The Andy Griffith Show

"The Andy Griffith Show", in my opinion, will always be in the top 10 of my favorite shows, and I've watched the reruns numerous times since the first episode in 1960. I'm sure Danny Thomas has received many accolades for creating this timeless classic. My only criticism is that it stayed on the air three years too long. When Don Knotts exited, that's where it should have ended. The support characters of Goober, Howard and Emmitt never captured the comic timing or spirit of the original cast, and the storylines were bland. I especially detested Jack Burns' character Warren. He was very annoying. The last three years just weren't funny or even compelling enough to bother watching. Even Andy became more cranky and less down-home. He even lost his southern accent and laid-back ways.

"The Andy Griffith Show" is probably the greatest sitcom of all time. The writing, the direction, the characters, and the stories all combined to make one of the greatest television shows of any era. Andy Taylor (Griffith) is the sheriff of a small, fictional North Carolina town named Mayberry. He has all sorts of adventures that are so realistic and pure that one feels that they are really in Mayberry when watching the show. Andy lives with his Aunt Bea (Frances Bavier) and his young son Opie (Ron Howard) and works with his deputy sheriff Barney Fife (Don Knotts). The thing that sets "The Andy Griffith Show" apart from almost all other television shows is the realism of the characters. Even though the characters are silly at times, often you can relate these people to actual people that you know or have known. The amazing insight by the writers is truly uncanny. The number of characters that are well-developed is also amazing when one considers how poor writing for television shows usually is these days. The show started out a bit silly in the beginning, but hit a peak from seasons two to five when characters like Gomer Pyle (Jim Nabors), Otis Campbell (Hal Smith), Floyd Lawson (Howard McNear), and Goober Beasley (George Lindsey) became more prevalent in the series' plot. However, after the departure of Don Knotts in 1965, the series went from being exceptional to being fair at best the rest of the way. The magic that Knotts brought to the show was even more evident when he was gone. Also Nabors left to create his own series and McNear suffered from health problems throughout the entire run of the series. Smith and Betty Lynn (Thelma Lou) also had very little to do with the series after Knotts left. All in all a great series for about five years, but the show's magic slowly disappeared when the series went to color. 5 stars out of 5 for 1960-1965. 2.5 stars out of 5 for 1965-1968.

The black and white episodes of this program were the best, and I don't know what it was, but when it went to color, all the "magic" the show possessed disappeared!! I can tolerate the color episodes, but I HATED Jack Burns's character of Warren. That "Huh?, Yeah, Huh?" routine was a royal pain in the neck.

And what happened to Andy in the color episodes?? He turned into a man who was always griping about something--cranky and mean. It seemed that no matter what Aunt Bee wanted to do, Andy was there to put a stop to it, or at least, he tried to. Remember the time when Aunt Bee wanted to learn how to drive a car? Wanted to learn how to fly a plane? When she wanted to wear a wig? When she wanted to open a restaurant? Andy Taylor was a very hateful character in the color episodes. They should have stopped production of the show when they changed to color.

THE ANDY GRIFFITH SHOW (CBS, 1960-1968) is not only Andy Griffith's first TV show, but his best. Griffith, who made his mark on Broadway, TV and screen adaptation of NO TIME FOR SERGEANTS, might have turned that into a weekly comedy series. Instead, Griffith was offered an original premise about the life and times of a southern sheriff in Mayberry. With the show's opening shows off a father and his young son walking towards the pond with fishing poles carried over their shoulders to whistling score, "The Fishing Hole," it's become one of those rare cases where a series, lasting eight successful seasons, to resume that same basic introduction. There were some minor changes over the years where it converted from black and white to color, and the growth of the sheriff's young son. During its eight seasons, this wholesome sit-com not only centered upon Sheriff Andy Taylor (Andy Griffith), but on the citizens of Mayberry, North Carolina. Naturally a series with such a lengthy run would go through some dramatic or necessary changes, such as the loss of certain characters, (Deputy Barney Fife), and addition of others (Goober Pyle, Howard Sprague), having one basic show with two different formats.

