Astro-Zombies
- 1968
- 1 h 32 min
AVALIAÇÃO DA IMDb
3,1/10
3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe Plan - to build a super human. How? By murdering innocent, convenient victims, and using various bits of them. The result? Creatures on the rampage.The Plan - to build a super human. How? By murdering innocent, convenient victims, and using various bits of them. The result? Creatures on the rampage.The Plan - to build a super human. How? By murdering innocent, convenient victims, and using various bits of them. The result? Creatures on the rampage.
Wally K. Berns
- Agent Mike Webber
- (as Wally Berns)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I recommend this movie to insomniacs, maybe they can watch this movie and enjoy it. It's a mix of spies, science, and horror as several plots interrupt each other. 1) A team of detectives are investigating a series of murders where organs are taken from bodies and try to stop a gang of spies. 2) A mad scientist (played horribly by John Carradine) takes the organs and makes a series of astro zombies that run on batteries (more on this later). 3) A gang of spies, led by Tura Satana, needs the scientist's information to create their own supermen to take over the world.
Now, each plot has its good points. Joan Patrick is the shining star in the detective story as a young nurse used as bait for a zombie (seems the brain of a criminal she operated on is inside of it). After that fails, she goes home and is attacked by one while her cop boyfriend is outside. The cop puts up a fight with the thing and (luckily for him, since he was getting beat pretty bad) the zombie runs out of energy in its "cell battery" on its forehead, so it grabs the nearest flashlight, turns it on, smacks it onto the battery, and runs back to the lab! The scientist plot is saved by the presence of a scantily-dressed young captive who is gawked at and pawed upon by Carradine's assistant Franchot. Carradine just rambles on and on about science and zombies and such to his mute assistant, who couldn't care less! All Franchot wants to do is experiment on the captive! The spy story is Tura Satana's story and I could watch her forever! An extremely sexy woman, just like in FASTER PUSSYCAT! KILL! KILL!, she is pure evil. She holds men hostage and burns cigarette butts into their faces, shoots cops gleefully even after they're dead, and obviously wants to take over the world!
Now that I think about, I guess I can see why people might want to watch this. For the sheer silliness of it all. But there are many boring parts, including a hypnotic nude dance in a club by a woman painted head to toe in psychedelic colors! Proceed with caution!
Now, each plot has its good points. Joan Patrick is the shining star in the detective story as a young nurse used as bait for a zombie (seems the brain of a criminal she operated on is inside of it). After that fails, she goes home and is attacked by one while her cop boyfriend is outside. The cop puts up a fight with the thing and (luckily for him, since he was getting beat pretty bad) the zombie runs out of energy in its "cell battery" on its forehead, so it grabs the nearest flashlight, turns it on, smacks it onto the battery, and runs back to the lab! The scientist plot is saved by the presence of a scantily-dressed young captive who is gawked at and pawed upon by Carradine's assistant Franchot. Carradine just rambles on and on about science and zombies and such to his mute assistant, who couldn't care less! All Franchot wants to do is experiment on the captive! The spy story is Tura Satana's story and I could watch her forever! An extremely sexy woman, just like in FASTER PUSSYCAT! KILL! KILL!, she is pure evil. She holds men hostage and burns cigarette butts into their faces, shoots cops gleefully even after they're dead, and obviously wants to take over the world!
Now that I think about, I guess I can see why people might want to watch this. For the sheer silliness of it all. But there are many boring parts, including a hypnotic nude dance in a club by a woman painted head to toe in psychedelic colors! Proceed with caution!
Astro Zombies is one of the greatest movies of the 20th century! Ted V. Mikels is the godfather of schlock moviedom. Acting? Who needs it? Storyline? So what. Coherency? Nah! What we have in Astro Zombies is rogue scientist John Carradine as Dr. DeMarco, creating an army of astro men - half man half astro robot, tough, sexy spy Tura Santana (dig her cool wardrobe!) and her minions trying to shanghai the zombies for her evil country, and has been actor Wendell Corey and his FBI cronies trying to put a stop to it all. Why would they want to spoil all the fun? The astro zombie masks are really cool looking too. Fabulous nonsense from the man that brought us The Corpse Grinders, The Doll Squad, and the sequel Mark of the Astro Zombies. Hell, the Misfits even entitled a song after this flick and there is a European punk/metal? band of the same name. Tune in this film for fun and mayhem as the Astro Zombies rampage late 60's Los Angeles. Highly recommended!
