Um grande navio navegando em águas internacionais permitia que os clientes jogassem a noite toda. O Sr. Lucky era o proprietário e, com seu assistente Andamo, lidava com clientes problemátic... Ler tudoUm grande navio navegando em águas internacionais permitia que os clientes jogassem a noite toda. O Sr. Lucky era o proprietário e, com seu assistente Andamo, lidava com clientes problemáticos, bandidos e policiais para se manter à tona.Um grande navio navegando em águas internacionais permitia que os clientes jogassem a noite toda. O Sr. Lucky era o proprietário e, com seu assistente Andamo, lidava com clientes problemáticos, bandidos e policiais para se manter à tona.
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Considering the talent in front of the camera and behind it, Mr Lucky's scripts and fights were lame. The fights were also poorly blocked by the directors. Hovering between comedy and mystery, the show should have lasted at least two years. The show needed more intriguing gambling stories. And were Lucky and Andamo the only crew? A ship like that would need 30 men to run it. They had one janitor.
Some of us who enjoy this show in general and Ross Martin's work on it in particular, have been discussing it episode-by-episode at www.andamoinmrlucky.proboards.com.
Here's an example, from one of my own posts, which provoked argument from another member:
"Anyway, back to 'The Money Game': Notice the difference between how natural Rovacs sounds when he says, "The bird from Wilbur College?" and how unnatural Lucky sounds when he says, "The bird who said this country has no respect for mathematicians . . . ." I think the writer missed it with that line. Lucky just can't use slang terms like "bird." And the writer did it again, though not so blatantly, with Lucky's dialogue with Eddie about the "fish." Lucky has too much respect for his customers to refer to them with derogatory words like that. Poor John Vivyan-- what he must have thought when he saw this week's script. In addition to having to speak out of character, he sure got stuck with some lame lines this time."
In retrospect, I'm not sure I agree with myself there about the fish. We'd sure welcome other voices, other opinions, from people who'd like to watch and seriously discuss the show with us.
Here's an example, from one of my own posts, which provoked argument from another member:
"Anyway, back to 'The Money Game': Notice the difference between how natural Rovacs sounds when he says, "The bird from Wilbur College?" and how unnatural Lucky sounds when he says, "The bird who said this country has no respect for mathematicians . . . ." I think the writer missed it with that line. Lucky just can't use slang terms like "bird." And the writer did it again, though not so blatantly, with Lucky's dialogue with Eddie about the "fish." Lucky has too much respect for his customers to refer to them with derogatory words like that. Poor John Vivyan-- what he must have thought when he saw this week's script. In addition to having to speak out of character, he sure got stuck with some lame lines this time."
In retrospect, I'm not sure I agree with myself there about the fish. We'd sure welcome other voices, other opinions, from people who'd like to watch and seriously discuss the show with us.
Mr Lucky was one of a series of half hour crime shows of the late 50's and early 60's.But unlike "Peter Gunn" "Richard Diamond" etc,the hero is not a detective,but a vaguely shady, but basically honest,club owner.The series "Dante" with Howard Duff is probably Mr Lucky's closest relation(that show began the season after "Mr Lucky")."Mr Lucky" is a smooth, enjoyable show with a lot of comedy mixed in the dramatics.John Vivyan,as Lucky is suave and likable. The ever reliable Ross Martin is his sidekick Andamo.It seems strange that Vivyan's career never went anywhere after this show. Martin went on to greater fame in "The Wild Wild West".The shows title sequence, featuring cats,and Henry Mancini's music are great.Interestingly, Mr Lucky's gambling boat,"The Fortuna",turned into just a restaurant about half way through the series-probably in response to the moral criticisms then being directed at some TV shows.
During the summer of 2004 we happened upon the derelict, rusting hulk of the Fortuna moored to a dock in Eureka, California. The harbor master pointed it out to us as what was left of the yacht used on the TV series.
Lord only knows what the poor thing had gone through after being decommissioned by Hollywood. The harbor master intimated it might have been used as a drug running boat to and from Mexico.
In any event, a peek through its windows from dockside revealed it is now being used as a storage facility for various boat machinery and parts.
