Amores Clandestinos

Despite being almost overwhelmingly melodramatic when treating the subject of sex in the context of its time, A SUMMER PLACE manages to rise above the soap suds when dealing with mismatched parents and a rekindled love affair (DOROTHY McGUIRE and RICHARD EGAN) that almost destroys everyone's happiness.

It's all very lush looking in magnificent color, a Pine Island resort in Maine photographed principally in Northern California along the Monterey coast. Whenever emotions soar, whether quiet emotions or full throttled ones, Max Steiner's music is there ready to lend a helping hand.

As the teen-aged lovers, SANDRA DEE and TROY DONAHUE are just as photogenic as the landscapes they're photographed against, especially when the color cameras turn their close inspection on the two bronzed, blue-eyed stars. While not quite as photogenic, DOROTHY McGUIRE and RICHARD EGAN are quietly having a love affair of their own which must be kept hidden from their respective spouses until a showdown that leads to a rather satisfying conclusion.

The handsome production values and earnest performances are matched well against Max Steiner's famous score. His "The Theme from A Summer Place" is as gorgeous and popular as ever with soundtrack fans.

A SUMMER PLACE can take its place alongside other handsomely produced soapers of the '50s. CONSTANCE FORD and ARTHUR KENNEDY do very well in strong supporting roles and it's all a bit more substantial than it sounds on paper.

Easy to see why Max Steiner's "Theme from A Summer Place" hit the top of the music charts for a long, long time in the summer of '59.

Gorgeous-looking soap opera, with Sandra Dee swaying, swooning and suffering her way through role as young woman determined to do the deed with stodgy, windbreaker-wearing Troy Donahue. Their parents disapprove of course, that is until her father and his mother have an affair of their own! Surprisingly absorbing plot really lays on the melodrama, but so what? It's a roller-coaster ride of teen angst, romantic emotions gone too far, all blissfully filmed in beautiful color. Probably Donahue's best performance, although Dee continues her fight against a thick layer of phoniness that always seems to seep into her work (she's just not a natural, the way Connie Stevens or Tuesday Weld were). The picture is famously scored with Max Steiner's music which forever lives on oldies radio-stations, and will forever live in your head once you've heard it. It's quite lovely, but played ad nauseum. *** from ****

Ken and Helen Jorgenson (Richard Egan and Constance Ford) have a dead marriage. They haven't slept together for years, by her request. Helen is also a spiteful, nasty bigot who tries to indoctrinate to her daughter, Molly (Sandra Dee), that sex is dirty and evil. This highly dysfunctional and sad lot are on vacation at Pine Island, Maine...a place where Ken was a lifeguard two decades ago. There is more to the history of Pine Island than that, however, as Ken had once had an affair with a girl, Sylvia Hunter (Dorothy McGuire). Now Sylvia and her husband, Bart (Arthur Kennedy), run a hotel on the island...the hotel where the Jorgensons are coming for their summer vacation. As for the Hunters, Bart is an alcoholic and has checked out of his marriage from the very beginning. Not surprisingly, Ken and Sylvia are miserable and fall back in love. What is a bit surprising is that their children, Molly and Johnny Hunter (Troy Donahue) have fallen in love as well.

The writers and filmmakers did a great job of showing how adultery and premarital sex are NOT necessarily black & white issues. In the case of Sylvia and Ken, both have been emotionally abandoned by their selfish and detestable partners. And, in the case of Molly and Johnny, they are normal hot-blooded teens who have been thrust together by Molly's mother and her rants about the evils of sex. So, it's all very understandable...and all very, very risqué for 1959. But because the story is so well written and the production so glossy, it makes difficult moral issues and choices much more palatable--and provide for a lot to consider. It also makes for a wonderful film for young married couples to watch...sort of a morality tale about what NOT to do!

A highlight of this film is the speech Ken makes to Helen early in the film...about her many, many, many prejudices. According to IMDb, the crowd at one performance gave it a standing ovation! A very powerful scene indeed.

