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IMDbPro

O Sepulcro Indiano

Título original: Das indische Grabmal
  • 1959
  • 1 h 42 min
AVALIAÇÃO DA IMDb
6,6/10
3,2 mil
SUA AVALIAÇÃO
O Sepulcro Indiano (1959)
Drama de épocaDrama históricoAventuraDramaRomance

Adicionar um enredo no seu idiomaA German architect runs away with the maharajah of Eschnapur's fiancee but is caught and thrown in the dungeon, while his relatives arrive from Europe looking for him and the maharajah's bro... Ler tudoA German architect runs away with the maharajah of Eschnapur's fiancee but is caught and thrown in the dungeon, while his relatives arrive from Europe looking for him and the maharajah's brother is scheming to usurp the throne.A German architect runs away with the maharajah of Eschnapur's fiancee but is caught and thrown in the dungeon, while his relatives arrive from Europe looking for him and the maharajah's brother is scheming to usurp the throne.

  • Direção
    • Fritz Lang
  • Roteiristas
    • Werner Jörg Lüddecke
    • Thea von Harbou
    • Richard Eichberg
  • Artistas
    • Debra Paget
    • Paul Hubschmid
    • Walther Reyer
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    3,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Fritz Lang
    • Roteiristas
      • Werner Jörg Lüddecke
      • Thea von Harbou
      • Richard Eichberg
    • Artistas
      • Debra Paget
      • Paul Hubschmid
      • Walther Reyer
    • 19Avaliações de usuários
    • 34Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos157

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    + 150
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    Elenco principal17

    Editar
    Debra Paget
    Debra Paget
    • Seetha
    Paul Hubschmid
    Paul Hubschmid
    • Harald Berger…
    Walther Reyer
    Walther Reyer
    • Maharadjaj Chandra
    Claus Holm
    Claus Holm
    • Dr. Walter Rhode
    Sabine Bethmann
    Sabine Bethmann
    • Irene Rhode
    René Deltgen
    René Deltgen
    • Prince Ramigani
    Valéry Inkijinoff
    Valéry Inkijinoff
    • Yama
    • (as Inkijinoff)
    Jochen Brockmann
    Jochen Brockmann
    • Padhu - Ramigani's ally
    Richard Lauffen
    • Bhowana
    Jochen Blume
    Jochen Blume
    • Asagara - the Engineer
    Helmut Hildebrand
    • Ramigani's servant
    Friedrich Schoenfelder
    Friedrich Schoenfelder
    • Narrator
    • (narração)
    Guido Celano
    Guido Celano
    • Gen. Dagh
    • (não creditado)
    Victor Francen
    Victor Francen
    • Penitent
    • (não creditado)
    Willy Friedrichs
    • Voice of Padhu
    • (narração)
    • (não creditado)
    Panos Papadopulos
    • Dagh's messenger
    • (não creditado)
    Angela Portaluri
    • Peasant
    • (não creditado)
    • Direção
      • Fritz Lang
    • Roteiristas
      • Werner Jörg Lüddecke
      • Thea von Harbou
      • Richard Eichberg
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários19

    6,63.1K
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    9
    10

    Avaliações em destaque

    9rbloom333

    Excellent

    Second part of Fritz Lang's bizarre epic about Indian mysticism shot for television and cut into two features by the studio (the other part being The Tiger of Eschnapur); it's a brilliantly executed pulpy and humorous masterpiece, with breathtaking color cinematography and elaborate set design which rivals the underworld city in Metropolis. Lang really celebrates the artifice of film, and his uncanny sense for mise-en scene proves his mastery of the craft. It's certainly a strange work and perhaps a bit hackneyed, but one should keep an open mind and sink in to the vivid images and spectacular naive tale of power and magic.
    8Petey-10

    Fritz Lang's Indian Epic, part II

    In the end of Der Tiger von Eschnapur the two lovers were in the middle of a sandstorm.Harald Berger (Paul Hubschmid), the German architect and his Indian lover, dancer Seetha (Debra Paget) were chased through the desert by shikaris (cavalry) of Eschnapur's maharajah Chandra (Walter Reyer).They get into a Shiva temple, where a spider weaves a web so the trackers won't look for them in there.But Seetha is caught inside.He has to try and survive alone, and to safe the one he loves.But it's not going to be easy.His sister Irene (Sabine Bethmann) and her husband, architect Walter Rhode (Claus Holm) are suspicious,after Chandra has asked him to build a tomb for Seetha, who is still alive.She won't believe that her brother has died on a tiger hunt.Meanwhile, prince Ramigani (René Deltgen) wants to seize Chandra's throne.Das Indische Grabmal (1959) was the second last film Fritz Lang directed.His Indian epic is based on work he did forty years earlier on a silent version of Das Indische Grabmal.He wrote the screenplay with his wife of the time, Thea von Harbou, who also starred Die Nibelungen movies.It based on Harbou's novel of the same name.Both of these adventure films offer many thrills.The subterranean scenes are very thrilling.And to see Harald chained, trying to fight his way into freedom.It's a very sexy scene where Seetha dances to charm the cobra in that most revealing costume.The conclusion of this story is well told.
    9dbdumonteil

    Fritz Lang's holiday homework part two.

    The second part of "der Tiger von Eschnapur" begins with a de rigueur summary .Although it's the same movie divided into two for business concern,"das Indische Grabmal" surpasses its predecessor and makes it sometimes look like a trailer.

    All promises are fulfilled ;Everything Lang threatened to achieve in "der Tiger " materializes here.Here the two worlds (the luminous world of the maharajah and the subterraneans where the darkest secrets are hidden ) play an equal part .How can't we think of "Metropolis" when the lepers come up the stairs and force their way in the light of day?The maharajah is much more than a comic strip character here.He appears as a tortured man -the actor who plays this monarch is actually a German one,the one who plays count Andrassy is the "Sissi" saga-.Little by little ,we discover that he's in fact the real hero of the story-Mercier is absent during an hour in this part-:his evolution is downright intriguing .At the end of the story he found peace of mind in a completely unexpected way.