Andy Taylor is described as an easy-going, sometimes laid back sheriff seldom in complete uniform, unlike his bumbling deputy, Barney Fife, who not only dresses accordingly, ranging from tie, hat and a gun in his holster containing one bullet.going strictly by the book of the law. Together Andy and Barney team up for some humorous police work with Andy playing the straight man, and Barney providing his quota of laughs. At times, Barney becomes the bumbling fool in the eyes of the people. It is up to Andy to prove them wrong by helping Barney restore his confidence usually by giving Barney the credit actually due to the sheriff himself. Aside from their professions in keeping law and order in Mayberry, certain episodes would set focus on their personal lives, particularly on Andy, a widower/ father to his young son named Opie (Ronny Howard), cared for at home by his matron Aunt Bee (Frances Bavier). The first season to THE GRIFFITH SHOW did find Andy romantically involved with Ellie Walker (Elinor Donahue), the lady druggist. Seasons two and three found Andy sporadically having new love interests. By the time he acquired one in Helen Crump (Aneta Corsaut), Opie's school teacher, Andy lost his strong Southern accent for more natural tone. As for Barney, he's a carefree bachelor with his heart set on Thelma Lou (Betty Lynn). Unlike Andy (who would make Helen his bride in the premiere spin off series of MAYBERRY RFD in 1968), Barney would never marry.

After five seasons of black and white episodes, the remaining three seasons converted to color. Aside from that change, the Barney Fife character was gone, but not forever, making occasional returns once or twice a year for old times' sake. During Barney's absence, Andy acquired a substitute deputy, Warren (Jack Burns), written out of the show after 12 episodes, leaving Andy to sheriff about town alone and deputy position permanently vacant. With passage in time, Andy's police work would become less frequent, having ts main focus more on Andy's home-life and citizens of Mayberry. Otis (Hal Smith), the town drunk, would eventually be phased out.

While normally programs such as this losing a key supporting character such as Don Knotts would suffer in the ratings, THE ANDY GRIFFITH SHOW continued to prosper for the next three years, becoming the number one show by the time Griffith gave up his badge by the end of the eighth season (1968). By then, the show acquired additional characters to the lineup: Goober Pyle (George Lindsay), Howard Sprague (Jack Dodson) and handyman, Emmett Clark (Paul Hartman), who replaced by Floyd, the Barber (Howard McNear), upon his death during the 1967-68 season; Clara Jackson, later Edwards (Hope Summers), Bee's closest friend; all new characters part of the Mayberry family.

What has become the secret to the success of THE ANDY GRIFFITH SHOW? Was it the father and son relationship between Andy and Opie, (who affectionately calls addresses him as "Paw.")? The chemistry between best friends Andy and Barney? Or the now familiar faces and classic characters who took part as citizens of Mayberry that made the show special? One thing for sure, there's nothing dated about THE ANDY GRIFFITH SHOW. It could be set anywhere at anytime, since it hardly dealt with issues or political issues of the day.

During its initial years, THE ANDY GRIFFITH SHOW played funny without becoming too silly, except in some cases with the wild and crazy Ernest T. Bass (Howard Morris). The final years dealt more on serious issues without getting overly sentimental, though some early ones, "Opie the Birdman" (1962) and "Aunt Bee's Romance" (1964) went strictly on the dramatic side. The final three seasons moved towards a more wholesome, down to earth setting, even modernizing Aunt Bee from homemaker to independent woman acquiring both a driver's and pilot's license, and the teenage Opie having new friends (Johnny Paul and then Arnold), interests in girls and becoming part a rock and roll band.

While the Andy Taylor character had been originally introduced in an episode of MAKE ROOM FOR DADDY (1959) starring Danny Thomas, characters introduced on THE GRIFFITH SHOW spawned spin-offs as well: Gomer Pyle (Jim Nabors), for GOMER PYLE, USMC, and Sam Jones (Ken Berry) for MAYBERRY, RFD.

After THE ANDY GRIFFITH SHOW ended its run in 1968, it has never gone from view. Many of its 249 episodes in reruns have become favorites, even classics, especially those involving Barney Fife. These and other shows can still be seen and appreciate in its seasonal package on DVD or countless other cable TV channels. (****)

It may be impossible to find the greatest tv series of all time, but The Andy Griffith Show is definitely in the top ten. It had the warmest most realistic characters and the best writing ever. This show created the best characters out of Andy, Barney, Opie, Aunt Bee, Otis, Floyd, Ellie, Helen and Thelma Lou. Unfortunately, it had just as many clunkers with the extremely irritating and illogical Gomer, Goober, Warren, Howard and Emmett. The best thing about the show was the camaraderie of Andy Griffith and Don Knotts; despite their fights and teasing, you knew they cared about each other. It was this kind of compassion that made everyone connect with the series. Knotts' departure from it was the removal of all the heart as during the rest of the show's run Andy went around irritated all the time. It's these color episodes that are the only thing wrong with the otherwise impeccable show. If Bewitched can be divided into two different series, one black and white, one in color, then the same ought to be done for Andy, and spare the lovers of the series from having to see the worst.