Os Olhos Sem Rosto

A brilliant surgeon, Dr. Génessier, helped by his assistant Louise, kidnaps nice young women. He removes their faces and tries to graft them onto the head on his beloved daughter Christiane, whose face has been entirely spoiled in a car crash.

The mask was really good. The way it is blank, but clearly fits to the contours of her face... it completely destroys her identity, makes it like she does not even exist as a person. I would not go so far as to say she looks worse with it on than off, but it makes her less than human for sure.

While some of the story is a bit slow, it is overall a quite strong story... part horror, part drama and part detective story. I am not surprised that many horror historians consider it among the greatest films ever made in the genre.

An early French chiller that set a benchmark in horror film making, with its unflinching depiction of horrific acts of surgery. The films sole purpose is to shock you in revealing things never before seen in 1959. Unfortunately, we are now in the age of cheap teen horror flicks and action films that feel the need to throw gore in our faces at every possible moment thus diminishing the impact of this film when watching it. Especially now we're in the 21st century, many of the scenes are comparatively tame. This does not mean, however, I disliked the film. Quite the contrary. Eyes Without A Face contains some truly terrifying images that make the hairs stand up on the back of your neck. The use of a woman in a white mask (a technique used so well in films such as Halloween and Friday the 13th) provides the films more memorable and spine tingling moments. It's the clever use of shade and light that make this possible as the director and cinematographer provide us with long -lasting images to chill to the bone.

The pace of the film is also worth a mention. Franju (the director) keeps us on the edge of our seat as the rich upper class couple lead young women into their house in order to remove their face! For some the pace could prove rather too slow - as in truth it did for me once or twice. But the payoffs from the slow pace offset any problems posed by it. It actually comes as a relief from the many directors who, in this day, believe that quick cuts and loud noise provide terror. Maybe it's time they delved back into the likes of this film, Halloween and Psycho to provide them with a few inspirations. I can think of only a handful of directors that have provided me with any real fright in the past ten years - M. Night Shyamalan (The Sixth Sense and Signs), Daniel Myrick and Eduardo Sanchez (The Blair Witch Project) and Wes Craven (Scream) are some of the few I can mention. Other films like the truly awful Jeepers Creepers and Thirteen Ghosts, which served no real purpose what-so-ever, provided me with quick cuts and loud noises - neither of which particularly endeared me to their cause. Call me an old fuddy duddy, but it's time they made more horrors like they did in the old days - films with real suspense and images which truly frighten; films like this one.

Well, that's my moan over with. I gave this film 8/10, for those that care.

Georges Franju's version of a mad scientist trying to play God tells about a brilliant but controlling and obsessive doctor who is trying to restore the face of his own beloved daughter that was horribly disfigured in a car accident caused by his reckless driving. He requires tissues of recently deceased young women that look like his daughter and he is not going to wait for them to die in an accident - he creates the accidents with help of his loyal secretary/nurse/lover/former patient Louise (Alida Valli of "The Third Man") who kidnaps the unsuspecting girls and brings them to the secluded mansion in one of Paris's suburbs where Doctor Génessier is ready to perform the fascinating and horrifying surgeries.

"Eyes without a Face" is a very impressive, classy picture that has inspired many later horror movies. The music by Maurice Jarr adds to the uneasy and creepy atmosphere - it makes you feel like on the never-stopping ominous merry-go-round and you can't get off it.

Though EYES WITHOUT A FACE is indeed a horror film, it is also a dark tragedy. Doctor Genessier (Pierre Brasseur) and his daughter, Christiane (Edith Scob) were involved in a terrible accident, leaving Christiane in the condition suggested by the title. Now, her father is driven to fix what he has done. He is aided by his faithful cohort, Louise (Alida Valli), who lures women to their fate.

Through hideous trial and error, involving several unwary, female "subjects", Genessier is willing to destroy others in order to restore his daughter's beauty. What he really seeks is redemption, and relief from his own feeling of unfathomable guilt. His obsession to restore what he has broken makes him oblivious to all else. For Genessier, the end truly does justify the means.

For her part, Christiane is a virtual prisoner in their enormous house, doomed to wear a doll-like mask, and wander about like a ghost. Not so surprisingly, this all leads to a catastrophic conclusion. This film shocked audiences and inspired a generation of filmmakers. It holds up solidly to this day...

"Eyes Without A Face" is a groundbreaking and trendsetting artistic nightmare! The plot of this film has often been copied but never has it been done in such an eerily effective style. The sight of the masked daughter playing with the dogs evokes many emotions in the viewer. There are shots in this movie that will stay with you long after you have seen it! Heavily recommended!