A Batalha dos Sexos

A delicious mix of dry comments, cultural clashes and devious expressions. Sellers is excellent as the mouse-like Mr Martin shocked to the core by the brash Miss Barrows and driven by his devotion to the family to protect tradition at all costs ! The bumbling uncertainty of the head of the Tweed empire could only be achieved by Morley whose portly figure towers over his frail employees as they await his next disastrous decision. Great examples of new not always being better (or not allowed to be !) form the key of the battle until the final hilarious showdown between the American and Scottish way of thinking. Every second is a film treat - should be on everyone's shelves !

This well-cast adaptation of a classic James Thurber story relocates the action to Edinburgh and offers Peter Sellers one of his best roles as a timid bureaucrat who turns into a man of action when the crusty family firm he works for is threatened by an "efficiency expert" (and a female one at that!). His bumbling attempts to resolve the situation at the climax are a delight whilst co-star Robert Morley is perfect in the sort of role that he was born to play.

There's some fine location work, beautifully shot in black-and-white by Oscar-winning cinematographer Freddie Francis and a late screen appearance by "Doctor Praetorius" himself, the sepulchral Ernest Thesiger.

When this story inspired by a Thurber story begins, the elderly owner of a Tweed manufacturing company in Edinburgh is on death's door. And, after he passes, his foolish son, Robert Macpherson (Robert Morley) takes over the practically destroys the company. This is because he's met an obnoxious know-it-all woman (Constance Cummings) and she is intent on shaking things up at the company...even though things seem to be working just fine. But Robert is blind to how destructive and costly the changes are....as well as he plans to fire most of the employees and mechanize. But his trusted employee, Mr. Martin (Peter Sellers), clearly sees the damage this woman is doing....and he plans to take care of her himself...for the good of the company.

I had a laugh watching this film, as I can see what many Brits see when they see Americans playing Brits....clumsy accents and overdoing it a bit when it came to British actors pretending to be Americans (in particular, Ms. Cummings and Donald Pleasence). This doesn't really harm the film...but it is funny seeing how Americans are portrayed. I am not sure if some 21st century viewers will laugh at Cummings' character, however, as she could be interpreted (possibly) as an anti-feminist character....a lady who wants to take over the male-dominated industry. I didn't take it this way...more that this particular woman was obnoxious and awful!

Overall, this is a cute little comedy and one of Peter Sellers' most forgotten roles. He's lovely as the 60-something employee and plays him with great subtlety (he is no Dr. Strangelove!). Cute and enjoyable...and well worth seeing.

Mr. Martin is a clerk at a Scottish Tweed weaving company.Then one day a creature called woman starts talking about all these changes they should make in the company.He has a little problem with that.The Battle of the Sexes (1959) is directed by Charles Crichton.It's based on the short story The Catbird Seat by the great humorist James Thurber from 1942.Peter Sellers is quite excellent as Mr. Martin.He obviously wasn't an old man when he did this film, but he certainly seems that way.He's nailed the gestures and all perfectly.Robert Morley is terrific as Robert Macpherson.Constance Cummings does brilliant work as Angela Barrows.Donald Pleasence is great as Irwin Hoffman.This is a pretty funny comedy, although it's not the best Peter Sellers starred in.The funniest sequence must be when he goes out to kill the lady.For Peter Sellers fans this is one not to be missed.

The Battle of the Sexes is directed by Charles Crichton (The Lavender Hill Mob/ The Titfield Thunderbolt) and it stars Peter Sellers, Robert Morley & Constance Cummings. It's based on the short story The Catbird Seat written by James Thurber, with the script written by Monja Danischewsky.

The grand House of MacPherson in Scotland has been supplying genuine Scottish tweeds for many years. Tho Woven out in the sticks by the professionals, the tweeds are sold out of the Macpherson HQ in Edinburgh. When Old MacPherson (Ernest Thesiger) dies, his son, Young MacPherson (Morley), takes over but is hardly blessed with business acumen. Things start to get dicey when he brings in Angela Barrows (Cummings) as an efficiency expert, an American lady he met on the train. The ageing staff, led by Mr. Martin (Sellers), is horrified as she starts updating the methods of running a business. To their minds a woman is for making the tea and cleaning up, not for doing away with hundreds of years of tradition with new fangled contraptions and ideas. However, Mr. Martin hatches a plan to rid the company of this meddlesome modern tyrant.

Something of an unknown British comedy featuring the great Peter Sellers, The Battle of The Sexes sees him teamed with Crichton to deliver a smart and very funny piece. The film is dealing in cultural clashes and the battle is not just of the sexes, but also a poignant conflict between the advent of time and its impact on business'. Arcane traditionalists versus the forward thinking modern capitalist: or if you like? British custom versus American progress. Both played superbly by Sellers; as the calm and unhurried Mr. Martin; and Cummings as the get up and at em quickly Angela Barrows. Danischewsky's script is very impressive given that the source was very slight, and Crichton has done wonders to not let the film descend into slapstick or out of place screwball. Much like Mr. Martin, the comedy is very sedate, unhurried or forced. There's some farce in there, with one chase sequence in Angela's apartment wonderfully constructed, but the film never gets out of control and it's all the better for it. As the two rivals try to outwit each other, this brings Morley's (great as usual) oblivious Young Mac into play. The result is a three pronged character piece deserving of a bigger audience. 8/10