Missão Secreta em Amsterdam

Operation Amsterdam is a no frills war thriller about a special mission to the Netherlands. British major Tony Britton is sent there accompanied by a pair of Dutch diamond merchants, Peter Finch and Alexander Knox. Their mission is to clean out as many industrial diamonds as they can from the diamond brokers which the city is known for.

Those industrial black diamonds ain't pretty and don't sparkle. But they are the hardest things on planet earth. Drill bits to shape metal are invaluable in an industrial economy, all the more so on a war footing. The Nazis could really use them and they are hours away from occupying the Low Countries.

This one moves at a nice clip with grainy black and white cinematography to demonstrate the coming darkness to fall on the Netherlands and Europe.

Along the way the men of the mission save Eva Bartok from suicide and she proves invaluable. Her own wartime experiences gave her depth to her role that was unique. No time for romance, but Finch is clearly interested and might be looking her up after the war assuming both survive.

No super heroics, just some men, Dutch and British doing a job that needed to be done in Operation Amsterdam.

OPERATION AMSTERDAM's synopsis and the iniitial voiceover narration seem to suggest a gripping film based on a real WW II operation, but very soon you realize that it is just some news item transferred to the screen with larger than life but rather wooden characters - apart from Anna, played by the gorgoeous Eva Bartok.

Director Michael McCarthy sadly died at just 42, shortly after completing OPERATION AMSTERDAM, but even earlier films - thankfully shorter - like THE TRAITOR (1957) and MYSTERY JUNCTION (1951) stew in a mire of mediocrity, so I doubt he would have reached any quality podium had he lived to 84. What is more, in this film he co-wrote the similarly stall-sputter-jump screenplay.

Pedestrian cinematography and editing by Reginald Wyer and Arthur Stevens, respectively.

OK but unremarkable acting. Finch is described by the narrator as the key man in the operation, a Dutch citizen who knows diamonds inside out and whose father is a diamond cutter, and holds a personal fortune in diamonds that the UK so badly needs to bore and drill as part of the war materiel production effort. He keeps showing unusual interest in the suitcases that Britton carries and never lets anyone touch for a second. Other than his loving relationship with his father - well portrayed by Malcolm Keen - Finch has the unenviable role of trying to seem to matter. In the end, what is best remembered from his performance as Jan Smit is that he gets the girl.

Tony Britton plays the British major leading the operation and he certainly pulls rank several times, otherwise he just goes around with those suitcases and disappears for a long stretch. At the end we learn that the cases contained explosives to blow up the main Shell oil deposit in Amsterdam - the aim being to deprive the Germans of its use, just as with the diamonds.

Saving the best for last. Beautiful Bartok may speak English with a raw accent, and wear trenchcoat most of the time, which does not reveal her fabulous figure, but she steals the show without trying. 6/10.

Operation Amsterdam is a pleasant surprise. It has both a strong story and some unusual cinematic touches to keep the viewer interested.

The story of the British secret service agents who are sent to Amsterdam to recover industrial diamonds before the German invasion is a familiar one, and their eventual safe escape is predictable enough.

What interested me was the atmosphere of fear and bleakness that the producers manage to convey. The empty streets, in bright sunlight; the columns of fleeing people; the confusion of not knowing who are enemies or friends, makes for a better than average effects.

Added to this a score made only with drums, and some very abrupt editing that is almost painful to watch, makes this a worthwhile watch.

'Operation Amsterdam' is one that had gotten away from me. I thought I'd seen just about every WWII movie that ever was. So when I came across it on DVD, I felt nicely piqued.

And when I watched it, I felt nicely surprised, decently entertained.

The plot isn't terribly exciting, the script could have benefitted from a wee bit of polishing, but the production works well because tension is strung taut and relaxed, and strung taut and relaxed again and again throughout the film.

Peter Finch and Alexander Knox are two Dutch diamond experts who sail in a British destroyer with an English secret agent: destination Amsterdam. Mission: come out, before the Nazis surround or take the city, with the Dutch inventory of industrial diamonds. Object: deprive Nazi war industry of the tool-cutting, metal-shaping worth of those diamonds.

