Outlaws

I only saw a few because they were on rather late and we had no home video players in the UK at that time. However despite this I have very vivid memories of the theme music which I recall as a kid partly putting into words along the lines of "Outlaws go and get your guns" but I don't think I got much further than that! It set new ground in realism. The cowboys actually looked as if they had been on the trail and rather unkempt. Close ups of Don Colllier with deep shadows cast by the brim of his hat over his eyes are also vividly recalled somewhat along the lines of the spaghetti westerns of later years. I am pleased to see some are available on DVD.

Chris Turner

Frankly, if Slim Pickens had not been a regular in the second season, this show might have no place at all in the history of series television. As it is, the niche is small enough. My brother and I got hooked late in the first season, its theme song compelling for early adolescents. The kind of western THE OUTLAWS was also had appeal because the story was told largely, albeit not completely, from the bad guys' point of view. Since we were not devotees of CRIME AND PUNISHMENT at that tender age, a distaff tale was something unique in a time when bad was bad and who cared why or how they felt . . . and one could always count on the comeupance. Of course the lawmen prevailed in the end on THE OUTLAWS too, if the wrong-doers were not destroyed by their own flaws. I have never seen an episode since 1962, and presumably only an ardent student of television subscribing to exotic cable channels would ever have the opportunity. To be honest -- a refreshing change -- it would not have its appeal to me forty years on, to be sure.

Here's yet another of those westerns turned out in 1960 that tried to break the mold of the formulaic TV western genre, had only a mild recepetion during its first year, was then turned into a far more routine show during the second season, but still was cancelled at the end of that second year. Barton MacLane, a veteran of many old time westerns and other action films, played a tough U.S. Marshal tracking down outlaws in the badlands with the help of deputy Don Collier, a youngster then who would appear in many westerns. Sounds pretty familiar? Here was the difference - instead of telling the story from the lawmens' point of view, this was told as the outlaws saw it. That is, MacLane and his posse were always seen at a distance, almost as threatening characters. In one particularly memorable essay, James Coburn (youngster too at the time) played Culley, a confused young outlaw who wanted to go straight but didn't know what to do, who stops on his run from the law to help a blinded elderly man (Henry Hull, brilliant as always). The 'heroes' were on screen for maybe five minutes and you resented them when they arrested Coburn. For the second season, MacLane remained in the lead, they gave him a more conventionally handsome young deputy, and the stories were now told from his point of view - just like Lawman and pretty much every other western on TV at the time.

The earlier reviews jarred my memory because I had not noticed the emphasis on the outlaws' point of view. Of course, it was mentioned that the theme shifted to mainstream good guys vs bad. But, come to think of it, the shows I do remember spent an awful lot of time on the "bad guys." Thanks to the reviews, I understand why now.

But irony is what I remember most. In one episode, an embezzling bank teller is blackmailed into helping rob the bank. He feels trapped because he invested in silver only to have it decline in value. As the show wraps up--he and the professional crook caught--a prospector waving a paper gleefully shouts "Silver's up!" The best shows were like that.

Perhaps the concept of telling the stories of the west from the bad guy's point of view had to wait until Law and Order Criminal Intent made its debut on NBC. Certainly nobody was as quirky as law enforcement official as Vincent Donofrio on The Outlaws.

The Outlaws lasted for two seasons on NBC and it was set in Oklahoma Territory and it being a territory and not a state until 1906, it was a place where the outlaws roamed free, but for the presence of United States Marshals. Barton MacLane who in fact played mostly bad guys in his film career was the chief U.S. Marshal for the territory. He had two deputies Don Collier and Jock Gaynor. In the second season Collier was promoted to chief marshal as MacLane became territorial governor and Collier got Bruce Yarnell as a deputy. It didn't help, The Outlaws got canceled after two seasons.

One thing the show did do was give Don Collier a long career in westerns. Take a look at that man's credits, I don't think you'll find three non-western films there. He was certainly a familiar presence in many a horse opera. Collier was probably born thirty years too late, he would have made a great B picture cowboy hero.

I've often wondered though, did MacLane or Collier have a certain one eyed marshal named Rooster Cogburn working for them?