    Remarkable scenes :the spider that spins its web and thus protects the lovers;their enemies seen behind this providential shield.Paget's erotic dance in front of the snake (which echoes to the long scene in the first part when Mercier watches her dancing).And mainly, mainly,these labyrinthine subterraneans which may represent the dark side of the mind .The two worlds (he said that in "die Nibelungen" (1924),there were four worlds!) are a permanent feature in Lang's canon:of course "Metropolis " springs to mind.But think of the underworld of "M";the double life of Andrews in "beyond a reasonable doubt" ;the child's world and the adults' one in "Moonfleet";the "normal "side of life and the secret one beyond the door in the eponymous movie;real life and dream (but where is the frontier?) in "woman in the window" .

    Fritz Lang's holiday homework is actually his testament.He would do one more movie ("die tausend Augen des Doctor Mabuse"),but it seemed that,like his hero,he had found peace of mind in this movie.You can forget,unless you're a highbrow,his part in Godard's notorious "le mépris".

    Like John Huston or Joseph Mankiewicz ,Lang finished his career brilliantly.
    TheVid

    Fritz Lang's highly theatrical adventure with an engaging, old-fashioned romantic flair.

    This is the first part of Lang's storybook romance between an architect/adventurer in India falling for an exotic temple dancer belonging to the Maharajah. It's an exotic B-movie with low-budget charm and expert craftsmenship, a throwback to old-time matinee adventures. Lang's gift for stylized storytelling is evident throughout. This is part one of two, THE TIGER OF ESCHNAPUR continues the story right where this one leaves it; so be sure to obtain both films.
    7ma-cortes

    Second part similar to original film with marvelous production design and being colorfully photographed

    Following to ¨Tiger of Eschnapur¨ that has similar ingredients , as the couple formed by an architect : Paul Christian or Paul Hubschmidt , and a gorgeous dancer : Debra Paget , escapes from the claws a wealthy Maharajah : Walter Reyel . They flee through the sunny desert , but are again imprisoned and once at palace happens several dangers , risks and adventures . While , the sister : Sabina Bethmann of the architect along with her husband : Claus Holm , appear to build a huge tomb ,and there occurs a coup of state carried out by the Maharajah's brother but things go wrong.

    This adventure movie contains thrills , action , exuberant outdoors , luxurious interiors and a twisted love story. The massive budget was all created in India exteriors and in German studios . The film is essentially a romance story and in the midst of fighting , Cobras , surprising underground caves with Zombies-alike , and tigers . Here outstanding the wonderful Debra Paget who performs spectacular and erotic dances . Including an atmospheric and oriental style musical score by Michel Michelet . And a brilliant and luminous photography by Richard Angst , though being necessary a perfect remastering , that is why the film copy is washed-out . This is the second part formed by ¨Tiger of Schnapur¨ and this one , and there is a poorly edited version titled ¨Journey to the Lost City¨ made for USA marketing and delivered by American International Pictures , it is a heavily mounted hybrid of the two Lang films . There is also a silent adaptation , 1922 , by Lang with Conrad Veidt , Paul Ritter , Mia May .

    This enormous budget film , for the time , financed by Arthur Brautner and thrilling script by Thea Von Harbou was compellingly directed by Fritz Lang . In 1920 , he began a relationship with actress and writer Thea Von Harbou (1889-1954), who wrote with him the scripts for his most celebrated films : Doctor Mabuse (1922), Nibelungs (1924), Metropolis (1927) and M , vampire of Düsseldorf (1931) . They married in 1922 and divorced in 1933 when Lang fled to America for Nazi regime . Lang directed various prestigious silent movies as Metrópolis , Woman in the moon , Doctor Mabuse , Spies , Spiders , Nibelungs ; noir films : Beyond a reasonable doubt , While city sleeps , The big heat , Clash night ; Drama : woman in the Window , Human Desire , Scarlet street , Fury and Western : Rancho Notorious , Western Union and Revenge of Frank James .

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    • Curiosidades
      Fritz Lang actually was said to mock both this movie and his prequel with German puns: Das indische grabmal (O Sepulcro Indiano (1959)) he renamed to "Das kindische Grabmal" ("The childish tomb"); Der Tiger von Eschnapur (O Tigre da Índia (1959)) became "The Tiger von Dextropur" (Dextropur being a brand of Dextrose Sugar).
    • Erros de gravação
      One can see the horizontal wire which is supporting the head of the cobra.
    • Cenas durante ou pós-créditos
      O Sepulcro Indiano (1959) is based on an original story by Thea von Harbou made famous by Richard Eichberg.
    • Conexões
      Edited into Além da Barreira do Tempo (1960)

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    Perguntas frequentes15

    • How long is The Indian Tomb?Fornecido pela Alexa

    Detalhes

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    • Data de lançamento
      • 7 de agosto de 1959 (França)
    • Países de origem
      • Alemanha Ocidental
      • França
      • Itália
    • Idioma
      • Alemão
    • Também conhecido como
      • La tumba india
    • Locações de filme
      • City Palace, Udaipur, Rajasthan, Índia(Chandra's palace)
    • Empresas de produção
      • Central Cinema Company Film (CCC)
      • Rizzoli Film
      • Regina Production
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • DEM 20.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 4.673
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 4.401
      • 29 de set. de 2019
    • Faturamento bruto mundial
      • US$ 4.673
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 42 min(102 min)
    • Proporção
      • 1.37 : 1

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