Adicionar um enredo no seu idiomaA fungus brought from space threatens to grow and spread, devouring everyone in its path.A fungus brought from space threatens to grow and spread, devouring everyone in its path.A fungus brought from space threatens to grow and spread, devouring everyone in its path.
- Direção
- Roteiristas
- Artistas
Edward Bernds
- Television News Announcer
- (não creditado)
Robert Bice
- Officer
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Space fungus menaces planet earth. Okay, everything else was menacing the besieged 1950's planet, so why not a creepy fungus. Well, it's actually a bloody slime from outer space that spreads like a dirty carpet, and unless trackers can catch up with the shapely blonde Typhoid Mary (Thomas) carrying it, we're all one big toadstool. I'm trying hard, but I just don't recall this epic from 1958, and I rarely missed one of these drive-in specials. According to IMDb, TCF didn't syndicate the film, which is why, I guess, it's gone unseen for 50 years.
Actually, the movie's pretty well produced for its kind. The location shots lend at least some credibility to the wacky plot. And catch those early versions of protective Hazmat suits in the train yard scene. Williams and Ellis do well as the bloodhounds, but why Ellis remains a lowly Pfc with his officer-level credentials seems odd. Also, I really like the unheralded Lyn Thomas as the nervous blonde.
Note that brilliant screenwriter Dan Mainwaring, e.g. Invasion of the Body Snatchers (1956), Out of the Past (1947), collaborated on the screenplay. I'm guessing that promising trapped-in-the-airliner concept came from him. Too bad the full potential of those scenes is not realized by director Bernds. At the same time, the movie ends all-too-abruptly, as though the production suddenly ran out of money. I get the feeling that with better backing and a more perceptive director, this drive-in programmer could have turned into an uptown smash on the order of Alien (1980).
Actually, the movie's pretty well produced for its kind. The location shots lend at least some credibility to the wacky plot. And catch those early versions of protective Hazmat suits in the train yard scene. Williams and Ellis do well as the bloodhounds, but why Ellis remains a lowly Pfc with his officer-level credentials seems odd. Also, I really like the unheralded Lyn Thomas as the nervous blonde.
Note that brilliant screenwriter Dan Mainwaring, e.g. Invasion of the Body Snatchers (1956), Out of the Past (1947), collaborated on the screenplay. I'm guessing that promising trapped-in-the-airliner concept came from him. Too bad the full potential of those scenes is not realized by director Bernds. At the same time, the movie ends all-too-abruptly, as though the production suddenly ran out of money. I get the feeling that with better backing and a more perceptive director, this drive-in programmer could have turned into an uptown smash on the order of Alien (1980).
I figure I saw this gem when I was about 11, back when I lived in Queens NY.
My memories are similar to the other notations on this flic, except that I was too young to form an opinion about its artistic merits. My real memory was the term blood rust, and the memory of a scene where detectives were finding it in a boxcar. (Ok, its possible I mixed that one up with a scene from "Them". I remembered it as the b part running with This Island Earth, but it may well have been playing with the Fly, as others indicated. The long and this short of it was that this one bugged me, as I could until recently find no movies referenced to "blood Rust". None of the printed compendiums of Sci-Fi movies helped. A recent call for help on another web site finally gave me the Space Master title, which did the trick! A 45 year mystery solved!
Now I need to find a copy!
My memories are similar to the other notations on this flic, except that I was too young to form an opinion about its artistic merits. My real memory was the term blood rust, and the memory of a scene where detectives were finding it in a boxcar. (Ok, its possible I mixed that one up with a scene from "Them". I remembered it as the b part running with This Island Earth, but it may well have been playing with the Fly, as others indicated. The long and this short of it was that this one bugged me, as I could until recently find no movies referenced to "blood Rust". None of the printed compendiums of Sci-Fi movies helped. A recent call for help on another web site finally gave me the Space Master title, which did the trick! A 45 year mystery solved!
Now I need to find a copy!
As a child I spent the summers with my grandparents in northern New Jersey. In the summer of 1959 the parents of a friend of mine were taking him to see a movie at a drive-in and I was invited,which movie didn't matter to me, just a chance to see a movie was great. The movie was Space Master X-7 and as child of 11 it scared the heck out of me (my mental film vault still has a has a clip of the scientist being absorbed by the fungus). That was the 1950's, cold war, Castro and all, traveling to outerspace was still a dream. A child of 11 today would find the movie laughable and the effects lame, but in the dark of a summer night in 1959 the movie had its effect.
Behind this bland, forgettable and indescriptive title is one of that decade's more interesting low budget items. "Blood Rust" was probably the script's original name, and this refers to the red coloring of Mars which, as is found out on the return of a space probe, is a fungal overgrowth that could easily thrive on the Earth. THE ANDROMEDA STRAIN, while not exactly a remake, shares both the panicky concept and something akin to realism in its approach. SPACE MASTER's an Edward Bernds quickie, no nonsense drive-in fare with logic secondary to pace, but there's a continual teetering on the edge of DETOUR-like brilliance that makes it, if not a classic, quite exceptional.
