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IMDbPro

Como Fera Encurralada

Título original: Classe tous risques
  • 1960
  • Not Rated
  • 1 h 50 min
AVALIAÇÃO DA IMDb
7,5/10
4,8 mil
SUA AVALIAÇÃO
Jean-Paul Belmondo, Sandra Milo, and Lino Ventura in Como Fera Encurralada (1960)
Official Trailer
Reproduzir trailer3:52
3 vídeos
51 fotos
CrimeDramaRomanceThriller

Adicionar um enredo no seu idiomaA ruthless criminal flees from the pursuit, involving more and more casualties.A ruthless criminal flees from the pursuit, involving more and more casualties.A ruthless criminal flees from the pursuit, involving more and more casualties.

  • Direção
    • Claude Sautet
  • Roteiristas
    • José Giovanni
    • Claude Sautet
    • Pascal Jardin
  • Artistas
    • Lino Ventura
    • Sandra Milo
    • Jean-Paul Belmondo
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    4,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Claude Sautet
    • Roteiristas
      • José Giovanni
      • Claude Sautet
      • Pascal Jardin
    • Artistas
      • Lino Ventura
      • Sandra Milo
      • Jean-Paul Belmondo
    • 29Avaliações de usuários
    • 61Avaliações da crítica
    • 84Metascore
  • Veja as informações de produção no IMDbPro
  • Vídeos3

    Classe Tous Risques
    Trailer 3:52
    Classe Tous Risques
    Classe Tous Risques
    Trailer 1:23
    Classe Tous Risques
    Classe Tous Risques
    Trailer 1:23
    Classe Tous Risques
    Classe Tous Risques - Rialto Pictures Trailer
    Trailer 1:45
    Classe Tous Risques - Rialto Pictures Trailer

    Fotos51

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    + 44
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    Elenco principal33

    Editar
    Lino Ventura
    Lino Ventura
    • Abel Davos
    Sandra Milo
    Sandra Milo
    • Liliane
    Jean-Paul Belmondo
    Jean-Paul Belmondo
    • Eric Stark
    Marcel Dalio
    Marcel Dalio
    • Arthur Gibelin
    Michel Ardan
    • Riton Vintran
    Simone Desmaison
    • Thérèse Davos
    • (as Simone France)
    Michèle Méritz
    Michèle Méritz
    • Sophie Fargier
    Stan Krol
    Stan Krol
    • Raymond Naldi
    Evelyne Ker
    Evelyne Ker
    • La fille de Gibelin
    Betty Schneider
    Betty Schneider
    • La petite bonne
    France Asselin
    • Madame Vintran
    Jean-Pierre Zola
    Jean-Pierre Zola
    • Le patron de l'agence privée
    • (as J.P. Zola)
    Sylvain Levignac
    • Le détective de l'agence privée
    Jeanne Pérez
    • Jacqueline Chapuis
    René Génin
    René Génin
    • Chapuis
    Charles Blavette
    Charles Blavette
    • Bénazet
    Philippe March
    Philippe March
    • Jean Martin
    • (as Aimé de March)
    Corrado Guarducci
    • Ferucci
    • Direção
      • Claude Sautet
    • Roteiristas
      • José Giovanni
      • Claude Sautet
      • Pascal Jardin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários29

    7,54.7K
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    Avaliações em destaque

    10Dziga7

    A great film, if you can find it...

    I saw this film at Telluride Film Festival in 1997, where one of the screenwriters, José Giovanni, was being honored. It ranks highly as a great noir-crime-drama, incredible performances by Belmondo and Lino Ventura. The attention given to every character, and complex psychological portrayals, detailing loyalty, treachery, love, and hope, are tremendous. It is an excellent drama, an excellent thriller, and an excellent film. Up there with the best of Melville. (The title in English 'Class all risk,' in French 'Classe tous risques' is word-play on 'Classe Touriste,' meaning 'Tourist Class'.
    8claudio_carvalho

    The Last Days of a Gangster

    In Milan, the gangster Abel Davos (Lino Ventura) is sentenced to death "In absentia" and decides to return to France. Abel is a family man with wife Thérèse Davos (Simone France) and two sons, and his partner Raymond Naldi (Stan Krol) helps Abel and his family to flee to Nice. However Thérèse and Raymond are killed by the police and Abel uses his former friends in Paris to help him to go to Paris with his sons. They hire the driver Eric Stark (Jean-Paul Belmondo) to bring Abel and his kids to Paris in an ambulance. Along their journey, Eric helps the aspirant actress Liliane (Sandra Milo) on the road and she also goes to Paris in the ambulance. But soon Abel learns that he is alone and his friends when he was powerful will not help him and he counts only with the support of Eric. What will happen to him?

    "Classe tous risques" is a great film-noir with the story of the last days of a gangster. The plot shows that there is no code of honor or friendship after the fall of a powerful gangster. All his former friends do not help him when he needs. The conclusion is adequate for the whole situation. My vote is eight.

    Title (Brazil):"Como Fera Encurralada" ("Like Trapped Beast")
    9MOscarbradley

    A classic French gangster film

    Both Bresson and Melville are reputed to be big fans of "Classe Tous Risques" and it's easy to see why; either man could have directed this classic French gangster picture. The actual director was Claude Sautet and it's one of the greatest second films in movie history, (in the 15 year period between 1956 and 1970 Sautet made only 4 films). He made this one in 1960 around the time of the New Wave and while it's more traditional than something Godard or Truffaut might have done, nevertheless Sautet brings to it a freshness of approach that other gangster pictures of the period seem to lack. From the absolutely stunning opening sequence it's clear that this film will be infused with a good dose of existential angst as well as the requisite thrills that a really good gangster movie needs.

