Alfredo, O Grande

I liked this. Set in England in the 870s it tells the story of one of the great Kings in history. Hemmings does a great job as the complicated cynical Alfred who wants to be a priest but is forced into becoming King because his leadership qualities are badly needed against the marauding Danes. Hemmings Alfred is a formidable character but he's refreshingly no Hollywood hero. The battle scenes are excellent when you consider this was made on a low budget way back in 1969. There's a great aerial shot of a battle focusing on Alfred who's just come from the monastery to answer his country's call, giving off the impression that while he might prefer to be a holy man of letters, he can still effortlessly slide into the battlefield in an I can take or leave this manner. Hence his greatness.

A pretty decent film overall. "Chapters" in the story change with a gimmicky visual effect of Hemmings' face looking at itself in transition (from would-be priest to young king, from ruler to man on the run, etc.), it's sometimes hard to catch the names of the individual characters (and the final credits don't help much), and the battle scenes (though staged well) might be seen as overlong. But the film tells its story effectively, brings the characters and events to life and gives us a nice look at 9th century England, and how its people rallied around a king who learned from his early mistakes. I found the actors believable in their roles, the interpretation of events plausible and came away feeling like I knew something about King Alfred and his thoughts. Wouldn't take it as light entertainment, but would recommend it as dramatised history. --Of course, Hemmings' Alfred relies on cleverness, while York's Viking leader Guthrum leans mainly on bravado; familiar parts for both.

"Alfred the great" is an entertaining film with perhaps too much battle scenes.The two leads are convincing but the part of the queen is too underwritten.

The first scenes between David Hemmings and Prunella Ransome are good though: an educated prince who knows the Bible by heart and whose only ambition is to become a monk;an ignorant virgin under her father's thumb who uses her for political reasons.

Then comes Michael York ,the villain who's got twenty concubines and who falls for his enemy's wife .

This is the story of a reluctant king who believed in peace and love and finally discovers that in those troubled times (the 9th century) you had to be cruel to be kind .

Like this?try these...

Richard Fleischer: the Vikings 1958

Jack Cardiff:The long ships 1964

Like me numerous people commenting on this film have done so from memory and have not seen the film since its original release in 1969. This must be indeed be testimony to its lasting appeal for, strangely, it would appear that this film has not been released on DVD/Blu-ray. I will not discuss the historical content which seems to have met with rather mixed reviews (failing memories?) but I shall concentrate instead on the off-screen relationship of the principal protagonists played by David Hemmings and Prunella Ransome. Hemmings was, by his own admission, a 'Jack the Lad' who when asked to kiss Ransome in rehearsal did so in a manner that can only be described as being in the French style. Ransome was so furious that she refused to speak to him offset and in fact there was no communication between them again for nearly thirty years. Hemmings eventually apologised at a function they were attending and it was their final meeting for they were both dead within 4 years. The cause of Ransome's death has never been made public.

Though I'm quite aware of this film's shortcomings (length and the multitude of exotic names, etc.), I must say that I think Leonard Maltin does this film a disservice. It accurately portrays some of the most important events in English history, and also paints a fine portrait of a monarch torn between earthly passions and the desire for spiritual purity. It is only by truly balancing these two forces that a man can succeed, and Alfred did so.

The conflicting forces in the film also symbolize Alfred's inner struggle -- the church representing his spiritual desires and the Danes standing for the passions and lusts of the physical world. Certainly the Battle of Athelney Marsh, one of the pivotal events in British history, is stirringly portrayed, particularly when the peasants and commoners rise up to save their king. This film, despite its flaws and its abysmal box office performance, remains a personal favorite of mine.