Lord only knows what the poor thing had gone through after being decommissioned by Hollywood. The harbor master intimated it might have been used as a drug running boat to and from Mexico.
In any event, a peek through its windows from dockside revealed it is now being used as a storage facility for various boat machinery and parts.
TV actors, at least in the old days when they were placed in a separate class from movie actors, often seemed to be clones of their movie brethren. Some were singular in their associations. Nehemiah Persoff seemed to be the Edward G. Robinson of television, getting similar roles and acting them in a very similar manner. Carolyn Jones was the Bette Davis of TV, even to the point of playing a set of sisters one of whom is a murderer on Burke's Law. Other's had company in their pursuits. The western stars were all either John Wayne or Gary Cooper, with an occasional Jimmy Stewart or Henry Fonda thrown in, (including the real thing on "The Deputy"). There were a whole selection of Clark Gables, including John Russell, Rory Calhoun, Richard Egan , Robert Lowery and others. There were plenty of Brandos, including Burt Reynolds, George Maharis and John Saxon. There were enough Rock Hudsons to fill a theater, with John Gavin, Tom Tryon and Gardner McKay coming immediately to mind. The blonde versions I call the "Redfords", a group of thoughtful , well educated types of which Robert Redford was one along with James Franciscus, Richard Chamberlain and William Shatner. They had varying degrees of success with Redford emerging as the head of the class.
Perhaps the most successful strain, however were the Cary Grants. Grant made an ideal model for the suave detective hero, able to be charming or tough as the occasion demanded. Craig Stevens was hired to play Peter Gunn specifically because of a strong resemblance to Grant. His tightlipped performance was not really very charming but it's surely how Cary would have played that character. Latern-jawed John Vivyan played a role that Grant had actually essayed in the movies, Mr. Lucky. He was competent at best. The heroes of the Warner Brother's detective shows were largely based on Cary Grant. Ephram Zimbelist Jr.'s Stu Bailey was a grant-style role with a lot more charm than Peter Gunn. Richard Long's Rex Randolph on Bourbon Street Beat was much the same. Anthony Eisley's Tracy Steele was a less convincing version of the same character on Hawaiian Eye.
But the best of the Grant clones was Gene Barry. He was male-model handsome, had good breeding and seductive whiskey voice. He was also TV's greatest reactors. He had a series of comic takes that was perfect for Amos Burke, who had to confront an unending series of eccentric subjects. Yet he could turn around and romance the ladies or get tough with the tough guys. And he was a good enough actor to hold up his end when the heavy dramatics intervened.
One wonders what the originals of these clones must have thought as they watched the boob tube in it's infancy.
Perhaps the most successful strain, however were the Cary Grants. Grant made an ideal model for the suave detective hero, able to be charming or tough as the occasion demanded. Craig Stevens was hired to play Peter Gunn specifically because of a strong resemblance to Grant. His tightlipped performance was not really very charming but it's surely how Cary would have played that character. Latern-jawed John Vivyan played a role that Grant had actually essayed in the movies, Mr. Lucky. He was competent at best. The heroes of the Warner Brother's detective shows were largely based on Cary Grant. Ephram Zimbelist Jr.'s Stu Bailey was a grant-style role with a lot more charm than Peter Gunn. Richard Long's Rex Randolph on Bourbon Street Beat was much the same. Anthony Eisley's Tracy Steele was a less convincing version of the same character on Hawaiian Eye.
But the best of the Grant clones was Gene Barry. He was male-model handsome, had good breeding and seductive whiskey voice. He was also TV's greatest reactors. He had a series of comic takes that was perfect for Amos Burke, who had to confront an unending series of eccentric subjects. Yet he could turn around and romance the ladies or get tough with the tough guys. And he was a good enough actor to hold up his end when the heavy dramatics intervened.
One wonders what the originals of these clones must have thought as they watched the boob tube in it's infancy.
Você sabia?
- CuriosidadesThe series was cancelled after the sponsors left. CBS was unable to find another sponsor despite the good ratings.
- ConexõesFeatured in A Música de John Williams (2024)
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- How many seasons does Mr. Lucky have?Fornecido pela Alexa
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- Bonne chance M. Lucky
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- Tempo de duração
- 30 min
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- 1.33 : 1
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