Uma jovem virgem inocente, porém mimada, a serva ciumenta e grávida de sua família decidiram entregar velas na igreja, mas apenas uma delas retorna por causa dos eventos que acontecem na flo... Ler tudoUma jovem virgem inocente, porém mimada, a serva ciumenta e grávida de sua família decidiram entregar velas na igreja, mas apenas uma delas retorna por causa dos eventos que acontecem na floresta ao longo do caminho.Uma jovem virgem inocente, porém mimada, a serva ciumenta e grávida de sua família decidiram entregar velas na igreja, mas apenas uma delas retorna por causa dos eventos que acontecem na floresta ao longo do caminho.
- Ganhou 1 Oscar
- 6 vitórias e 2 indicações no total
- Den gamle drängen
- (não creditado)
- Den unge drängen
- (não creditado)
Avaliações em destaque
The movie displays haunting and powerful scenes , it's plenty of images which stay forever in mind . Although it is sometimes slow moving ; however , the thoughtful screenplay is narrated with intelligence and sensitivity but here are developed ethic and moral issues just like death , God , religion and vengeance . The movie realizes an excellent reunion of Swedish actors with usual Bergman's players (Sidow and Lindblon , among others), showing the different characters and exploring their apprehensions , ambitions , fears and circumstances . Glimmer and riveting cinematography by Sven Nykvist (he won an Oscar for Fanny and Alexander) , he's deemed by many to be one of the world's greatest cameramen , he achieved give the movies on the most natural and simplest look imaginable , he replaced Gunner Fischer (The seventh seal) as Bergman's cinematographer . He continued an American career working for Louis Malle (Pretty baby) ,Bob Fosse (Star 80) ,Philipp Kauffman (The unbearable lightness of being) and Woody Allen (Another woman , Crimen and misdemeanors). ¨The Virgin spring¨ was wonderfully directed by Bergman , it's a real masterpiece who made his major impact gaining international acclaim and winning an Oscar to the best foreign film and a Gloden Globe . His realization was during his impressive golden period from 1957-1968 , when Bergman (recently deceased) made stunning masterpieces : The seventh seal , Persona , The communicants , The silence , Hour of Wolf . Rating : Magnificent , but it is considered by many (along with The seventh seal) to be the Bergman's best . And please to forget the horrible and ¨Sui generis¨ version made by Wes Craven titled ¨The last house on the left¨ .
This is a raw, uncompromising, unbiased parable on love and revenge; on humanity. It is set in 14th century Sweden - but its "message" is timeless: as timeless as love and vengefulness themselves. As timeless as humanity itself. Because the mores may change, but today, as 800 years ago, people are still helpless in their (perhaps inevitable) core existential ignorance, still subject to the immense pain of losing a loved one, of the inexplicable torments that often befall just and righteous, "good" people.
And that is what makes this a brutal, heartrending, unforgettable film.
A tragic tale unfolds over a day or so, with emotions bouncing off the thatch and hearts and minds broken and dispatched. Great film making accentuating sublime performances through a story of despair and disillusion.
Max von Sydow is, once again, out of this world and Gunnel Lindblom's pretty impressive too, in a tale not written by the director but transpires to be one of his absolute best.
Bergman's pacing and subtle direction which at one point leaves the viewer in suspense for what seems like an eternity is surely the reason for the greatness of this film. As if he were playing chess, he manipulates not only the characters, but the emotions of the viewers with intelligent and surprising maneuvers while pressing home his own sentiments regarding the story so that we may at least take into great consideration the events that we have seen. Bergman has an amazing ability to flip the atmosphere of a movie in a split second using various lighting and camera angle techniques as well as motivating his performers to follow suit. The simple expression changes on the faces of Birgitta Petterssen, Max von Sydow, Birgitta Valberg and Gunnel Lindblom at various points throughout the film quickly alter the mindset of the viewer and indicate that all is not well; so beautiful in undeniable simplicity.
'The Virgin Spring' is nothing short of a masterpiece and a film that few will be able to forget. 9½/10
Você sabia?
- CuriosidadesThe bridge keeper played by Axel Slangus clearly is supposed to be Odin. Beside his comments about recognizing Ingeri as if they have met before (suggesting he heard her prayer at the beginning of the film), there are several nods to Odinic lore. Before the bridge keeper appears, a raven is seated outside his hut. The raven was considered to be sacred to Odin. When the bridge keeper is finally shown up close, it can be seen that he is one-eyed, which is Odin's most prominent feature, having sacrificed an eye to attain wisdom. Finally, when Ingeri sits in the high-seat, she suddenly has seemingly clairvoyant hearing. This is a nod to Odin's high-seat Hlidskjalf, from which he could see all things happening in the world.
- Erros de gravaçãoWhen the Boy Goat Herder is placing dirt on Karin's body, her torso moves even though she is supposed to be dead.
- Citações
Beggar: See the smoke trembling under the roof as if with fright? Yet when it gets out in the air, it has the whole sky to swirl about in. But it doesn't know that, so it huddles and trembles in the soot under the roof. It's the same with people. They quiver like a leaf in the storm, afraid of what they know and what they don't know.
- ConexõesEdited into Journal d un père (2023)
Principais escolhas
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 6.952
- Tempo de duração1 hora 29 minutos
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1