The strength of writing is ever evident, as the threat to humanity theme is subverted away from the usual conquering hero routine to documentary-like police procedural, the pursuers taking on near anonymity as our attentions, and sympathies, focus on the fleeing "Typhoid Mary". She's finely played by Lyn Thomas, a mature and intelligent 50s beauty in the Jan Sterling mode. We're told just as much as we need to know about her, that she once was involved in an S&M fling (I kid you not, it's ALL THERE in 1958) with arrogant scientist Paul Frees (Richard Deacon doing Clifton Webb, and does he deliver cutting lines!) Their unholy reliance resulted in a child that she now wants back in her new life of respectability. His experiments with the alien fungus result in his hideous death and the government, knowing that she was with him at the time, has to track her down so that she won't infect the world. However, they can't throw the public into panic (cover-up stuff, another first) by saying why they've put out an all-points bulletin out on her, so she goes into hiding and flees so that she won't be framed for his murder! Now I ask you, how often do you run into plot intricacies (as opposed to absurdities) like this during your typical monster movie round-up?
At the same time SPACE MASTER X-7 is as frustrating as it's intriguing, because get-it-out-on-schedule Bernds never quite takes that extra step ahead of his time. There's a beautiful scene involving Miss Thomas and a cop the predates PSYCHO, where you're rooting for her to get away and the world's fate be damned, and though this perversion of empathy carries on the irony of it is somehow lost in the climactic shuffle. Said climax, stunningly prepared for in both mood and pacing, aboard a threatened air liner complete with children on the threshold of death, is shied away from in terms of intensity when it could've become a Hitchockian runaway carousel. One feels, by the movie's end, that something truly magnificent just didn't quite break free from the shackles of its period's conventions.
I think this one's ripe for a remake and hopefully by someone with brains and taste. It certainly has a plot, very friendly to updating, that doesn't sit still. One thing that gets this film footnoted out of the collective amnesia is the presence of Moe Howard as a cab driver. He's funny as can be but plays it straight, as a regular Joe who finds himself in the midst of things, and makes one wish that, like brother Shemp, he and the rest of those Stooges would've done a little more dramatic character work.
The strength of writing is ever evident, as the threat to humanity theme is subverted away from the usual conquering hero routine to documentary-like police procedural, the pursuers taking on near anonymity as our attentions, and sympathies, focus on the fleeing "Typhoid Mary". She's finely played by Lyn Thomas, a mature and intelligent 50s beauty in the Jan Sterling mode. We're told just as much as we need to know about her, that she once was involved in an S&M fling (I kid you not, it's ALL THERE in 1958) with arrogant scientist Paul Frees (Richard Deacon doing Clifton Webb, and does he deliver cutting lines!) Their unholy reliance resulted in a child that she now wants back in her new life of respectability. His experiments with the alien fungus result in his hideous death and the government, knowing that she was with him at the time, has to track her down so that she won't infect the world. However, they can't throw the public into panic (cover-up stuff, another first) by saying why they've put out an all-points bulletin out on her, so she goes into hiding and flees so that she won't be framed for his murder! Now I ask you, how often do you run into plot intricacies (as opposed to absurdities) like this during your typical monster movie round-up?
At the same time SPACE MASTER X-7 is as frustrating as it's intriguing, because get-it-out-on-schedule Bernds never quite takes that extra step ahead of his time. There's a beautiful scene involving Miss Thomas and a cop the predates PSYCHO, where you're rooting for her to get away and the world's fate be damned, and though this perversion of empathy carries on the irony of it is somehow lost in the climactic shuffle. Said climax, stunningly prepared for in both mood and pacing, aboard a threatened air liner complete with children on the threshold of death, is shied away from in terms of intensity when it could've become a Hitchockian runaway carousel. One feels, by the movie's end, that something truly magnificent just didn't quite break free from the shackles of its period's conventions.
I think this one's ripe for a remake and hopefully by someone with brains and taste. It certainly has a plot, very friendly to updating, that doesn't sit still. One thing that gets this film footnoted out of the collective amnesia is the presence of Moe Howard as a cab driver. He's funny as can be but plays it straight, as a regular Joe who finds himself in the midst of things, and makes one wish that, like brother Shemp, he and the rest of those Stooges would've done a little more dramatic character work.
Like the previous commenter I also saw this as a child, and in the spirit of his well written comments, I will add it was at the old Nile Theater in South Minneapolis. I was about 10. I had nightmares about this film for many days after, and to this day 50 years later, I still remember the title! Definitely not for the discerning adult, but my sci-fi grandson would love it! Solid 8 rating for the memories and thrills. However, it is only marginally acted. The special effects are good, and the airplane scene mentioned is thrilling. The oozing through the vent duct in the lab will remind you you are not safe even in your own home. I'd sure like to see this again!
Você sabia?
- CuriosidadesMoe Howard: , of The Three Stooges fame, as a cab driver. Production assistant Norman Maurer was Moe's son-in-law, and director Edward Bernds was a longtime friend and had directed many Three Stooges shorts and several of their features. Moe found himself out of work after more than 25 years when Columbia Pictures closed its Shorts department with no notice early in 1958. Bernds offered Moe the cab driver part, and Moe in turn asked him to take on hire Maurer, who was trying to get a foothold in the film business. Bernds knew Maurer and considered him to be a talented artist, so he hired him as a sketch artists to help the special-effects department.
- Erros de gravaçãoLaura moves the TV unit in the hotel room a bit when she turns it off, but the picture on the TV doesn't move at all, as it was inserted afterward.
- Citações
Pvt. Joe Rattigan: [to the stewardess] Are there any other brunettes on this flight wearing tweed coarts?
- ConexõesFeatured in Aweful Movies with Deadly Earnest: Space Master X-7 (1966)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- X-7 rey del espacio
- Locações de filme
- Union Station - 800 N. Alameda Street, Downtown, Los Angeles, Califórnia, EUA(interiors and exteriors of station)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 125.000 (estimativa)
- Tempo de duração
- 1 h 11 min(71 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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