AVALIAÇÃO DA IMDb
6,7/10
3,4 mil
SUA AVALIAÇÃO
Um jovem executivo ambicioso escolhe um casamento sem amor e uma vida pessoal insatisfatória em troca de uma carreira de sucesso em Wall Street.Um jovem executivo ambicioso escolhe um casamento sem amor e uma vida pessoal insatisfatória em troca de uma carreira de sucesso em Wall Street.Um jovem executivo ambicioso escolhe um casamento sem amor e uma vida pessoal insatisfatória em troca de uma carreira de sucesso em Wall Street.
- Prêmios
- 1 vitória e 2 indicações no total
Elizabeth Allen
- Sage Rimmington
- (as Betty Ellen)
Dorothy Adams
- Mrs. Benziger
- (não creditado)
Joseph Bardo
- Guard
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Paul Newman is doing his angry young man thing here, and Joanne Woodward is wonderful as she goes from rebellious rich brat to shrewish, slutty harridan. It's beautifully filmed with lots of sumptuous sets and it's obvious that a good part of the budget went to costumes. If you like movies with boozy, unhappy rich people who do little more than snipe at each other, you've got to see "From the Terrace."
As a youngster, I saw Paul Newman and Joanne Woodward in person, a few years after they finished this picture, in New York. They were appearing on Broadway in a comedy called "Baby Want A Kiss," and I was passing by Sardi's on 44th Street, I believe. First to come out was drop dead gorgeous Joanne, still wearing her FROM THE TERRACE hairstyle (shoulder-length pageboy flip) & dark movie star sunglasses, accompanied by two men in suits. She ignored the crowd who screamed, "Joanne, over here!" "Hi, Joanne!" Next, Paul Newman came out (two suited men on either side) as he held a cocktail glass in his hand. Obviously on his fourth or fifth drink, he looked like Alfred Eaton in TERRACE. But, unlike Joanne, he smiled and flashed the bluest eyes I've ever seen! He even toasted the screaming crowd. Women AND men were fainting unashamedly.
Personally, I loved FROM THE TERRACE. I was just fascinated by all the glamour, wealth, sex, adultery and sheer drama (especially between Leon Ames (Paul's father) and Newman.
Joanne as Mary St. John was a stone nympho, similar to Susanne Pleshette's over-sexed character in another John O'Hara book-to-film, A RAGE TO LIVE.
It was just a joy to see Woodward wear all those fabulous clothes and look spectacular in those hairdos and 60's makeup (it was all in the eyes!) After getting propositioned on the dance floor, Mary rebuked the man who knew "all about her..." donned a tremendously long white satin coat and "floated" like a regal queen to the limo (hair in a French Roll and a tiara!) Gorgeous.
Yes, she was an adulteress, but what was a "hungry" girl like her to do when her husband didn't want to touch her?
Personally, I loved FROM THE TERRACE. I was just fascinated by all the glamour, wealth, sex, adultery and sheer drama (especially between Leon Ames (Paul's father) and Newman.
Joanne as Mary St. John was a stone nympho, similar to Susanne Pleshette's over-sexed character in another John O'Hara book-to-film, A RAGE TO LIVE.
It was just a joy to see Woodward wear all those fabulous clothes and look spectacular in those hairdos and 60's makeup (it was all in the eyes!) After getting propositioned on the dance floor, Mary rebuked the man who knew "all about her..." donned a tremendously long white satin coat and "floated" like a regal queen to the limo (hair in a French Roll and a tiara!) Gorgeous.
Yes, she was an adulteress, but what was a "hungry" girl like her to do when her husband didn't want to touch her?
This engaging 1960 Hollywood production anticipated a coming decade of changing values in America. Its script teeters a bit, emphasizing a bit more the strain of the love conflict rather than the story's real essence. This is an easy mark for critics standing by with sharp knives who may then view it as superficial. However, its real drama depicts the changing generations of an America where at one time successes was measured only by the bank account and social prominence and not by integrity, the ramifications of truth in character.
Here, we see the contrasting generations in conflict. The Old Guard embraced expediency and placed the home and its values second to business success. Once in a while, a young man came along with enough awareness to see the lie in this doctrine. FROM THE TERRACE is in its pure essence the story about such a young man. This was done with a bit more success a few years before in THE MAN IN THE GRAY FLANNEL SUIT but this drama is certainly worthwhile seeing. It is well cast and played with production values that at the time were the best that Hollywood could offer. This includes an outstanding music score by Elmer Bernstein.
Here, we see the contrasting generations in conflict. The Old Guard embraced expediency and placed the home and its values second to business success. Once in a while, a young man came along with enough awareness to see the lie in this doctrine. FROM THE TERRACE is in its pure essence the story about such a young man. This was done with a bit more success a few years before in THE MAN IN THE GRAY FLANNEL SUIT but this drama is certainly worthwhile seeing. It is well cast and played with production values that at the time were the best that Hollywood could offer. This includes an outstanding music score by Elmer Bernstein.
Beautiful photography. Breathtaking scenes. A wonderful follow up to the Young Philadelphia. Ina Balin is a perfect casting opposite P.N. Bask in the wonderful acting of mrs. Woodward and her gorgeous 1960 wardrobe. Do not listen to the critics who do not see. A real treat.
Screenplay based on a novel by John O'Hara in 1958. One of a dozen films Paul Newman and Joanne Woodward did as husband and wife. They stayed married until Newman died in 2008. The film cost $3 million and grossed $5 million. So it was major deal in those days but was not a runaway success. There was quite a lot of adult content for the time which was surprising. It was certainly apt for the time but all the concern about divorce makes it a period piece but an accurate period piece. I find all the filming on sets restrictive as I am spoiled by modern location and outdoor shooting. Although it is certainly not a great work. Will give it a solid 7. RECOMMEND
Você sabia?
- CuriosidadesThe third of ten feature films co-starring Paul Newman and Joanne Woodward. They also teamed for three TV movies and mini-series.
- Erros de gravaçãoThe amount of milk in MacHardie's glass changes between shots when he's alone with Eaton.
- Citações
Mary St. John: Why didn't you bestow this honor on some other girl out there?
Alfred Eaton: Because I rather liked the view from the terrace. Then I saw you and I liked the view even more.
Mary St. John: You've touched me deeply.
Alfred Eaton: But not in the right places.
- ConexõesReferenced in What's My Line?: Myrna Loy (1960)
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- How long is From the Terrace?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 11.336.000
- Tempo de duração2 horas 29 minutos
- Cor
- Proporção
- 2.35 : 1
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