O Cão dos Baskervilles

Ah, you can't go wrong with Hammer. On the back of the DVD, Newsweek proudly proclaims "The Best of the Sherlocks!", and I have to agree. This is the role that Peter Cushing was born to play, it's a shame he didn't play it as often as he did Van Helsing. His mannerisms, his delivery, even his looks, everything about him is perfect Holmes. The rest of the cast are pretty good too, don't get me wrong, but Cushing puts them to shame. Though he is rather ominous in some scenes, it's nice to see Christopher Lee opposite Cushing as a good guy for a change. I really liked the classic plot, full of surprises, great characters, humor and lots of chances for Cushing to shine. The atmosphere is great, foggy and dark like many Hammer films. Perfect for horror. All in all this is a really fun film, though it does have a few pretty cheesy moments. Good film overall though.

7.5/10

The 1939 Basil Rathbone/Nigel Bruce production may be the definitive version, but Hammer's sole 1959 attempt at Sherlock Holmes remains the most atmospheric colour remake.

Peter Cushing and Andre Morrell make a more than passable Holmes and Watson double-act, and the rest of the cast are just right although Christopher Lee always seemed too stiff as a goodie.

Jack Asher's evocative photography is the real delight. No other version has captured so beautifully the muted greens, browns and golds of Dartmoor in England's myth-laden west country. What a shame that modern film stocks seem to have lost the softer warmth of Fifties Technicolor.

Hammer, as you might expect, played up the horror elements of the 'hound of hell' legend a bit too crudely. But David Oxley, as the Baskerville scion who brings about the curse, deserves his place in Hammer's gallery of depraved aristocrats. Accompanied by a crash of thunder in the prologue, director Terence Fisher captures him in long shot at the top of the stairs, possessed with fury as he tells his drunken fellow revellers that the servant girl they had intended to rape has fled. A hushed reaction shot of the others, before Fisher cuts back to a medium shot of Oxted. `I have her!' His face lights up with demonical inspiration. `We'll set the pack on her.!'

Maybe it does rather fall between two genres, but this hugely enjoyable Hammer yarn has left a footprint in each.

When the noble Sir Henry Baskerville (Christopher Lee) inherits a property near a swamp, his friend Doctor Richard Mortimer (Francis De Wolff) hires Sherlock Holmes (Peter Cushing) and Doctor John H. Watson (André Morell) to investigate the curse that apparently killed all the members of his family.

I have not watched the other versions of "The Hound of the Baskervilles" to make any comparison, but this one produced by Hammer is a very good low budget movie. The cinematography creates a great atmosphere; the lines are very detailed and intelligent; and Peter Cushing, André Morell and Christopher Lee give magnificent and very convincing performances in their roles. My vote is seven.

Title (Brazil): "O Cão dos Baskerville" ("The Hound of the Baskervilles")

Correct rendition of the most famous mystery novel written by Arthur Conan Doyle with an awesome Peter Cushing as Sherlock and fairly faithful to the source material. Holmes (Peter Cushing )and Watson(Andre Morell) are contracted by Doctor Mortimer (Francis De Wolff) for the investigation of killing Sr. Baskerville who is now inherited by his niece Sir Henry . Mortimer asks Sherlock Holmes to help protect Sir Henry Baskerville (Christopher Lee), who has returned to England to take his place at the family seat following the death of his uncle, Sir Charles Baskerville. Sir Charles died of cardiac exhaustion and Dr. Mortimer believes he was frightened to death. There appears to be a curse on the family dating back nearly 200 years to when Sir Hugo Baskerville was supposedly killed on the moor by a huge hound. Holmes dismisses the supernatural elements of the case but there are a sufficient number of odd events to pique his interest. Holmes soon realizes that someone is making sure the legend becomes real . Watson goes to the mansion ,there are the servants(John Le Mesurier) and he meets Stapleton and his daughter (Marla Landi). Meanwhile an inmate has escaped and on the moor sound the barking of a savage beast.

This is an excellent and thrilling film with horror elements in Hammer style based on the splendid novel by Arthur Conan Doyle .It's a genuine ripping yarn with much suspense and moody intrigue . The film gets mystery, tension, thrills , detective action and packs an exciting deal of outstanding surprises with great lots of fun despite to be a known story . Magnificent Peter Cushing's interpretation although the best Sherlock is forever Basil Rathbone. Cushing plays as Holmes as an intelligent, obstinate, broody, pipesmoking sleuth , his acting is similar to Jeremy Brett for TV or Nicol Williamson(Seven-per-cent-solution) or Christopher Plummer(Murder by decree). Here Dr. Watson isn't a botcher, bungler or clumsy partner incarnated by Nigel Bruce but a cunning and astute pal well represented by Andre' Morell .The movie has a creepy atmosphere specially when is developed on the moor where lives the fearful giant beast ; besides the 223 Baker Street's house is well designed. Spooky and murky cinematography by Jack Asher . Eerie and creepy musical score by James Bernard . This atmospheric motion picture is accurately directed by the ¨Hammer House of Horror¨ master , the great Terence Fisher . Other version about this story are the following : the best version that still can be called a classic filmed in 1939 by Sidney Landfield with Basil Rathbone , Nigel Bruce y Richard Greene ; English adaptation (1983) by Douglas Hickox with Ian Richardson as Holmes and Donald Churchill as Watson and TV rendition with Jeremy Brett and Edward Hardwicke . directed by Peter Hammond .

Hammer Studio's greatest stars in top form prove to this day that old-fashioned, relatively cheap yet eerie good films can look and work when quality pros are at work. Conan Doyle did not focus here on detective intrigue, but on a gloomy atmosphere, since the surroundings of the Baskerville estate over which the family curse prevailed favored a Gothic mood. The sequences with the tarantula thrown up on Sir Henry Baskerville (suffering from arachnophobia), Sherlock's visit to an abandoned mine collapsing through the efforts of some undetermined criminal, exemplify the fine pumping up of suspenseful strain. There are also some lightweight scenes - for example, with the participation of a good-natured bishop whose distraction almost costs the young aristocrat his life. Hitchcockian "Hammers", which included the director Terence Fisher, hardly used to claim the laurels of major artists, being more modestly content with the title of artisans. Be that as it may, the studio's default experience with the horror genre in its classical form enriched the Holmesian cult. One can't help comparing it to other (at this point about two and a half dozen!) attempts to adapt the famous story. The 1939 version was quite good by the way.