Adicionar um enredo no seu idiomaOscar® - winning short in which a young girl observes the array of quirky characters who pass her father's rural petrol station.Oscar® - winning short in which a young girl observes the array of quirky characters who pass her father's rural petrol station.Oscar® - winning short in which a young girl observes the array of quirky characters who pass her father's rural petrol station.
- Direção
- Roteirista
- Artistas
- Ganhou 1 Oscar
- 1 vitória no total
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Avaliações em destaque
I enjoyed watching my Dad in this film as the American Tourist and wife driving the black Cadillac. He was an American character and stage actor in Italy while in the US Army assigned to the embassy in Verona. We had James Hill visit our home in Palm Springs Ca introducing us as children to rough cut films of his referencing African Tribes and wildlife for potential documentaries. This film is uploaded to YouTube in 3 parts, great story and film!
10schreu
This is a modern classic in the guise of a half-hour industrial film. Why is it not better known? It should be celebrated in books, magazines, websites and fan discussion groups!
GIUSEPPINA, filmed in color, became known to British tv viewers in the mid- to late 1960s because it was often broadcast in off-hours as a kind of moving test pattern, a sales incentive in tv dealerships showing off their latest colour television sets.
The film itself, largely dialogue-less and reminiscent of the visual comedy of Jacques Tati, is an endearing story, told with utmost simplicity. Filmed on one location in rural northern Italy, it is centered on the life of 9-year-old Giuseppina whose father runs a BP petrol station.
The film won numerous awards, including an Oscar.
GIUSEPPINA, filmed in color, became known to British tv viewers in the mid- to late 1960s because it was often broadcast in off-hours as a kind of moving test pattern, a sales incentive in tv dealerships showing off their latest colour television sets.
The film itself, largely dialogue-less and reminiscent of the visual comedy of Jacques Tati, is an endearing story, told with utmost simplicity. Filmed on one location in rural northern Italy, it is centered on the life of 9-year-old Giuseppina whose father runs a BP petrol station.
The film won numerous awards, including an Oscar.
This is quite a quirky documentary, produced by BP, that follows a morning in the life of the eponymous girl who is a bit bored, so watches the customers come and go through her dad's petrol station because he won't take her to the nearby fair! He tries to convince her of just how much fun she can have staying put - but she's unconvinced and for the first five minutes, so was I! The the oil tanker delivers - but he only stays for a few moments to top up his coffee... More birdsong the a hunter on his bike, a couple of Vespa-riding clergymen. Finally, a swanky big saloon car. Dad can't find the petrol cap but at east she gets her photo taken (about two thousand times!) and he gets a big cigar. Then some unlucky newlyweds arrive, all suited, booted, oily and sweaty, but with a puncture on their tiny little car - dad gets to fix that and she gets to replace the bride's long gone corsage. Fun day, eh? Wait, there's even more excitement as one of those Morris Travellers - remember with the wooden framed rears, well it's got engine trouble so the (British) owners must stop and have some civilised afternoon tea whilst they wait for a new spark plug to be fitted. They don't even ask her to join them though, miserable gits... Eventually a sleek Mercedes convertible arrives and it's guitar playing passenger gives her a chance for a quick dance before lunch. The snag with this is that except for the few seconds of liveliness in her day, this is as dull to watch as it is to live through and the pace really doesn't have much gas either. Quite what or who BP made this for is anyone's guess, but it does have a charm to it as we watch the quiet life of a rural community where roads were still shared by donkeys and dreycarts, bikes and classic looking sardine tins with wheels and 500cc engines.
Lovely stuff ... I must have seen this Oscar winning BP film more often than any other film, even including Laurel & Hardy shorts and Tom & Jerry cartoons, but until tonight not since 24th August 1973. And tonight was the first time actually in colour! Apparently this was the last trade test colour film that UK BBC2 showed (I remember watching that day but couldn't recall which were on), one of over a hundred information/educational films multi-repeated throughout the 60's – Giuseppina was broadcast 158 times and was nowhere near the most frequently shown. They were virtually the only programmes on UK TV until teatime during school holidays during that supposed golden age.
I must have been as bored as the teenage girl Giuseppina was in this to see it so often – it's a languid tale of a slow sunny day at a small Italian BP garage, a couple of episodes involving passing good humoured eccentric customers enlivening the day for the family living at the garage. But all Giuseppina wanted was to be taken to the Fair. How could her philosophical father Rossi make a profit from such meagre trade? It struck me (many times) he even had time to oil the axles of a donkey cart squeaking by slowly. To paraphrase The Magnificent Ambersons, it seems we had time for everything back then – the faster we're carried, the less time we have to spare.
I wish the roads were as busy and full of people as pleasant now, and that short films could still be as inconsequential and entertaining as this was. Currently on youtube in 3 parts for anyone interested.
I must have been as bored as the teenage girl Giuseppina was in this to see it so often – it's a languid tale of a slow sunny day at a small Italian BP garage, a couple of episodes involving passing good humoured eccentric customers enlivening the day for the family living at the garage. But all Giuseppina wanted was to be taken to the Fair. How could her philosophical father Rossi make a profit from such meagre trade? It struck me (many times) he even had time to oil the axles of a donkey cart squeaking by slowly. To paraphrase The Magnificent Ambersons, it seems we had time for everything back then – the faster we're carried, the less time we have to spare.
I wish the roads were as busy and full of people as pleasant now, and that short films could still be as inconsequential and entertaining as this was. Currently on youtube in 3 parts for anyone interested.
Like other reviewers I remember watching this film as a BBC2 "Trade Test Transmission" and I suppose the last time I saw it was in 1973...until BP recently released it on DVD.
Although I enjoyed watching the film again, I have a very strong feeling that the incidental music-track has been changed. I distinctly remember a jaunty little tune which perfectly fitted the mood of the film, but it's not on the BP DVD. Either my memory (usually very reliable) is playing tricks on me, or the music in this film has been changed, perhaps for copyright reasons. Does this ring any bells for anyone?
Although I enjoyed watching the film again, I have a very strong feeling that the incidental music-track has been changed. I distinctly remember a jaunty little tune which perfectly fitted the mood of the film, but it's not on the BP DVD. Either my memory (usually very reliable) is playing tricks on me, or the music in this film has been changed, perhaps for copyright reasons. Does this ring any bells for anyone?
Você sabia?
- CuriosidadesGiuseppina's father, Rossi, says very little when serving his customers with a smile; similarly most customers generally gesticulate their needs. The first customers seen appear to be tourist Americans (in a Cadillac with Florida plates and a bumper sticker for 1490 radio, an assumed Florida station). On first watch, I assumed Italian props at an American filling station, mostly due to the Cadillac and Florida clues of the Americans, but changed that opinion to the Americans' having shipped their car to Italy; this Cadillac might have been expensive to ship over. The husband gestures for gasoline; Rossi discovers for himself the gas intake hidden inside the driver's side brake light. The second customer, the Italian newlyweds, get a complimentary tire change as a wedding gift, with little talk again. The third customers are Brits; the older man gestures for problems under the hood. They set a little tea service for themselves while Rossi works; "Rule Britannia" plays as the drive off. The fourth customers have Venezuelan plates; they verbally ask for gasoline; one plays guitar, and the other dances with Giuseppina to the music. Customer 5 is a young boy walking up with his boxcar, asking for gas; Rossi simulates a fill-up, and the boy goes away happy. When Giuseppina asks why, Rossi gives his quote that all customers are important.
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