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Nazarin

Título original: Nazarín
  • 1959
  • Not Rated
  • 1 h 34 min
AVALIAÇÃO DA IMDb
7,7/10
6,8 mil
SUA AVALIAÇÃO
Nazarin (1959)
Drama

Adicionar um enredo no seu idiomaA priest in a poor community lives a charitable life in accordance with his religious principles, but many others do not return the favor.A priest in a poor community lives a charitable life in accordance with his religious principles, but many others do not return the favor.A priest in a poor community lives a charitable life in accordance with his religious principles, but many others do not return the favor.

  • Direção
    • Luis Buñuel
  • Roteiristas
    • Julio Alejandro
    • Luis Buñuel
    • Benito Pérez Galdós
  • Artistas
    • Francisco Rabal
    • Marga López
    • Rita Macedo
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,7/10
    6,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Luis Buñuel
    • Roteiristas
      • Julio Alejandro
      • Luis Buñuel
      • Benito Pérez Galdós
    • Artistas
      • Francisco Rabal
      • Marga López
      • Rita Macedo
    • 28Avaliações de usuários
    • 27Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 2 indicações no total

    Fotos138

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    Elenco principal41

    Editar
    Francisco Rabal
    Francisco Rabal
    • Padre Nazario
    Marga López
    Marga López
    • Beatriz
    Rita Macedo
    Rita Macedo
    • Andara
    Ignacio López Tarso
    Ignacio López Tarso
    • El sacrílego
    Ofelia Guilmáin
    Ofelia Guilmáin
    • Chanfa
    Luis Aceves Castañeda
    Luis Aceves Castañeda
    • El parricida
    Noé Murayama
    Noé Murayama
    • El pinto
    Rosenda Monteros
    Rosenda Monteros
    • La prieta
    Jesús Fernández
    • Ujo el enano
    Ada Carrasco
    Ada Carrasco
    • Josefa
    Antonio Bravo
    • Don Pablo, architecto
    Aurora Molina
    Aurora Molina
    • La Camella
    David Reynoso
    David Reynoso
    • Juan
    Efraín Arauz
    Efraín Arauz
    • Vecino de Nazarin
    • (não creditado)
    Manuel Arvide
    • Compañero de architecto
    • (não creditado)
    Socorro Avelar
    Socorro Avelar
    • Vecina de Josefa
    • (não creditado)
    Edmundo Barbero
    • don Ángel-cura
    • (não creditado)
    Victorio Blanco
    • Viejo preso
    • (não creditado)
    • Direção
      • Luis Buñuel
    • Roteiristas
      • Julio Alejandro
      • Luis Buñuel
      • Benito Pérez Galdós
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários28

    7,76.8K
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    Avaliações em destaque

    7ma-cortes

    Good and interesting adaptation by the great Spanish director Luis Buñuel , being based on a novel by Benito Perez Galdós

    A non-denominational journeyman priest wanders across the sins , plagues and poverty of the lower classes and secular world . Along the way he experiencies a number of thunderous episodes that have relation with the Gospels .At the beginning he lives at an old hostel along with a few prostitutes who rob him some belongings . Later on , Nazarin undertakes a religious journey followed by the problematic and epileptic Beatriz : Marga Lopez , and, by Andara : Rita Macedo who formerly murdered a woman . Nazarin efforts to follow Christ's teachings, he then learns the thought-provoking lessons about he can get charity as well as give it .

    Here Buñuel never ridicules religion, but he carries out a sour critical to limited religious aspects, and he observes how irrelevant most of his work is to the sinners Nazarin tangles with. This is a scathing indictment of Christianity , well written and directed by the great filmmaker Buñuel. Drama, religion, and documentary-alike account of whores, waifs, beggars, dwarf, street urchins and poor people in the blocks, streets and outdoors from Mexico country. "Nazarin" is a true Buñuel hero well represented by Francisco Rabal who gives a very good acting as Nazarin , a priest who gathers together a little group of disciples wandering throughout the Mexican desert as a cross between JesusChrist and Don Quixote. It results to be a perfect vehicle for Francisco Rabal as the defrocked reverend attempting to relive Christ's life. The Spanish actor Francisco Rabal is well accompanied by an enjoyable Mexican cast such as : Marga López, Rita Macedo, Ignacio López Tarso, Murayama and Rosanda Monteros who acted in The Magnificent Seven.

