Norman, O Recruta Biruta

Although we don't roar with laughter now , there are some 'classic¬ scenes:- 1. changing step when arrested and the others copy and lose step - quite clever. 2. best of all - the performance of the German lieder with the exaggerated German " Dein ist mein Hertz " - some professional singers roll about at that ! What a fantastic wide mouth. 3. During the scene with Hattie Jacques there is a fine touch of sexual innuendo for brief seconds. 4. No sentimental songs to interrupt the action. 5. His infatuation with Honor Blackman is not over done or carried though to the point of implausibility. So, although this is not his best film, it has one or two memorable, even "classic" moments. Worth watching - if only every 5 years !

When Council employees make live hard for the soldiers on a local military base, the army drafts them to treat them badly. However Mr Grimsdale and Pitkin accidentally get on the wrong truck and are parachuted behind enemy lines. When Mr Grimsdale is captured by the Nazi's the resistance decide to use Pitkin's uncanny resemblance to Nazi General Schreiber to effect a rescue.

In stead of Norman Wisdom's usual plot of `working class lad showing up the rich', we have `working class lad showing up the military and the Nazis'. Here the plot allows several funny set ups before eventually falling back on the old `lookalike' chestnut. However it's still quite funny – it's not Wisdom's best, but it has it's moments and happily there is very little of his usual `dreaming of unattainable girl' stuff that he usually does.

The cast is better than usual. Wisdom still has his innocent `salt of the earth' thing going on and is funny and charming. Chapman fits well with him as Grimsdale, although the two have had better films together. A very young Honor Blackman (her voice hasn't changed a bit!) is good if fleeting and even Hattie Jacques turns up. The army officers are filled out with familiar faces and everyone tries hard.

Overall this isn't Wisdom's best – but the working class Council worker triumphs over the Germans and upperclasses as a whole – who can't get some enjoyment out of that?!

All Norman Wisdom Films tend to follow a simple formula. Loveable Norman has a simple life, usually overlooked by a father figure (Mr Grimsdale) who takes care of him. An antagonist enters the frame and usually angers Wisdom. Much revenge type comedy ensues. Throw in a little child or children who needs help and a unfeasibly attractive woman for Norman to fall in love with. So once this formula has been established it's very unusual to expect anything else. Not that The Square peg does a great deal different but it looses the child element and offers up instead, Wisdom in two roles. The first is his standard 'Pitkin' role and the second is the evil Nazi general. Sure he camps up the Nazi and plays it for all the laughs possible but this film is nothing more than comic brilliance. The scene between Wisdom in his two characters and Hattie Jaques as a Teutonic opera singer is staggeringly funny.

This service comedy (another favorite situation with star comedians) - part army-base shenanigans and part dangerous mission - ranks as possibly the best Norman Wisdom vehicle there is, with a consistent string of often hilarious gags and the star - turning up again in drag and also appearing in a dual role (including one as a Nazi General) - in top form.

Supporting him are Edward Chapman (virtually rising to sidekick status here, he and Wisdom make an engaging comic pair), Honor Blackman (perhaps the most substantial of the star's leading ladies) and Hattie Jacques (as a German opera star).

Without a shadow of a doubt this is my favourite of Norman's films , hilarious from start to finish, featuring two of the funniest sequences of his films.

The scene where Pitkin interferes with the Army march is laugh out loud funny, but the crowning glory comes where Hattie Jacques plays the Opera singer, and Norman's two characters sing with her, it is a side splitting scene.

Wisdom is great, Jacques also, just wonderful.

Considering it's 1958 they skillfully got the two Normans on screen at the same time, it looks really good.

It looks amazing, great sets and costumes, it is a fantastic production.

Love it, 9/10.