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IMDbPro

Confidências à Meia-Noite

Título original: Pillow Talk
  • 1959
  • Approved
  • 1 h 42 min
AVALIAÇÃO DA IMDb
7,4/10
20 mil
SUA AVALIAÇÃO
Confidências à Meia-Noite (1959)
Trailer for the hit comedy Pillow Talk starring Doris Day and Rock Hudson
Reproduzir trailer2:21
2 vídeos
99+ fotos
ComédiaComédia malucaRomance

Um decorador de interiores e um compositor de músicas playboy compartilham uma linha telefônica e avaliam um ao outro.Um decorador de interiores e um compositor de músicas playboy compartilham uma linha telefônica e avaliam um ao outro.Um decorador de interiores e um compositor de músicas playboy compartilham uma linha telefônica e avaliam um ao outro.

  • Direção
    • Michael Gordon
  • Roteiristas
    • Stanley Shapiro
    • Maurice Richlin
    • Russell Rouse
  • Artistas
    • Rock Hudson
    • Doris Day
    • Tony Randall
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    20 mil
    SUA AVALIAÇÃO
    • Direção
      • Michael Gordon
    • Roteiristas
      • Stanley Shapiro
      • Maurice Richlin
      • Russell Rouse
    • Artistas
      • Rock Hudson
      • Doris Day
      • Tony Randall
    • 130Avaliações de usuários
    • 59Avaliações da crítica
    • 73Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 8 vitórias e 11 indicações no total

    Vídeos2

    Pillow Talk
    Trailer 2:21
    Pillow Talk
    Pillow Talk: I Couldn't Help Overhear
    Clip 3:02
    Pillow Talk: I Couldn't Help Overhear
    Pillow Talk: I Couldn't Help Overhear
    Clip 3:02
    Pillow Talk: I Couldn't Help Overhear

    Fotos195

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    Elenco principal47

    Editar
    Rock Hudson
    Rock Hudson
    • Brad Allen
    Doris Day
    Doris Day
    • Jan Morrow
    Tony Randall
    Tony Randall
    • Jonathan Forbes
    Thelma Ritter
    Thelma Ritter
    • Alma
    Nick Adams
    Nick Adams
    • Tony Walters
    Julia Meade
    Julia Meade
    • Marie
    Allen Jenkins
    Allen Jenkins
    • Harry
    Marcel Dalio
    Marcel Dalio
    • Pierot
    Lee Patrick
    Lee Patrick
    • Mrs. Walters
    Mary McCarty
    Mary McCarty
    • Nurse Resnick
    Alex Gerry
    Alex Gerry
    • Dr. A.C. Maxwell
    Hayden Rorke
    Hayden Rorke
    • Mr. Conrad
    Valerie Allen
    Valerie Allen
    • Eileen
    Jacqueline Beer
    Jacqueline Beer
    • Yvette
    Arlen Stuart
    • Tilda
    Perry Blackwell
    Perry Blackwell
    • Perry
    Robert B. Williams
    Robert B. Williams
    • Mr. Graham
    Muriel Landers
    Muriel Landers
    • Moose Taggett
    • Direção
      • Michael Gordon
    • Roteiristas
      • Stanley Shapiro
      • Maurice Richlin
      • Russell Rouse
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários130

    7,420.3K
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    Avaliações em destaque

    wrenster

    Comedy to aid the sick!

    So there I was, in my sick-bed when this film comes on. I start to watch, having never seen it before, and to my surprise, find myself laughing...out loud.

    I have never really been a fan of either Doris Day or Rock Hudson, but I did enjoy this piece of fluff. And in our modern times when comedies currently released in the cinema can hardly raise a smile, let alone a laugh, I found this a pure delight. So the sexual politics maybe a little outdated, but there were some beautifully timed comedy set-pieces: The moment Doris Day discovers the real identity of Hudson's character has one of the best use of music I have seen in a movie since the Warner Bros cartoons!

    A film that I didn't think I would enjoy, but was completely bowled over by.
    7MOscarbradley

    Smart and Sassy

    This smart and sassy sex comedy was made in 1959 but it could just as easily have been made in 1939 and the roles played here by Doris Day and Rock Hudson could have been played by Irene Dunne and Cary Grant. Michael Gordon's direction is serviceable at best but it has a likable Oscar-winning script by Russell Rouse, Maurice Richlin, Stanley Shapiro and Clarence Greene that makes the most of it's premise of the mismatched couple who find romance in the most unlikely of farcial situations.

    Day is starchy and frigid but Hudson is immensely likable and displays a real comic flair. There is a gay joke at the expense of the Hudson character and knowing what we know now we might well ask how much of an 'in-joke' this really was and just who was in on the joke. The film was a huge success and re-vitalized Day's career in non-musical roles. Tony Randall's character of the slightly effete millionaire who is in love with Day is not unlike David Hyde Pierce's Niles in "Frasier" and you can see some of the best "Frasier" scripts in some of the situations here. Influential or what?
    8SwollenThumb

    Enjoy!