In the haunting desertion of orderly Amsterdam streets, the intrepid trio meets with Dutch diamond merchants, scampers in and out of the clutches of Dutch fifth columnists, mucks in with Dutch resistance fighters, and warily accepts guidance throughout from a Dutchwoman whom they cannot, at first, trust (played with restrained charm by Eva Bartok). Some of the diamond merchants are, as they've always been in Amsterdam, Jews. The point is made about Nazi persecution of Jews and about the dilemmas many Jews faced when the Nazis occupied their countries, but in 'Operation Amsterdam' the points are made unsentimentally - which highlights the stark panic, fear, and despair many Jews felt in that baleful time and circumstance. Indeed, throughout the film characters are beset by choices, choices they must make because time, as the story development lets us know clearly, is running out for everybody in the Netherlands.

It's the storytelling and the actors' understatement - nothing is James Bondish about these ordinary characters finding themselves in extraordinary circumstances - that make the story absorbing, believable. Abetted by the unsettling counterpoint between carnivalesque Dutch pierement (organ grinders) music - happy music playing in a bleak city, over throngs of departing refugees, during the agents' tense search for and gathering of the diamonds - and by terse snare drumming, the story keeps ratcheting up its grip on the viewer, holding tight tempo with the agents' mission and their dedication to accomplishing it.

The only serious flaw in the film's visuals owes to most of the deserted street shots having to be filmed immediately after dawn (else Amsterdam's population would be thronging its thoroughfares). This yields a bit of a crazy quilt mix of shots having long shadows intercut with shots having midday, short shadows - supposedly happening in the same instant. Otherwise, the camerawork and editing jive nicely with the unfolding of the plot.

Also ramping up the tension is the script's bareness: one really must think a lot - sometimes too much - about what's going on, about what's coming next, but the need to think that way lends the viewer a heightened sense of uncertainty, danger, and dread. It also helps that the scriptwriter avoided the worst cliches of the genre: the scenes of Eva Bartok and Peter Finch are treated as bare-bones, wartime heartbreak rather than as apocryphal "we fell in love in battle" nonsense.

Generally, props are first-rate, except for Dutch soldiers and resistance fighters toting German MP-40 machine pistols which were in short enough supply in the 1940 Wehrmacht, and for a few 1950's-era military trucks. The other weaponry is all true to period: Dutch army M1895 Mannlicher rifles, Luger pistols, period revolvers and such. Also, Dutch uniforms and personal gear are precisely from the story's 1940 time-frame. The only other minor quibble is one found in quite a few late-50's and 1960's WWII films: a four-seater Messerschmitt Bf.108 touring aeroplane stands in for the later, design-derivative Bf.109 fighter (See 'Von Ryan's Express', and 'The Longest Day' for more examples of this substitution - which was necessary since there were then no restored, flyable Bf.109E aircraft.).

'Operation Amsterdam' hasn't dated nearly as badly as have so many other WWII films made in the twenty years following the war because it sticks to its story, because it tells its story without frills, excursions into moralizing, or distracting subplots. Though it didn't benefit from a larger budget, as did 'The Counterfeit Traitor' which was filmed in the same era, 'Operation Amsterdam' delivers the goods.

Summed up: Agents voyage to Amsterdam to deprive Nazis of diamonds, return to us with a minor gem of a movie.

From a purely historical point of view, "Operation Amsterdam" is a really cool film. That's because most movies about WWII focus on big, loud and obvious topics--like battles. However, "Operation Amsterdam" is instead about an equally serious problem--what to do with all the diamonds (particularly the industrial grade ones) in Amsterdam--the capital of the diamond industry. This is because lots of war-time machinery (such as precision drill bits) depended on these diamonds and the British were scared the Germans would confiscate them when they overran Holland in 1940.

As far as the film itself goes, it is mildly interesting and has some very tense moments. My only reservation is that the film, at times, seems a tad bland. While it stars Peter Finch--a rather distinguished Oscar-winning actor. Here, however, he isn't given a lot to do other than hide from Germans and Nazi sympathizers. This is not a huge complaint, but the overall film is a bit on the sterile side. Worth seeing, yes, but not a rousing adventure, that's for sure.