Intriga Internacional

Hitchcock at his sharpest. Art and commerce in a delicious salad with all the right ingredients. A brisk screenplay by Ernest Lehman a Cary Grant that is just pure delight, Eva Marie Saint fresh out of her Oscar from "On the Waterfront" is an icy blonde with a brain. James Mason, the ultimate foreign sinister not to mention Jessie Royce Landis and Hitchcock brings Bernard Herrmann to wrap it all up in one of the most infectious scores imaginable. A real treat.

North By Northwest is not an artistic masterpiece like Rear Window and Vertigo, but it is probably the most purely entertaining picture Hitchcock ever made. It's essentially a rehash of many of his earlier films, with a plot partially derived from The Thirty Nine Steps and the very similar Saboteur, while there are borrowings from Foreign Correspondent and Notorious, among others. However, it is all done with such style and confidence that it doesn't matter if it's essentially just a greatest hits package.

Very few other films of this kind attain the near perfect tone of this one, precariously balanced between seriousness and silliness. Sometimes this film manages the very difficult trick of being both suspenseful and comical at the same time, as in the auction house scene, or the wonderful scene in the lift when the hero's mother turns to two heavies in a lift looking menacingly at the hero and says "you gentlemen are not REALLY trying to kill my son, are you?".

Of course the famous crop dusting plane scene and the Mount Rushmore chase are terrific. The former is really more notable for the amount of time taken to build up to the action than the action itself, while the technical work on the latter still looks pretty good. In a totally different vein is the astonishingly frank seduction sequence on the train. Hitchcock takes his time here as with many of the other scenes, but the film is so crammed with memorable passages that one hardly notices it's 136 mins long.

Ernest Lehman's script is full of wonderful lines, many of them delivered so well by chief villain James Mason that at times we almost want to root for him. "Has any one ever told you tend to overplay your various roles Mr Kaplan....it seems to me you fellows could stand a little less training from the FBI and a little more from the Actor's Studio". Cary Grant is so smooth one almost forgets he's over 50, and of course there's also Bernard Herrmann's vibrant score.

Endlessly enjoyable even with repeated viewings. How many of today's thrillers will be such fun in 25 years time?

Roger Thornhill is an advertising man. However when he is kidnapped it is clear that he has been mistaken for someone else. When he tries to find out what's going he is framed for murder and sets out on a cross country run to survive. Along the way he meets danger, adventure and beauty in the shape of the mysterious Eve Kendall. However when he finds the truth he is drawn towards a final showdown with the dangerous Vandamm.

Rightly regarded as a classic and can more than compete with today's thrillers that too often rely on special effects to make up for the lack of genuine suspense. Here the plot requires a great deal of faith, but it is brought off with such style and energy that it is totally absorbing. The action is great and the several main scenes have become part of popular culture and are regularly spoofed on TV etc. The romance works as well and Thornhill and Kendall exchange plenty of good scenes.

The dialogue is great and the direction is faultless from Hitchcock. Many thrillers run over 2 hours - but only the good ones can stand up to repeated viewings. Northwest can take back to back viewings it is so good. The plot may have been put together as shooting went (as was the case with at least

one key scene) but it all stands together well. The acting is also perfect, Grant's rebirth as a thriller man is brilliant and is one of Hitchcock's best everyman characters. Marie-Saint is yet another dangerous blonde but is very good. James `The Voice' Mason is excellent, while Landau adds great homosexual subtext to his character. The ever present Leo G Carroll IS Mr Waverly but is still enjoyable and even support roles like Landis as Thornhill's mother is perfection!

Over 40 years on this film has barely dated. Hearing the music is enough to make me want to see it again, while the direction, set pieces, dialogue and performances are all pitch perfect. A wonderful thriller for young and old - no sex, no swearing, all thrills.

My favourite director, Alfred Hitchcock has directed many classics like Psycho, Rear Window and Vertigo, and I will say that this deserves to be up there among his best. I absolutely loved it! The best aspect of this movie is the always charming Cary Grant in a brooding and entertaining performance as Roger Thornhill, a man wanted for the murder of a diplomat. Solidly supporting him all the way are the lovely Eva Marie Saint as Eve Kendell and oily James Mason as the villainous Vandamme. They are further advantaged by some excellent camera-work and a wonderfully atmospheric music score. The script is focused and suspenseful, and Hitchcock's direction ensures the film rarely slips, even if some of the complicated plot does fly over people's heads. The climax though is simply the icing on the cake. Overall, a hugely enjoyable film, which I will give a 9.5/10. Bethany Cox

North by Northwest will need no introduction to most movie-goers. It's a classic, greatly admired by audiences and critics alike. The story about a befuddled ad-executive fleeing from spies and the police (the spies want him dead because he knows of their plot, the police want him captured because they think he's behind a murder) is done at a breakneck pace and deals with Hitchcock's most frequently used theme: an innocent man on the run.

Cary Grant is urbane and smooth as the hero. James Mason oozes silky menace as the principal villain (Martin Landau also plays a villain, giving his character a seriously nasty toughness). Eva Marie Saint is simply fabulous as the woman whose loyalties seems torn between good and bad.

The set pieces are rightly considered to be moments of cinematic genius. Grant's escape from a crop-duster; the fight atop Mount Rushmore; the auction house bluff; the drunken car journey; the murder at the UN building.... each scene is brilliantly devised by script writer Ernest Lehmann and just as brilliantly filmed by director Hitchcock. Everyone should see this movie... it's a masterpiece.