Overall, this film has many strong scenes, excellent acting, nice music and all the gloss a Hollywood production could have. It also has quite a bit of depth and raises many interesting issues...making it perhaps the best soap opera movie of the day. And, fortunately, while the film might seem a tad dated (such as the custody arrangements), it also is timeless with its themes.

One of the great young love romances ever done on the screen, A Summer Place is the story of two romances, one born and the other rekindled.

Richard Egan and Constance Ford with their daughter Sandra Dee are returning to Pine Island, Maine where years ago before Egan became wealthy as a research chemist he was employed as a lifeguard and where he romanced one of the town beauties. Pine Island is like Kennebunkport, the private reserve of the Bush family. This is the private reserve of several old Yankee families who if they can't trace their ancestors on the Mayflower at least they go back to Puritans who might have found New England more hospitable than Restoration Great Britain.

Egan's rented out several rooms from thinning blue blood Arthur Kennedy and his wife Dorothy McGuire. It was McGuire who Egan loved and lost those many years ago.

Neither Egan and McGuire have found much happiness in their second choice for spouses. Constance Ford, a truly uptight and frigid woman from Buffalo has not kanoodled with Egan for years. You know he's good and ready. As for McGuire's marriage, Kennedy has all the airs of a patrician, but not the money any more. Did he lose it because of his alcohol problem, or is he drinking because the family fortune has gone? It's your choice.

So Egan and McGuire discover each other and Sandra Dee discovers Kennedy and McGuire's son, Troy Donahue. Because of her mother, Dee's led a sheltered life and I'm betting the isolation of Pine Isle with its very few inhabitants hasn't improved Donahue's social skills either. The two kids are sadly a textbook case for sex education.

Feeling betrayed by their parents, all of them when you come right down to it, the young people feel they have only each other. The passion multiplies exponentially.

Right up there with the human cast members in making A Summer Place a big commercial hit for Warner Brothers is Max Steiner's theme, played when Dee and Donahue are together. It's popularity on the radio and jukeboxes sold many a ticket to this film.

Egan and McGuire are also appealing in their way to discover their passions are still the same. The odd spouses out are also turning in fine performances. Arthur Kennedy who was never bad in any film he ever did is both arrogant and yet pitiable as the sad sack alcoholic. The villain of A Summer Place is really Ford, she's made life hell for Egan and Dee. Yet you wonder throughout the film what must have she been like back in the day for Egan to fall for her in the first place and what changed her.

It's Eisenhower era America and the story is dated somewhat, but not all that much. I can see A Summer Place being a candidate for a remake, who would you cast in a remake among today's players?

This is one of the first films to deal with young love, and is by all means one of the best! The story centers primarily on Molly and Johnny, two teenagers who are deeply, madly, and wildly in love, but their parents just won't have it. It seems their parents are willing to do just about everything to keep them apart. Sandra Dee and Troy Donahue are both magnificent as the star-crossed lovers. All right, so Troy seems a little stilted at times, but Sandra is perfection as the beautiful young girl who constantly finds herself at odds with her eagerness to do the right thing, and fulfilling her love for Donahue. Dee hits all the right marks as the emotionally troubled girl, delivering what is possibly her all-time best performance. It was certainly a breakthrough for the gifted young star who proved that she could do more than play smiling, giggling, relentlessly perky teens. It's a magnificent achievement, and anyone who has ever doubted Sandra's acting abilities are in for a big surprise when they see her in this film. Other acting honors go to Richard Egan and Constance Ford as Dee's unhappy parents, and the always marvellous Dorothy McGuire as Egan's old flame. That's not to say that the actors don't stumble at times with some supremely silly dialogue, but their star power and great talent rides rather smoothly over the film's bumpy spots, making this film an enjoyable classic of the teenage-angst genre. It's also one of the most stylishly done films in the genre. The great director Delmer Daves gives the film his full attention, and it's a sleek, colorful production that ranks right up there with other films with similarly-related themes like REBEL WITHOUT A CAUSE and SPLENDOR IN THE GRASS for example. It all may seem rather dated, but truthfully, this film is just as enjoyable now as it was when it was first released in 1959, and that title theme is still hauntingly beautiful and memorable.