AVALIAÇÃO DA IMDb
6,6/10
2,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA TV repair man must care for the newborn triplets of his former hometown sweetheart, now a famous movie star, so her career will not suffer.A TV repair man must care for the newborn triplets of his former hometown sweetheart, now a famous movie star, so her career will not suffer.A TV repair man must care for the newborn triplets of his former hometown sweetheart, now a famous movie star, so her career will not suffer.
- Direção
- Roteiristas
- Artistas
Salvatore Baccaloni
- Gigi 'Papa' Naples
- (as Baccaloni)
George Sanders
- Danny Poole
- (cenas deletadas)
Dorothy Abbott
- Secretary
- (não creditado)
Ted Allan
- Still Photographer
- (não creditado)
Sam Bagley
- Nurse
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I have to admit I've never been a rabid Jerry Lewis fan (even with a French last name, I can't join some of my relatives on the Continent in idolizing him), but, in looking back, I've seen more of his movies than I might have preferred. This one, though, was a lot of fun, possibly because it was a delightfully vulgar remake of a Preston Sturges classic.
The VistaVision/Technicolor production values are first-class; the supporting cast is able to withstand Jerry's frantic goofiness (especially Marilyn Maxwell, who gets to perform the wacked-out production number, "White Virgin of the Nile," and Ida Moore as Jerry's elderly landlady, avidly and simultaneously consuming every product being advertised on the TV she is constantly watching); and Frank Tashlin's direction pilots Jerry through the plot's crazy machinations with just the right touch of cartoon-like unreality.
If you're a Lewis fan, it's a must-see; if you aren't you may still find it an enjoyable way to spend a mindless 103 minutes.
The VistaVision/Technicolor production values are first-class; the supporting cast is able to withstand Jerry's frantic goofiness (especially Marilyn Maxwell, who gets to perform the wacked-out production number, "White Virgin of the Nile," and Ida Moore as Jerry's elderly landlady, avidly and simultaneously consuming every product being advertised on the TV she is constantly watching); and Frank Tashlin's direction pilots Jerry through the plot's crazy machinations with just the right touch of cartoon-like unreality.
If you're a Lewis fan, it's a must-see; if you aren't you may still find it an enjoyable way to spend a mindless 103 minutes.
A touching yet hilarious tale of many mistakes and mistaken impressions and a great last minute rush to straighten things out. Best line in the show may be "White Virgin of the Nile?"
A famous movie star has triplets, but doesn't want the public to find out.So she leaves the babies to Clayton Poole (Lewis) to babysit.Bad mistake?I think not.I think he does a pretty good job if you ask me.Rock-a-Bye Baby is a great Jerry Lewis movie from 1958.It has that Jerry's well known slapstick comedy and it's also a warm and touching movie at the same time. It is beautiful to watch Jerry and Salvatore Baccaloni singing Dormi-Dormi-Dormi.This is a movie that makes you laugh and a movie that may make you cry.I didn't cry.I rather laugh when I'm watching a movie.Especially a Jerry Lewis movie.I'm funny that way. But anyway, watch Rock-a-Bye Baby if you want to see a funny and tender Jerry Lewis comedy.
I have seen most of Jerry Lewis' comedies and I wasn't surprised that I liked this film, as it was made during a period in which most of his best films were made--the late 1950s (don't ask me what I think of the ones from the late 60s and 70s...yick). However, I must confess that while I liked the film overall, it was very uneven and about as many gags worked as flopped. As for me, I actually preferred many of the moments when Jerry wasn't trying to be funny-- such as one of the musical numbers where Jerry and the babies' grandfather sing a nice little duet.
The plot to this film is kind of weird. Clayton Poole (Lewis) used to date Carla Naples (Marilyn Maxwell) but now Carla has gone on to better things. She's now a big Hollywood star and her career is about to take a hit because she's pregnant and her husband died after only a day...and no one knows about the marriage. So, to avoid any sort of scandal, she plans on dumping the baby off on Clayton. However, she is surprised when she ends up having triplets. Yet, oddly, Clayton agrees to raise the kids even though they aren't his and he spends most of the rest of the film with the three adorable little girls. But, some rich biddy without kids decides to go to court to try to take the kids away, as everyone back in the 1950s KNEW that a man cannot raise a child by himself. What's next?
The film has lots of jokes that simply fall flat. The ones with the babies tended to work better because they were gentler and seemed less forced. As for the music, Jerry sings a lot of tunes (several of which were poorly chosen, as they were out of his musical range) and his acting is very nice. Overall, a cute little film that Lewis fans will love and others will at least tolerate.
The plot to this film is kind of weird. Clayton Poole (Lewis) used to date Carla Naples (Marilyn Maxwell) but now Carla has gone on to better things. She's now a big Hollywood star and her career is about to take a hit because she's pregnant and her husband died after only a day...and no one knows about the marriage. So, to avoid any sort of scandal, she plans on dumping the baby off on Clayton. However, she is surprised when she ends up having triplets. Yet, oddly, Clayton agrees to raise the kids even though they aren't his and he spends most of the rest of the film with the three adorable little girls. But, some rich biddy without kids decides to go to court to try to take the kids away, as everyone back in the 1950s KNEW that a man cannot raise a child by himself. What's next?
The film has lots of jokes that simply fall flat. The ones with the babies tended to work better because they were gentler and seemed less forced. As for the music, Jerry sings a lot of tunes (several of which were poorly chosen, as they were out of his musical range) and his acting is very nice. Overall, a cute little film that Lewis fans will love and others will at least tolerate.
I used to love Jerry Lewis films as a kid, and although I prefer the Lewis/Martin combos to his solo efforts, this would have to be one of my favorites.
I never used to like this, I found the slapstick unfunny, but it has grown on me over the years. Although the first 15-30 minutes aren't great, once Lewis is looking after the triplets there is a lot of fun to be had here, and Lewis plays his character with great pathos, in fact some parts of his performance are enough to bring tears, the way he portrays Claytons unrequited love for Carla.
The film also includes some lovely songs, particularly the Italian lullaby he sings with Papa Naples.
Recommended!
I never used to like this, I found the slapstick unfunny, but it has grown on me over the years. Although the first 15-30 minutes aren't great, once Lewis is looking after the triplets there is a lot of fun to be had here, and Lewis plays his character with great pathos, in fact some parts of his performance are enough to bring tears, the way he portrays Claytons unrequited love for Carla.
The film also includes some lovely songs, particularly the Italian lullaby he sings with Papa Naples.
Recommended!
Você sabia?
- CuriosidadesFilmed on Colonial St. at Universal's backlot, Mrs Van Cleeve's house was cannibalized to build the front of the Bates house for "Psycho", and a house a couple of doors down will be tricked out to become the Munsters' home a few years later.
- Erros de gravaçãoAlthough the streets are always wet in the outdoor shots (a common Hollywood technique), the sidewalks are all dry and there are no clouds in the sky.
- Citações
Sandra Naples: Carla's first movie is coming on The Late Late Early Late Show.
Clayton Poole: The Creature From The Lower Tar-Pits? You're kidding! Oh boy, I saw that sixteen times remember? Doc Simpkins had to give me special massages.
- ConexõesFeatured in From Darkness to Light (2024)
- Trilhas sonorasDormi-Dormi-Dormi (Sleep-Sleep-Sleep)
Music by Harry Warren
Lyrics by Sammy Cahn
Sung by Salvatore Baccaloni and Jerry Lewis
Principais escolhas
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- How long is Rock-a-Bye Baby?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Rock-a-Bye Baby
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 43 minutos
- Proporção
- 1.85 : 1
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