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Entre Amigas

Título original: Les bonnes femmes
  • 1960
  • Not Rated
  • 1 h 40 min
AVALIAÇÃO DA IMDb
7,2/10
3,3 mil
SUA AVALIAÇÃO
Entre Amigas (1960)
DramaMysteryRomance

Quatro mulheres parisienses navegam pelo mundo do romance e da vida cotidiana em busca da realização de seus sonhos, mas muitas vezes encontram a vida real como algo inevitável.Quatro mulheres parisienses navegam pelo mundo do romance e da vida cotidiana em busca da realização de seus sonhos, mas muitas vezes encontram a vida real como algo inevitável.Quatro mulheres parisienses navegam pelo mundo do romance e da vida cotidiana em busca da realização de seus sonhos, mas muitas vezes encontram a vida real como algo inevitável.

  • Direção
    • Claude Chabrol
  • Roteiristas
    • Paul Gégauff
    • Claude Chabrol
  • Artistas
    • Bernadette Lafont
    • Clotilde Joano
    • Stéphane Audran
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    3,3 mil
    SUA AVALIAÇÃO
    • Direção
      • Claude Chabrol
    • Roteiristas
      • Paul Gégauff
      • Claude Chabrol
    • Artistas
      • Bernadette Lafont
      • Clotilde Joano
      • Stéphane Audran
    • 24Avaliações de usuários
    • 30Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Fotos45

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    Elenco principal32

    Editar
    Bernadette Lafont
    Bernadette Lafont
    • Jane
    Clotilde Joano
    Clotilde Joano
    • Jacqueline
    Stéphane Audran
    Stéphane Audran
    • Ginette
    Lucile Saint-Simon
    Lucile Saint-Simon
    • Rita
    Pierre Bertin
    Pierre Bertin
    • Monsieur Belin
    Jean-Louis Maury
    • Marcel
    Albert Dinan
    • Albert
    Ave Ninchi
    Ave Ninchi
    • Mme Louise
    Sacha Briquet
    • Henri
    Claude Berri
    Claude Berri
    • Le copain de Jane
    Jean Barclay
    Rossana Rossanigo
    Dolly Bell
    • La danseuse nue
    Gabriel Gobin
    Gabriel Gobin
    • Le père d'Henri
    • (as Gabriel Gobain)
    France Asselin
    • La mère d'Henri
    Jean-Marie Arnoux
    Robert Barre
    Trio Rody Renatal
    • Direção
      • Claude Chabrol
    • Roteiristas
      • Paul Gégauff
      • Claude Chabrol
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários24

    7,23.3K
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    10

    Avaliações em destaque

    7rowmorg

    A slice of lost Parisian life

    Just to prove that portraying males as all-negative is nothing new, see Les Bonnes Femmes: the employer with wandering hands, the drippy suitor, his bossy Dad, the snobbish fiancé, the lurking psycho, the bad-jokes bully-boy and his fatty hanger-on, the absent lad on national service. Every one of them is no good. And yet the four shop-assistants are no better, they exist only for the men. Whatever the fellows throw at them, they're up for it. It's a chilling worldview, with a cynical twist at the end, (plus a tacked-on coda that seems to be from another movie). Along the way, there's some really hammy acting from the girls' employer that clashes badly with the realistic mood, and some longueurs as the girls get bored at work and we get bored right along with them. The young Bernadette Lafont is a joy, but she fades out in Reel Three when the lovely Clotilde Joano comes to the fore. Whatever happened to Clotilde? Her subsequent career was undistinguished, and she died at age 42. This is mostly a watchable slice of Paris life from the late 50s, although the Algerians who caused so much mayhem only a few years later are nowhere to be seen.
    10the red duchess

    Chabrol's first masterpiece; maybe even his masterpiece.

    Chabrol's career is often seen as moving from the naturalism of his early films to the extreme stylisation of his great mid-period. It's not as simple as that, but in 'Les Bonnes Femmes', Chabrol achieves a balance between the two that he has rarely equalled. The story of four shopgirls, their work and social lives, has all the plotless and poignant banality of realism, while the closing third, with its move from Paris to the country, its seducer-cum-motorbike-riding-devil (reg. no.: 666) talking about the Creator, as little schoolboys called Balthasar pass by; and its closing vision of Hell/Purgatory bespeak a more Cocteau-like world of mythology and religion. But there is Cocteau too in the framing of Jacqueline in the shop window, while Chabrol's filming of treacherous nature later on is uncommonly vivid. Although 'Bonnes' is his least typical film, it is also his most lovable, and seems to get richer with the years.
    6JuguAbraham

    Over-rated Chabrol film

    The film's English title "The Good Time Girls" capture the essence of the film--four different women, working in a shop, moonlighting as they are not rich, and hoping to find a decent spouse. The shop itself presents the lecherous owner (who "keeps his distance") and an elderly cashier who hides her interest in BDSM (her fetish is a cloth dipped in the blood of a BDSM convict who was guillotined, with an insinuated relationship with a customer who asks her for money and gets it!), a beautiful Stephane Audran (moonlighting as a singer), and the attractive Clotilde Joano. And there is a murder, which hangs in the air without the outcome discussed further--one of the weak points of the over-rated film.
    10youwinjack

    One of a kind

    A friend of mine - a film scholar - once said that this film shouldn't work but it does. He was absolutely right. I cannot think of one good reason why this film should be as good as it is. The tone is observational, like many films of the "New Wave," but it lacks the frenetic energy of Godard, or the jaded lyricism of Truffaut. The tone of the film changes drastically at several points, and in any other film this would become a big turn off. But a strand of sincere honesty about the characters and their emotions holds the film together, stronger than any formality.

    Let the film take you where it wants you to go, and the experience is wonderful.
    snucker

    slow, but engaging

    i liked this film. it has an ambigious quality about it, almost paradoxical. it has a feel of a documentary and is observational in nature, yet there is a obvious message or view taken by chabrol and the women in this film. they're doomed objects of desire for men. the women have this elusive quality about them, they're beautiful and somewhat misguided about the men in thier lives. they seem unattainable, yet vulnerable to a ominous unspoken danger that awaits them that is denoted by the music. there's this creepy yet mysterious sounding music that runs through the film when the female characters roam through the streets. and for some reason, all the men in this movie are misogynist jerks! they disrespect these women and believe they're entitled to them. yet, these women flirt with them and passively resist them for most of the film. chabrol lovingly shoots these women and has affection for them, but also sadness at their romantic naivety about the men in their lives that will bring them doom.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Caused so much resentment among the public upon its release that some went as far as breaking seats in theaters as sign of protest.
    • Erros de gravação
      After Ernest strangles Jacqueline, he rips his coat out from under her and flips her over. The supposedly dead Jacqueline immediately moves her arm to catch herself from going face first into the mud.
    • Citações

      Monsieur Belin: My pleasure in life is to reprimand little girls... It's my prerogative.

    • Conexões
      Featured in Le fils de Gascogne (1995)

    Principais escolhas

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    Perguntas frequentes16

    • How long is The Good Girls?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 22 de abril de 1960 (França)
    • Países de origem
      • França
      • Itália
    • Idiomas
      • Francês
      • Italiano
    • Também conhecido como
      • Mulheres Fáceis
    • Locações de filme
      • 72 Boulevard Beaumarchais, Paris 11, Paris, França(appliances shop)
    • Empresas de produção
      • Paris Film
      • Panitalia
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 6.578
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 6.578
      • 15 de ago. de 1999
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 40 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.66 : 1

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