Adicionar um enredo no seu idiomaA fungus brought from space threatens to grow and spread, devouring everyone in its path.A fungus brought from space threatens to grow and spread, devouring everyone in its path.A fungus brought from space threatens to grow and spread, devouring everyone in its path.
- Direção
- Roteiristas
- Artistas
Edward Bernds
- Television News Announcer
- (não creditado)
Robert Bice
- Officer
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Better than it had a right to be! The premise was good, the screenplay was good, even the acting and direction were good. When I was in grammar school, the film was re-released about 1960 and several of my schoolmates kept referring to the "blood rust", some calling it "blood lust" and telling me about the film, I was jealous! I figured it was some sort of zany shocker but never *sighs* got to see it on the big screen. 2009 rolls around and The Fox Movie Channel runs it and at long last I get to see it......Quite good! I have to admit that I was disappointed only because it was such a literate and well handled film and not something akin to a Corman flick. Paul Frees, one of the most overused voices in H'wood gives an amazingly solid performance as an obsessed scientist. I also like the stock music tracks used as well...I picked up several composers in the mix, not the least was Victor Lazslo. Too slick for it's own good! As a child I would have been bored, but not now.....
I figure I saw this gem when I was about 11, back when I lived in Queens NY.
My memories are similar to the other notations on this flic, except that I was too young to form an opinion about its artistic merits. My real memory was the term blood rust, and the memory of a scene where detectives were finding it in a boxcar. (Ok, its possible I mixed that one up with a scene from "Them". I remembered it as the b part running with This Island Earth, but it may well have been playing with the Fly, as others indicated. The long and this short of it was that this one bugged me, as I could until recently find no movies referenced to "blood Rust". None of the printed compendiums of Sci-Fi movies helped. A recent call for help on another web site finally gave me the Space Master title, which did the trick! A 45 year mystery solved!
Now I need to find a copy!
My memories are similar to the other notations on this flic, except that I was too young to form an opinion about its artistic merits. My real memory was the term blood rust, and the memory of a scene where detectives were finding it in a boxcar. (Ok, its possible I mixed that one up with a scene from "Them". I remembered it as the b part running with This Island Earth, but it may well have been playing with the Fly, as others indicated. The long and this short of it was that this one bugged me, as I could until recently find no movies referenced to "blood Rust". None of the printed compendiums of Sci-Fi movies helped. A recent call for help on another web site finally gave me the Space Master title, which did the trick! A 45 year mystery solved!
Now I need to find a copy!
Behind this bland, forgettable and indescriptive title is one of that decade's more interesting low budget items. "Blood Rust" was probably the script's original name, and this refers to the red coloring of Mars which, as is found out on the return of a space probe, is a fungal overgrowth that could easily thrive on the Earth. THE ANDROMEDA STRAIN, while not exactly a remake, shares both the panicky concept and something akin to realism in its approach. SPACE MASTER's an Edward Bernds quickie, no nonsense drive-in fare with logic secondary to pace, but there's a continual teetering on the edge of DETOUR-like brilliance that makes it, if not a classic, quite exceptional.
The strength of writing is ever evident, as the threat to humanity theme is subverted away from the usual conquering hero routine to documentary-like police procedural, the pursuers taking on near anonymity as our attentions, and sympathies, focus on the fleeing "Typhoid Mary". She's finely played by Lyn Thomas, a mature and intelligent 50s beauty in the Jan Sterling mode. We're told just as much as we need to know about her, that she once was involved in an S&M fling (I kid you not, it's ALL THERE in 1958) with arrogant scientist Paul Frees (Richard Deacon doing Clifton Webb, and does he deliver cutting lines!) Their unholy reliance resulted in a child that she now wants back in her new life of respectability. His experiments with the alien fungus result in his hideous death and the government, knowing that she was with him at the time, has to track her down so that she won't infect the world. However, they can't throw the public into panic (cover-up stuff, another first) by saying why they've put out an all-points bulletin out on her, so she goes into hiding and flees so that she won't be framed for his murder! Now I ask you, how often do you run into plot intricacies (as opposed to absurdities) like this during your typical monster movie round-up?
At the same time SPACE MASTER X-7 is as frustrating as it's intriguing, because get-it-out-on-schedule Bernds never quite takes that extra step ahead of his time. There's a beautiful scene involving Miss Thomas and a cop the predates PSYCHO, where you're rooting for her to get away and the world's fate be damned, and though this perversion of empathy carries on the irony of it is somehow lost in the climactic shuffle. Said climax, stunningly prepared for in both mood and pacing, aboard a threatened air liner complete with children on the threshold of death, is shied away from in terms of intensity when it could've become a Hitchockian runaway carousel. One feels, by the movie's end, that something truly magnificent just didn't quite break free from the shackles of its period's conventions.
I think this one's ripe for a remake and hopefully by someone with brains and taste. It certainly has a plot, very friendly to updating, that doesn't sit still. One thing that gets this film footnoted out of the collective amnesia is the presence of Moe Howard as a cab driver. He's funny as can be but plays it straight, as a regular Joe who finds himself in the midst of things, and makes one wish that, like brother Shemp, he and the rest of those Stooges would've done a little more dramatic character work.