When I read that this was thought of by some reviewers as the worst film in history along with John Carradine headlining this act I figured why not give this thing a watch. I must say that no I don't think it's the worst film I have ever seen, but boy it is close. It starts with you guessed it a bad opening and when you thought the first 20 minutes were enough to sink this mess it just gets worse.
To give you an idea of the story over the last six months murders have been occurring that is when it sort of gets the feel of a hokey 50s sci-fi/horror cornball movie. Poor old John Carradine (who must have agreed to any script he was given) plays Dr. DeMarco who sadly just turns knobs and spouts out pages of dialogue. For it is he who is creating these Astro-Zombies.
Death scenes are poorly executed and we the viewer need Dr. DeMarco to injected some excitement into this movie. It sounds when reading the plot that it may not be too bad on the excitement scale, but it is just a boring movie really.
Based on screenplay by the director Ted V. Mikels and Wayne Rogers (who I remember as Trapper from the great TV show M.A.S.H.). I would suggest watching that show instead.
To give you an idea of the story over the last six months murders have been occurring that is when it sort of gets the feel of a hokey 50s sci-fi/horror cornball movie. Poor old John Carradine (who must have agreed to any script he was given) plays Dr. DeMarco who sadly just turns knobs and spouts out pages of dialogue. For it is he who is creating these Astro-Zombies.
Death scenes are poorly executed and we the viewer need Dr. DeMarco to injected some excitement into this movie. It sounds when reading the plot that it may not be too bad on the excitement scale, but it is just a boring movie really.
Based on screenplay by the director Ted V. Mikels and Wayne Rogers (who I remember as Trapper from the great TV show M.A.S.H.). I would suggest watching that show instead.
Despite the fact that he had the greatest voice (not to mention the best wild-eyed leer!) of all the 1930s/'40s-era horror actors, he was given very little to do in the low-budget films in which he so often starred during the latter part of his career. "The Astro-Zombies" is no exception. Dressed in a white lab coat that hangs loosely on his skeletal frame, Carradine performs all his scenes on a cheap-looking dungeon set. Most of his lines are gibberish: "Activate the sonic transmogriceptor!" and so forth. There is some fun to be found elsewhere in the film, as Carradine's berserk astro-zombies wreak havoc throughout the city; there's even some gore and partial nudity (the very comely blonde chick who does a topless dance routine covered in wacky, multicolored body paint). The subplot involving foreign spies is painfully dull, however, and poorly acted by Tura Satana and her cornball henchmen. Don't expect too much...just enjoy the film for the grade-Z nonsense it is.
The Astro Zombie is a man in a rubber mask. The Male leads try to keep a straight face while spouting ridiculous dialogue. Tura Satana wears exotic outfits, makeup and eyelashes which gives the movie some camp appeal. You'll have a hard time figuring out the plot. It's shocking to see the depths Wendell Corey had descended to but he was probably too sozzled to care. The women scream a lot especially when the Astro Zombie tries to rip their clothes off. John Carradine bumbles around in his laboratory endlessly. The opening and closing credits are shot over film of toy robots and tanks. If you thought Ed Wood made bad films wait until you see this. I'll never part with my video copy though!
Você sabia?
- CuriosidadesThe house used in the film belonged to Peter Falk, a friend of the film's writer and producer, Wayne Rogers. Falk was slated to have a cameo in the film, but director Ted V. Mikels cut Falk's scene, saying that he was too comedic for what Mikels saw as a serious role in a sci-fi/horror film.
- Erros de gravaçãoThroughout the film, Tura uses a revolver which has been equipped with a silencer (or something supposed to look like one). Silencers, however, do not work on revolvers, as there are several places besides the muzzle of a revolver that gas and noise would escape, rendering the silencer superfluous.
- Citações
Dr. DeMarco: [to his assistant, who is menacing the girl strapped to the table] Your own experiments will have to wait.
- ConexõesEdited into Astro-Zombies (2016)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Astro-Zombies
- Locações de filme
- Griffith Park - 4730 Crystal Springs Drive, Los Angeles, Califórnia, EUA(opening & ending credits)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 37.000 (estimativa)
- Tempo de duração
- 1 h 32 min(92 min)
- Mixagem de som
- Proporção
- 1.85 : 1
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