Norman, O Recruta Biruta

Following up on the zaniness of "Up in the World", Norman Wisdom returned as witless Norman Pitkin in "The Square Peg". In this case, he joins the army in WWII and gets dropped into Nazi-occupied France, where he's a dead ringer for a Nazi general.

I will say that I didn't find this one quite as funny as the previous movie, but the scenes where he's in the general's headquarters are just a hoot - you could turn the sound off and it would still be great. This is one movie that you're sure to love. Also starring is Honor Blackman (that's right: Pussy Galore!) and Edward Chapman.

And to think that I'd never even heard of Norman Wisdom until yesterday when I watched "Up in the World"!

All Norman Wisdom Films tend to follow a simple formula. Loveable Norman has a simple life, usually overlooked by a father figure (Mr Grimsdale) who takes care of him. An antagonist enters the frame and usually angers Wisdom. Much revenge type comedy ensues. Throw in a little child or children who needs help and a unfeasibly attractive woman for Norman to fall in love with. So once this formula has been established it's very unusual to expect anything else. Not that The Square peg does a great deal different but it looses the child element and offers up instead, Wisdom in two roles. The first is his standard 'Pitkin' role and the second is the evil Nazi general. Sure he camps up the Nazi and plays it for all the laughs possible but this film is nothing more than comic brilliance. The scene between Wisdom in his two characters and Hattie Jaques as a Teutonic opera singer is staggeringly funny.

Although we don't roar with laughter now , there are some 'classic¬ scenes:- 1. changing step when arrested and the others copy and lose step - quite clever. 2. best of all - the performance of the German lieder with the exaggerated German " Dein ist mein Hertz " - some professional singers roll about at that ! What a fantastic wide mouth. 3. During the scene with Hattie Jacques there is a fine touch of sexual innuendo for brief seconds. 4. No sentimental songs to interrupt the action. 5. His infatuation with Honor Blackman is not over done or carried though to the point of implausibility. So, although this is not his best film, it has one or two memorable, even "classic" moments. Worth watching - if only every 5 years !

Another good comedy film from Norman Wisdom, the roadworks scenes outside the camp were good with the marching scene hilarious.

Norman gets sent to occupied France where he doubles for a Nazi General with the obvious mishaps and goings on.

Herbert Chapman does his first in partnership with Norman, and he fits the bill.

Look for early roles for Honor Blackman (recently deceased at 94, Hattie Jacques, Frank Williams, Richard Marner playing a German general (he played a German Colonel in 'Allo 'Allo). Victor Maddern and Oliver Reed.

I've always liked Norman Wisdom's films - to a point - in every one there was something anarchic to laugh at but unfortunately something maudlin to squirm at too. This was the 6th of Wisdom's 12 "Norman" comedy films, and imho one of his best although I suspect every fan who has seen them all has their own favourites. However from experience there seem to be more perverse people who have seen every film and who hate the lot.

Norman Pitkin as St. Godric's Council employee is digging up the road outside an Army camp during the War, takes the Mick of the soldiers once too often and he and his boss Mr. Grimsdale find themselves conscripted. The slapstick war between Pitkin and Sergeant Campbell Singer continues into his training, until Pitkin and Grimsdale end up in France and the second part of the story begins. Favourite bits: Pitkin ferociously bayoneting the dummies; his bravado pre-parachuting; the General Schreiber double scenes with Hattie Brunnhilde Jacques; marching out of step with his captors. Apart from one mawkish bit in the French café with Honor Blackman there was no romantic musical interlude – although he had a fine singing voice it's still a definite plus! Cheaply made but well disguised, and with a great cast of British stalwarts also on display - missed Jerry Desmonde though!

It's a pleasant time-filler and maybe one of his more accessible films to a non-fan or non-kid which is perhaps one reason why it's probably shown on TV more often than his other black & white's.