Momentos de Angústia

A film which shows how Britains factories worked in the 50s,a place which employs thousands of people,usually on low wages.The workers only protection is their union which of course is only fair.Then the union is taken over by a few dedicated socialists who then are manipulated by the far lft. .Everything that happens in this film is true to life,and shows that adults soon behave like spoilt children when they don't get there own way.The rights of the individual are soon gone,violence and bullying follows,the film ask questions and leaves you asking your self questions at the end.Well worth a watch 8/10

to anyone who lived through these times and these types of factory settings this film resonates.

The Burke character of the communist agitator invokes criticism of left bashing but anyone who had experience of the British motor/engineering industry in these times knows that it is much closer to the truth than many people want to believe.

However to those that think the film has right wing bias you only have to look at how the useless fat cat directors are portrayed (having no knowledge of the business they are taking large salaries from), hardly an advertisement of capitalism. Plus even the "sympathetic" management end up not supporting the worker who supported them, as bad as the agitator in their own way.

Good performances all round, outstanding from Richard Attenborough, Pier Angeli, an unusually good turn by Michael Craig and dependable Bernard Lee as the dim union man manipulated easily by the agitator.

A style of film-making gone now but interesting social commentary of the times. Recommended for social historians and affectionados of good acting.

"The Angry Silence" can be read in two ways: one, it is a pretty accurate depiction of the way union relations were run in the late 1950s and the shadow of the far left; or, it is a propaganda piece for the far right and nothing like the truth. There are strong arguments for both camps to be correct.

What struck me about the film was the central performance from Richard Attenborough as the lone worker standing up against bullying and blackmail from his trade union colleagues. One scene in particular which takes place in the canteen is a masterclass in screen acting of its type, and there are also good scenes between Attenborough and his screen wife, played by Pier Angeli, and his work colleague and lodger, played by Michael Craig.

Bryan Forbes always seemed to be veering off in different directions with the various movies on his CV, and this is an odd one. Whatever your politics, it is a good film and provokes a reaction. Whether the reaction is one which matches the reality has to remain open to question.

How did I never see this? Another Talking Pictures TV gem. Preceded the year before by the excellent and similarly themed comedic classic, I'm Alright Jack, this hard-hitting drama is an ideal counterpart. A strong cast, headed by Richard Attenborough, with his wife very well played by Pier Angeli. I particularly liked Alfred Burke's scheming, Marxist, union activist, book-ending the film with his arrival and departure - on public transport, of course. It also features Bond regulars, Bernard Lee and Geoffrey Keen, an early role for Oliver Reed, and playing himself, Alan Whicker. It's not quite Kitchen Sink, which had more of a fashionable, if usually grim theme, but is in a similar vein.

Ignore comments about it being 'far-right', they are ridiculous. The film is a well-balanced, politically centrist take that in no way demonises unions or strikes, although occasionally feels a bit heavy handed with some of its messages. Clearly, pre-1970s, there was still a battle going on for the hearts and minds of the working class. A prophetic warning of the far-left politics that was to come over the next decade. By the time 1971's very silly and misjudged, but better known, Carry On At Your Convenience arrived, the battle was lost. Beyond politics, this is essentially a universal story about bullying, group think and the individual, and reminded me a lot of my school days. It deserves to be better recognised and watched.

I saw this film in my first year in law school in New York in 1991. A prior comment calls the film "right wing." Unfortunately, given the subsequent events in Britain in the 1970s and contemporary events in Detroit right now, it is prescient. Lord Attenborough's character faces a labor high noon many encounter in a union shop. One older worker in the film wants only to make a product that he is proud of. A pride that forces in the union movement obstruct. Anyone compelled to join a union by organizers who hire on only to unionize, will appreciate this film. I know. I've been there -- twice. White collar and blue collar jobs. That the film was made at all is amazing. But this often grim picture does have a comedic sibling -- the equally brilliant I'M ALL RIGHT JACK with Ian Carmichael and Peter Sellars. See both and you will understand what happened to Britain as well as too much of industrial America. If corporate greed has a partner, it is union executives who throw their members under a bus to save their jobs. THE ANGRY SILENCE should be required viewing for anyone who believes that political films -- not politicized films -- have a place in Hollywood. Heartbreaking story, economic direction, and brilliant acting. In dramatic black and white. The screenplay won a BAFTA Award for Bryan Forbes.