexõesFeatured in Hollywood U.K. British Cinema in the Sixties: A Very British Picture (1993)
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Detalhes
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Proporção
- 1.66 : 1
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