    Two fugitives, (Lino Ventura and Stan Krol), have decided it's time to get out of Italy and back to France as the net closes in around them but they need money. They commit a foolhardy, though daring, daylight robbery and go on the run. This opening and the chase that follows is as good as anything in crime movies. The money they make, however, is hardly enough to sustain them, (Ventura has a wife and two sons to support), so they must rely on a network of friends and criminal associates and men on the run, already operating on the very edge, need all the friends they can get, however untrustworthy they may be and these guys friends prove to be very untrustworthy indeed but when tragedy strikes Ventura seems to have no option.

    With the possible exceptions of Dassin's "Rififi" and several of Jean-Pierre Melville's classic gangster pictures this remains one of the greatest of genre films and is all the better for being, fundamentally, a low-key character piece. Ventura is perfect as the world-weary thief who would really rather just settle down and raise his family and he is matched by a young Jean-Paul Belmondo as the stranger who becomes his only real friend and ally. The brilliant black and white cinematography is by Ghislain Cloquet, (it was shot largely on location), and it is beautifully adapted by Sautet, Pascal Jardin and Jose Giovanni from Giovanni's novel.
    9noralee

    A Gritty Intersection of Gansters' Jobs and Domestic Lives

    "Classe tous risques" feels like the granddaddy of "The Sopranos" in mixing the criminal and the domestic, and of the buddy film to feel as contemporary as "Reservoir Dogs."

    Even as these gangsters are affectionately entangled with wives, children, lovers and parents, they are coldly ruthless, and we are constantly reminded they are, no matter what warm situation we also see them in. They can tousle a kid's hair - and then shoot a threat in cold blood. The key is loyalty, and the male camaraderie is beautifully conveyed, without ethnic or class stereotypes, even as their web of past obligations and pay backs narrows into suspicion and paranoia, as the old gang is in various stages of parole, retirement, out on bail or into new, less profitable ventures. An intense accusation is of sending a stranger to perform an old escape scenario. It is a high point of emotion when a wife is told off that she's not the one the gangster is friends with, while virtually the only time we hear music on the soundtrack is when he recalls his wife.

    Streetscapes in Italy and France are marvelously used, in blinding daylight to dark water and highways, from the opening set up of a pair of brazen robbers -- who are traveling with one's wife and two kids. Rugged, craggy Lino Ventura captures the screen immediately as the criminal dad. And the second thug is clearly a casually avuncular presence in their lives, as they smoothly coordinate the theft and escape, in cars, buses, on boats and motorcycles, in easy tandem. This is not the cliché crusty old guy softened with the big-eyed orphan; these are their jobs and their families and they intersect in horrific ways.

    The film pulls no punches in unexpectedly killing off characters, directly and as collateral damage, and challenging our sympathy for them, right through to the unsentimental end, which is probably why there was never an American remake.

    It seems so fresh that it's not until Jean-Paul Belmondo enters almost a third of the way into the film, looking so insouciant as a young punk, that one realizes that this is from 1960. Sultry Sandra Milo has smart and terrific chemistry with him, from an ambulance to an elevator to a hospital bed.

    While the Film Forum was showing a new 35 mm print with newly translated subtitles, it was not pristine. The program notes explained that the title refers to a kind of insurance policy and is pun on "tourist class."
    10colaya

    Minimalism with a heart

    A film reduced to its essentials (photographed images in sequence) to portray the dawn and dusk of two stoical gangsters that are also human beings. Milan, Nice, Paris, a journey from exile to tragedy, the disloyalty of old partners, a total stranger that becomes the younger image in the mirror, a new friendship---in Sautet hands, all of these human happenings are conveyed not by words but by the power of images, expressions, action, angles, movement, gestures, moments. Sautet belongs to the same league of Melville, Bresson and other masters of the craft of putting together "pictures in motion".

    "Less is more". Minimalism assumes that the moviegoer is a human being too, s/he interprets, reflects, makes sense and finds meanings. No distractions and full advantage of the cinematic form: images, sound, edition. Not everything has to be shown or explained. Less words and less information demand for the viewer to fill in the blanks, an active role that might be hard to take. But once the watcher accepts the challenge, the outcome is a tailor-made experience---he is not a passive watcher anymore.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Co-writer/Director Claude Sautet said after the shooting that he did not know that the Abel Davos - Danos - character was inspired by a gangster who collaborated with the Nazis against French resistance and Jews during German occupation.
    • Citações

      Eric Stark: The best thing about me is my left hook.

    • Conexões
      Featured in Claude Sautet ou La magie invisible (2003)

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    Perguntas frequentes17

    • How long is The Big Risk?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 1 de abril de 1960 (Itália)
    • Países de origem
      • França
      • Itália
    • Central de atendimento oficial
      • Newen (France)
    • Idiomas
      • Francês
      • Italiano
    • Também conhecido como
      • Encurralado
    • Locações de filme
      • Nice, Alpes Marítimos, França
    • Empresas de produção
      • Mondex Films
      • Les Films Odéon
      • Filmsonor
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 132.928
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 11.945
      • 20 de nov. de 2005
    • Faturamento bruto mundial
      • US$ 132.928
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 50 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.66 : 1

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