Duelo de Titãs

Last Train from Gun Hill has the star power to help back up a storyline that is, on the surface, seemingly too straightforward: a Marshall (Kirk Douglas) finds that his wife has been killed. When he finds out that it is the son of a cattle baron (Anthony Quinn), despite his old friendship with the baron, he decides to bring the son to justice, holding him by gunpoint in the town hotel until the train comes to take them off to jail- while the baron has his men outside with their guns poised. There's a touchy element to who the son (played as a snidely little kid in Earl Holliman) killed, which was that the Marshall's wife was a Native American. But more impressive in the script, and through John Sturges's steadfast professionalism, is how there's the tension between law and the personal, the immediate draw of a gun draw to solve anything, and the bitterness of real vengeance (watch Douglas's Marshall tell Rick about how he'll be the only one to hear his own brain cry out as he hangs dying, perfectly acted).

Although it's likely that Douglas and Sturges were in or made better westerns, this is the kind of work that doesn't age in much a way that cheapens the questions poised or the invigorating style. It's a fairly violent film too, with a couple of deaths by the train tracks at night all the more effective from the taunting build-up and the pay-off in one shotgun fired off, and always the threat much more tension-filled than the result. Granted, when a big fire ends up happening, it looks very much like it's on a sound-stage and without a whole lot of suspense (save for the typical but strong 'who will get the gun first' moment between the Marshall and Rick in the bedroom), but it's the ambiance of the characters, the dread over this dangerous mix of volatile father and townsman- a better than average Quinn without being too hammy- and a good man driven to vengeance in bad-ass Douglas, and the determined woman (Carolyn Jones) that makes it so compelling. There's even a slight feeling of unpredictability in the situation- in a town where reputation trumps what is good and decent, but also where emotions run high as can be, the stakes are high for chance.

By the very end it feels like it should be more formulaic, and there are bits where the dialog does come off as brawny ol' western genre jargon (look simply at some of the quotes on the IMDb page as example). But if you happen to come across it on TV one Sunday afternoon, as I did, it's worth the time to sit and get absorbed by a well done star vehicle.

"Last Train From Gun Hill" never received the praise it was due coming as it did between two more famous John Sturges westerns, "Gunfight At the O.K. Corral" (1957) and "the Magnificent Seven" (1960). It is nonetheless a classic in its own right. It has a strong cast headed by Kirk Douglas and Anthony Quinn and holds your attention from start to finish.

Two cowboys, Rick Beldon (Earl Holliman) and Lee Smithers (Brian G. Hutton) are on their way home from a few days of fun and games when a buckboard carrying an attractive young Indian squaw (Zora Rodann) and her young son Petey (Lars Henderson). The men taunt the young woman until she horse whips Rick, laying open a deep cut on his face. The men become angered and chase the woman until they catch her and rape her, accidentally killing her in the process. Her son escapes, steals Rick's horse and rides to town to tell his father, who happens to be town marshal Matt Morgan (Douglas).

Morgan distraught over his wife's horrible death, recognizes the saddle on Rick's horse as that of an old friend Craig Beldon (Quinn). Beldon is now a wealthy rancher who controls most of the town of Gun Hill. Morgan takes the train to Gun Hill where he meets Beldon's mistress Linda (Carolyn Jones). He then goes to Beldon's ranch in search of his wife's killers. At first Beldon offers his help until he realizes that the guilty party is his son Rick.

Morgan vows that he will take Rick and Lee back for trial on, you guessed it, the last train from Gun Hill. Beldon swears that Morgan will never take his son and makes plans to stop Morgan. Morgan manages to capture Rick and......

As in other Sturges westerns there is plenty of action, excellent photography and solid direction all leading up to a climatic gunfight.

Also in the cast are Brad Dexter and Bing Russell as Beldon's top henchmen and Walter Sande as the town sheriff. Sharp eyed western fans will also spot veterans Glenn Strange, Dabbs Greer, Charlie Stevens, Billy Benedict, John Anderson and Ty Hardin in small featured roles.

A great western.

Top-notch western drama of a sheriff on a vengeance quest to track down the men who murdered his wife. Kirk Douglas and Anthony Quinn are excellent as erstwhile friends who are on opposite sides of the dilemma facing them. The film is as much a mystery as a western and several interesting characters intersect the main plot which plays out at the town's train station at the close. Douglas, always intense and edgy is matched by Quinn's stubborn refusal to make the right moral choice. Carolyn Jones and Earl Holliman head a good cast of supporting actors in the tense drama which increases as the plot angles play out. Beautiful western vistas add to a great classic story.

Some say Rio Bravo, some the Searchers, some Shane for some reason. Everyone has an opinion about what the greatest 'classic' western (before the '60s when Leone and Peckinpah broke the old myths) is. I would have said High Noon for a while ago. Then I was home last evening, at a very cold and snowy winter day. I thought to look at a movie from TV and didn't care much what they were showing. It happened to be this masterpiece. And I was awe-struck.

The story tells about a sheriff (Kirk Douglas), whose Indian wife and a mother to his child is raped and murdered. He goes on to find the men who did it to the town of Gun Hill and finds out that the other of the men is the son of his old friend (Anthony Quinn). He has in time become the most powerful man of Gun Hill and won't let his son to be taken to the court for his actions.

This is a quite daring one for a fifties western. There's some blood and nudity here. And most of all, the sides aren't black and white, but rather shades of gray. The movie's most potent message is that you can't take a life, even a criminal, because there will be people who were close to him and his death will hurt them worse. Every life is valuable.

Kirk Douglas is good in the lead role. He bottles most of his emotions in, as probably anyone in his situation would. Better is Anthony Quinn, who essentially has to decide between his son and his best friend. He portrays anger, fear, anxiety and hopelessness great.

This became my favorite classic western. it's not Once Upon a Time in the West, but I loved to see so mature themes in such an old movie. It looks great too, they had wonderful set builders then.

***** The Best Part: The showdown at the Gun Hill railway station

A snot nosed punk, after raping and murdering a marshall's wife, is trailed home by the vengeful lawman. The entire town of Gun Hill refuses to aid the marshall in any way due to fear of, or loyalty to, the rapist's father who controls the whole town. A standoff ensues in the form of a 'waiting war'; waiting on the 9 o'clock train out of town: the marshall either dead or with his prisoner, himself the victim of his overindulgent yet brutal father. Excellent western with loads of blazing 6 guns and hot lead.