Sangue Sobre a Neve

This movie serves primarily to showcase the versatility of veteran actor Anthony Quinn, who has portrayed characters of almost every ethnicity (Italian, Greek, Mexican, Native American, Arab,Filipino, just to name a few). Here he plays the role of Inuk, a typical Eskimo (Inuit) who lives and thrives in one of the harshest of climates, the Arctic, a perennial wasteland of ice and snow, where they have to subsist on the raw flesh of the native fauna such as seals, walruses and fish, as well as endure subzero temperatures and utilize the scant resources at hand. Yet for all the unforgiving nature of the environment, the Inuits are depicted as a warm-hearted, cheery lot who are content as long as they have sufficient food to go around and have the company of friends and relatives, and - in the case of the men - a woman to snuggle up to under the blanket and "laugh" with (a euphemism for carnal relations). Yet this wonderful cinematographic masterpiece is not without its flaws. Though the Eskimo culture is quite alien to most 'city slickers', one can obviously observe the inaccuracies and misconceptions of their way of life generated by this film. For instance, it is hard to believe that Inuk and his wife could be so naive as not to know that a baby is naturally toothless at birth which is not the result of some broken taboo, nor can viewers find it conceivable that their customs dictate that the old and infirm are mercilessly abandoned to exposure to the elements (or to be devoured by polar bears in this instance)when they begin to pose a burden to the family. That said, one can't help but empathize with the character of Inuk (whose name actually refers to all Inuits in general), admire his hunting prowess and survival skills, laugh at his foibles and follies and understand his adherence to traditional customs as that is all he knows and believes is right. It is also an insightful study of how the influence of white Western ways have a paradoxically beneficial and detrimental effect on indigenous cultures,as seen in the part where Inuk and his family visit the trading post.For those who prefer to concentrate only on the negative aspects (thereare indeed some stomach churning scenes such as the missionary beingserved food infested with maggots, which the Inuits consider gourmet,and the unseen but implied slaying of a dog to save a man's life), a second and perhaps third viewing is highly recommended.

This is an extremely powerful and stunning movie portraying Innuit Eskimos and the way their living habits clash with our sensitive Western "civilisation". It is extremely annoying not to be able to find it in either VHS or DVD format. Hopefully this will be put right soon. A must for Anthony Quinn fans!

I saw this movie many years ago. My recollection of it is that is a documentary comment on the interface of two widely different cultures. I also just finished reading Kabloona a book written by a white Frenchman in the later 1930s about the Eskimo Culture. The points made in the book confirm those points made in the movie. The Eskimo apparently is a guileless innocent whose life consists primarily of staying alive and fed. The innocence of these people was highlighted in the scene where Anthony Quinn came back to his igloo and found that his wife had given birth. He asked her the baby's name and when she told him, he responded in amazement, "How did you know?" As far as the scene where a man's hands were stuffed into a recently killed dog is concerned, the speed with which freezing occurs at 50 below zero is not to be believed. That scene demonstrates the fact that the Eskimo regards his dogs as livestock and useful. Shocking, but apparently realistic.

"The savage innocents" is Ray's last real movie, his two epics "King of Kings" and "55 days at Peking" ,in spite of their (often unfairly overlooked) qualities cannot be called "Nicholas Ray' s movies .The rest of his filmography includes a movie made with his students and the questionable Wenders collaboration "lightning over water" .

Not only Ray was the director whose influence was huge on the rock generation ("Rebel with a cause " was the first movie which rocked ,a feat for it was a work which did not include songs)but "savage innocents" inspired Bob Dylan a song which Manfred Mann made a big hit in the sixties.Mighty Quinn indeed.

Anthony Quinn was par excellence the perfect good all-around.a cursory look at his filmography is revealing:from Fellini's "La Strada" to his portrayal of Quasimodo in the French version of "Notre Dame de Paris" (Delannoy) From Barrabas (Fleischer)to an Eskimo.

Like so many Rayesque heroes ,Inuk does not follow the rules :in a way he is akin to the youngsters of "Rebel" ,to Davey Bishop ("Run for cover" ),to Nick ("Knock on any door" ) and of course to the outlaws ("the true story of Jesse James") .But anyway Inuk cannot follow the Whites' rules for ,in his naive innocence,he is incapable of understanding them,which proves they are not universal.Margaret Mead had already showed that what is good and what is bad is not the same wherever you live in the world.

.My favorite scene is the priest trying to make the "savage" understand that he's lived a life of sin: what can a tale of long ago and far away mean for a man whose life is a constant struggle against a hostile nature ? It's the same pragmatism which we find in Luis Bunuel's Oeuvre.

"The savage innocents " is half documentary half fiction;the documentary side shows its age :correct me if I am wrong but "Eskimo" (=raw meat eater) is not a term the Inuit would appreciate nowadays.Besides,they did not live in igloos which were only used during the hunting season.Entirely filmed in studio ,the pictures are magnificent though,a real symphony in white.The white color dominates everything (tinged with blue)except for this extremely moving scene when it turns black when the old woman is left in the snow to die (it will remind the young cine buffs of Imamura's "Narayama Bushiko" (1983)).

"The savage innocents " sets the nature and its quietness -although it's a cruel mistress;when you fight a bear,it's you or him-against the "civilization" here represented by alcohol,pop music ,money and the Law.Ray had already been an ecologist ahead of his time in "Wind across the everglades" These two works are like "twin movies" and should be seen one after the other.

After all "King of Kings" was also perhaps a Ray movie:Jesus himself was not born to follow the rules.

I saw and heard Anthony Quinn in a television interview about his autobiography which had just been published. He said that there were only three films out of the many that he had made in his life that he was truly proud of. The Savage Innocents was one of the three. (Guess what the other two were. Right! Zorba and La Strada.) This estimation puts this movie in with some very select company. And this film deserves it.

It is NOT a documentary. There is a story here, an exciting story, at times edge of your seat--or maybe I should say, a number of stories, all interesting, all moving. The photography, sound, scenery, acting, all were excellent.

What struck me most, out of a long list, was the way the point of view of these Inuit people was gotten across. For instance, the missionary butts his head into the igloo and says, "God be with you." Quinn looks puzzled, glances at his wife and says, "No, there's nobody here but us." When the missionary goes on preaching at them, trying to convert them to the "true" faith, Quinn whispers to his wife, "I think he needs to laugh with a woman. Make yourself beautiful." In other words, the guy needs to get laid. The Freudian insight implied by these simple remarks is staggering. And this is only a small sample.

Perhaps the fate of this movie had a lot to do with the advertising. The picture at the top of this page suggests that this is a "savage" movie. It isn't. The title itself is unfortunate.

Yes, when oh when will we get to see this movie again? When will the savage and not-so-innocent moguls deign to put this beautiful film onto DVD?