The strength of writing is ever evident, as the threat to humanity theme is subverted away from the usual conquering hero routine to documentary-like police procedural, the pursuers taking on near anonymity as our attentions, and sympathies, focus on the fleeing "Typhoid Mary". She's finely played by Lyn Thomas, a mature and intelligent 50s beauty in the Jan Sterling mode. We're told just as much as we need to know about her, that she once was involved in an S&M fling (I kid you not, it's ALL THERE in 1958) with arrogant scientist Paul Frees (Richard Deacon doing Clifton Webb, and does he deliver cutting lines!) Their unholy reliance resulted in a child that she now wants back in her new life of respectability. His experiments with the alien fungus result in his hideous death and the government, knowing that she was with him at the time, has to track her down so that she won't infect the world. However, they can't throw the public into panic (cover-up stuff, another first) by saying why they've put out an all-points bulletin out on her, so she goes into hiding and flees so that she won't be framed for his murder! Now I ask you, how often do you run into plot intricacies (as opposed to absurdities) like this during your typical monster movie round-up?
At the same time SPACE MASTER X-7 is as frustrating as it's intriguing, because get-it-out-on-schedule Bernds never quite takes that extra step ahead of his time. There's a beautiful scene involving Miss Thomas and a cop the predates PSYCHO, where you're rooting for her to get away and the world's fate be damned, and though this perversion of empathy carries on the irony of it is somehow lost in the climactic shuffle. Said climax, stunningly prepared for in both mood and pacing, aboard a threatened air liner complete with children on the threshold of death, is shied away from in terms of intensity when it could've become a Hitchockian runaway carousel. One feels, by the movie's end, that something truly magnificent just didn't quite break free from the shackles of its period's conventions.
I think this one's ripe for a remake and hopefully by someone with brains and taste. It certainly has a plot, very friendly to updating, that doesn't sit still. One thing that gets this film footnoted out of the collective amnesia is the presence of Moe Howard as a cab driver. He's funny as can be but plays it straight, as a regular Joe who finds himself in the midst of things, and makes one wish that, like brother Shemp, he and the rest of those Stooges would've done a little more dramatic character work.
When I was kid, I used to sometimes see stills or brief mentions of this film in science fiction movie books or in the pages of "monster" magazines. But for some strange reason this film never turned up on TV, even though other science fiction offerings made by Fox from the same period often did. No one I knew had seen it except for older people who saw it when it was first released in 1958 to theaters. Having seen it recently on video, I can tell you that SPACE MASTER X 7 is no "lost" classic, but its a not bad low budget drive in feature with a slightly unusual menace and director Edward Byrnes deserves credit for trying hard to make a serious (sometimes he tries to hard) adult science fiction thriller. Done in a semi-documentary style, Byrnes sometimes slows down the films pace but overall its not a bad job.
One area of interest to film buffs is the films casting. We have Paul ("man of a thousands voices") Frees in a surprisingly large on screen role as a "heel" scientist who accidently unleashes the "blood rust". Of course the person often mentioned in this film is Moe Howard of the Three Stooges, in a rare character part as a cab driver who helps the feds track down a woman who was exposed to the deadly alien fungus. This film was made when the stooges career was in limbo; between the time Columbia dropped the stooges because it was no longer interested in making shorts, and the time before they boys returned to the screen for feature films. Director Byrnes began his film career directing 3 Stooges shorts, and was good friends with the boys, so it was he who probably got Moe a part in the picture.
One area of interest to film buffs is the films casting. We have Paul ("man of a thousands voices") Frees in a surprisingly large on screen role as a "heel" scientist who accidently unleashes the "blood rust". Of course the person often mentioned in this film is Moe Howard of the Three Stooges, in a rare character part as a cab driver who helps the feds track down a woman who was exposed to the deadly alien fungus. This film was made when the stooges career was in limbo; between the time Columbia dropped the stooges because it was no longer interested in making shorts, and the time before they boys returned to the screen for feature films. Director Byrnes began his film career directing 3 Stooges shorts, and was good friends with the boys, so it was he who probably got Moe a part in the picture.
As a 12 year old, this was the most mind blowing movie of my childhood. Much more scary than the "A" movie, The Fly (great movie), released with it. I would always think that the mold would get into the house and eat me away (something like Necrotizing Fasciitis). Even though this movie is in B&W, the movie, for me, was much scarier than the BLOB. This is one of the two most psyche scaring movies of my childhood...the other being GOG. Honorable mention for this segment would go to the Crawling Eye, Invasion of the Saucermen, and War of the Satellites. My dad was a sci-fi nut as much as me and the two of us would see every new release as soon as they came out. These movies are very much part of my upbringing/childhood. I would love to get a copy of Blood Rust/SpaceMaster X7.
Você sabia?
- CuriosidadesMoe Howard: , of The Three Stooges fame, as a cab driver. Production assistant Norman Maurer was Moe's son-in-law, and director Edward Bernds was a longtime friend and had directed many Three Stooges shorts and several of their features. Moe found himself out of work after more than 25 years when Columbia Pictures closed its Shorts department with no notice early in 1958. Bernds offered Moe the cab driver part, and Moe in turn asked him to take on hire Maurer, who was trying to get a foothold in the film business. Bernds knew Maurer and considered him to be a talented artist, so he hired him as a sketch artists to help the special-effects department.
- Erros de gravaçãoLaura moves the TV unit in the hotel room a bit when she turns it off, but the picture on the TV doesn't move at all, as it was inserted afterward.
- Citações
Pvt. Joe Rattigan: [to the stewardess] Are there any other brunettes on this flight wearing tweed coarts?
- ConexõesFeatured in Aweful Movies with Deadly Earnest: Space Master X-7 (1966)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- X-7 rey del espacio
- Locações de filme
- Union Station - 800 N. Alameda Street, Downtown, Los Angeles, Califórnia, EUA(interiors and exteriors of station)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 125.000 (estimativa)
- Tempo de duração
- 1 h 11 min(71 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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