O Diário de Anne Frank

Based on the famous diary and the stage play, this is the story of one of the most well known victim of the Nazis. In 1942, she receives the blank diary on her 13th birthday. Soon, the family is hiding in the attic of her father's business with others. A few employees would help them stay hidden for over 2 years before they are discovered by the Nazis.

Surprisingly, there is real tension especially during the robberies. The quiet brings a heighten intensity. The cast's acting is generally great. There is a poignancy with this first film production of the material. The only drawback is Millie Perkins. Her inexperienced acting actually works for her in this case although as a twenty year old, playing Anne at 13 is a little off. She doesn't have the youth to play the character's brattiness. It's a minor problem in an otherwise terrific production.

Just as Otto Preminger gambled in the casting of unknown Jean Seaberg in the title role of "St. Joan," so George Stevens similarly took a big risk with Millie Perkins in "The Diary of Anne Frank."

As the story goes, Stevens saw model Millie on a magazine cover, fell in love with her expressive eyes, and theorized that this unknown would be more effective than an established star to portray Anne.

Though Perkins had no acting experience, Stevens--at the peak of his career--was confident that he could teach Millie to act, at least for this film.

Although Audrey Hepburn was very interested in the part (as was Stevens in her) Stevens finally decided that it would be more effective to use a fresh actor--one with whom the public would have no pre-conceptions. (Other successful cases to support his theory being Hurd Hatfield as Dorian Gray and Robert Alda as George Gershwin.) Still, it was a huge gamble, since Anne was the pivotal role in this major production.

Well, the results are now history. For many moviegoers Perkins was just fine. While some critics easily spotted her reedy inexperience and rather sympathized with her being thrust into a super-professional arena, they conceded that Millie did do a commendable job.

Unfortunately, Perkins took a lashing from most critics, and her subsequent acting career has been relegated to minor roles in "B" films. Those are the "breaks," though in the fickle film world.

Yet, with all this, many people still think of Perkins' countenance when they envision of Anne Frank. So she and Stevens made a lasting impression.

Likewise, for many, this production remains the definitive version of a profoundly touching World War II real-life chronicle.

From 1942 to 1944, in a Nazi occupied Amsterdam, the thirteen years old German Jewish girl Anne Frank (Millie Perkins) lives hiding in an attic of a condiment factory with her sister, her parents, three members of another family and an old dentist. Along more than two years, she wrote in her diary, her feelings, her fears and relationship with the other dwellers.

When I was about the same age of Anne Frank, I read her book for the first time and I recall how sad I became. Then I read it at least two times more, and in the bottom of my heart, I was maybe expecting a happy ending and that this teenager and the other persons were saved after their tough struggle for survival. In the 90's, I visited her Museum and again I became very sad. Her story is certainly the saddest and most touching journal ever written and published, and shows how cruel the human being can be. This movie has been recently released on DVD in Brazil with 171 minutes running time, and I really liked it. The cinematography is very beautiful, and the tense and claustrophobic story highlights some of the most important parts of the book with minor modifications to keep the movie tense and in an adequate pace. The cast is excellent, and although having about twenty-one years old at that time, the mignon Millie Perkins performs a good Anne Frank. The person who betrayed Anne Frank and the other Jews has never been discovered. My vote is nine.

Title (Brazil): "O Diário de Anne Frank" ("The Diary of Anne Frank")

Throughout the movie, it's the hopefulness that is constantly being expressed that makes this all the more sad to watch - because, of course, we (the viewer) know the hopelessness of the situation; we know how it's going to end.

The story is based on a stageplay which was in turn based on the actual diary of Anne Frank, whose family (being Jewish) went into hiding in Nazi-occupied Holland in 1942, sharing a very small space with several others. As the title implies, the movie is largely about Anne. We watch her grow up in this claustrophobic setting - starting at age 13 and spending more than two years there until the group was discovered. Starting out as a child with a natural rebellious streak, Anne grows into a young woman, falling in love with a young man sharing the living quarters. Millie Perkins was excellent as young Anne, and I was impressed with Joseph Schildkraut as her father Otto, who was in the end the only survivor. The movie begins and ends with his post-war visit to the place where they were hidden, and his grief at being the only survivor among his family is powerfully portrayed. In general, all the performances in this were quite good, and there was a believable portrayal of the difficulties involved in so many people sharing so little space under such stressful circumstances, and there are a number of very suspenseful moments involved. It's a very moving story.

It's a pleasure to report that the long wait for George Stevens' THE DIARY OF ANNE FRANK to come to the DVD format has been worth the wait. The restoration is far better then the fine 1995 Laser Disc issue, which was the only previous release to include the Overture, Intermission and Exit Music for the film as well as the "roadshow", 170 minute version of the film. As Alfred Newman's score is one of his finest, the addition of the extra music is a true treat. Issued as one of Fox's "Studio Classics", the DVD shows that a great deal of tender care has gone into this outstanding release. The complete films is contained on one side. Side two is full of some nice extras, headed by a full-length documentary, "ECHOS FROM THE PAST", that is very informative. There is a nice excerpt from the documentary feature, "GEORGE STEVENS: A FILMMAKER'S JOURNEY", which was produced and directed by George Stevens, Jr. Stevens' son also provides the commentary track along with actress Millie Perkins for the film itself. There are two interesting previews included, one for the U.S. release after the film was taken off the roadshow run (and CUT by almost 20 minutes) and also the International version, which uses Newman's music over the scenes without any dialog from the film itself. Perkins' screen test, newsreel footage a number of excellent behind the scenes photographs and a restoration comparison round out the second side. The film and this DVD are HIGHLY RECOMMENDED.