    How can you critique something you are just meant to enjoy? There will never be another combination like Doris and Rock, both giving everything to their roles. And you can tell they are having fun doing them. I especially enjoyed Rock's bit of physical comedy trying to squeeze himself into a very low sports car!
    8claudio_carvalho

    Delightful Romantic Comedy

    In New York, the interior decorator Jan Morrow (Doris Day) and the wolf composer Brad Allen (Rock Hudson) share a party line, but Brad keeps it busy most of the time flirting with his girlfriends. They do not know each other but Jan hates Brad since she needs the telephone for her business and can not use it.

    Coincidently Jan's wealthy client Jonathan Forbes (Tony Randall) that woos her is the best friend of Brad and he comments with him that he feels an unrequited love for Jan, who is a gorgeous woman. When Brad meets Jan by chance in a restaurant, he poses as a naive tourist from Texas named Rex Stetson and seduces her. But Jonathan hires a private eye to find who Rex Stetson is.

    "Pillow Talk" is a delightful romantic comedy that improved my Saturday afternoon. This is the first time that I watch this movie and Doris Day and Rock Hudson show a great chemistry. But Thelma Ritter steals the movie in the role of the alcoholic housemaid Alma. The gags with the nurse and the obstetrician are also hilarious. My vote is eight.

    Title (Brazil): "Confidências à Meia-Noite" ("Confidences at Midnight")
    9beresfordjd

    In spite of what we know now

    In spite of what we know now, Rock Hudson still convinces as a woman-chaser!! He was never considered to be a great actor but he convinced the public for years- so what dom the critics know? This movie is brilliant in every respect-script, plot , performances and the look of the whole thing. How can Doris Day be so sexy and virginal at the same time? Rock Hudson showed a real flair for comedy in this film and it is no wonder that every romantic comedy has been judged against the "Rock Hudson/Doris Day" movies. Even the Doris Day movies NOT starring Rock Hudson were called "Rock Hudson/Doris Day" !!! Doris Day was/is one of the most underrated actresses of the last 50 years. She could play comedy with perfect timing, but convince totally in dramas (check out "Love Me or Leave Me"-fantastic performance.) I must have watched this movie dozens of times and it is still true entertainment. If you have never watched one of her movies then make a point of doing so-yes they have dated, but what has not? Real talent not hype is what true stars have. By the way the 9/10 is because of the dated plot.

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    Enredo

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    Você sabia?

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    • Curiosidades
      Ross Hunter wrote that after he made this film, no theatre managers wanted to book it. Popular movie themes at the time were war films, westerns, and spectacles. Hunter was told by the big movie chains that sophisticated comedies like this movie went out with William Powell. They also believed that Doris Day and Rock Hudson were things of the past and had been overtaken by newer stars. Hunter persuaded Sol Schwartz, who owned the Palace Theatre in New York, to book the film for a two-week run, and it was a smash hit. The public had been starved for romantic comedy, and theatre owners who had previously turned down Hunter now had to deal with him on HIS terms.
    • Erros de gravação
      A party line phone would not ring if any phone on the line was off the hook. To call another phone on the same line, a special code was dialed, then the phone was hung up which would cause the originating phone to start ringing. When the phone stopped ringing, the caller would know that the other party had answered. This is not how Brad does it.
    • Citações

      Hotel clerk: There's no phone number, but I have a forwarding address.

      Jonathan Forbes: 241 Stoneybrook Road.

      Hotel clerk: Why yes sir.

      Jonathan Forbes: [slams counter] And you let her go.

      Hotel clerk: Well, it wasn't my place...

      Jonathan Forbes: No, it's my place, and I helped him pack.

    • Cenas durante ou pós-créditos
      As Doris Day sings 'Pillow Talk' over the closing credits, the film finishes with 'the end' on two horizontal pillows followed by 'not quite', 'not quite', 'not quite', 'not quite' stacked vertically on four pillows.
    • Conexões
      Featured in The Doris Mary Anne Kappelhoff Special (1971)
    • Trilhas sonoras
      Pillow Talk
      Words and Music by Buddy Pepper and Inez James

      Performed by Doris Day (uncredited)

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    • How long is Pillow Talk?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 7 de outubro de 1959 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Francês
    • Também conhecido como
      • Problemas de alcoba
    • Locações de filme
      • Central Park, Manhattan, Nova Iorque, Nova Iorque, EUA
    • Empresa de produção
      • Arwin Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 10.265
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 42 minutos
    • Proporção
      • 2.35 : 1

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