    It contains an evocative and atmospheric cinematography in black and white, shot in Churubasco studios and exteriors filmed in Mexican landscapes by the expert cameraman Gabriel Figueroa , Indio Fernandez's regular photographer . The motion picture was competently directed by Luis Buñuel , at his grimmest and usual style. It was directed in his Mexican period, once he exiled from Spain to France and later on, Mexico . The first one he made in Mexico was "Gran Casino" with the singer idol Jorge Negrete, following "The great madcap or El gran calavera" with Fernando Soler. Then he was hired by producer Oscar Dancigers to make the successful "The forgotten ones or Los olvidados". Buñuel went on directing a in Mexico several films, some of them with same producer, such as : "The devil and the flesh, Mexican bus ride, The brute, Robinson Crusoe, A woman without love, Wuthering heighs, Archibald Cruz's criminal life , Evil Eden, The young one, Angel Exterminator, Simon of the desert" . Exiled Buñuel followed a French period including titles as "Diary of a chambermaid, Belle de Jour, The milky way, Discreet charm of Bourgeoise, The phantom of liberty". Of course, this great Spanish actor also shot films in Spain, such as : "Hurdes tierra sin pan", "Tristana", "Viridiana" and his last one "Obscure object of desire". Rating : 7/10. Better than average. Indispensable and essential watching for Luis Buñuel aficionados.
    10dbdumonteil

    Religion Don Quixote

    Nazarin is some kind of saint,he wants to live in life exactly how Christ taught man to do.But it's too late:now the Catholic Church is in the hands of a wealthy bourgeoisie,the bishops live in luxury and don't give a damn about the poor and the sick.That's why our hero can't follow the way his hierarchy asks him to follow.So he divests himself of everything,and on his way to purity,he's joined by some kind of Mary Magdelene and a woman who's attracted by him sexually (the scene between this girl and her fiancé is telling).In Spain (it was the late fifties),they thought Nazarin was a Christian movie!Knowing Luis Bunuel,it was downright incongruous:all his work is anticlerical to a fault.Comparing Nazarin and his "holy women" to Jesus is a nonsense.On Nazarin's way,only brambles and couch grass grow.His attempt at helping working men on the road is a failure,he's chased out as a strike-breaker.All his words amount to nothing.At the end of the journey,he's arrested and offered a pineapple by a woman(Bunuelian sexual symbol). Thanks to "Nazarin" ,Bunuel was allowed to return to Spain (where the censors had not got a clue ) and to direct "Viridiana".
    10Galina_movie_fan

    How to live a perfect life in a corrupted world?

    Octavio Paz, Mexican poet, writer, and diplomat, who received the Nobel Prize for Literature in 1990, said about "Nazarin": "Nazarin follows the great tradition of mad Spaniards originated by Cervantes. His madness consists in taking seriously great ideas and trying to live accordingly". A humble and spiritual priest (Francisco Rabal in a wonderful performance) attempts to live by the principles of Christianity but is cast out of his church for helping a local prostitute by giving her a shelter after she had committed a murder. Nazarin wanders the country roads of the turn of the 20th-century Mexico, offering help to poor and begging for food. His two followers, a murderous prostitute Andara and her sister Beatriz who is a failed suicide desperately searching for love, consider him saint but it does not prevent him from hatred and humiliation from both the church and the people he meets on the road. He ends up beaten in prison and begins to question his faith for not be able to forgive his attacker.

    Bunuel tells the story in a manner of a Christian parable masterfully and uniquely combining admiration and irony for the main character and strong criticism of formal religion and hypocrisy. The film is simple and profound as well as beautiful, ironic, and heartbreaking.

    I consider Bunuel one of the best filmmakers ever. I've seen twenty of his films and they all belong to the different periods of his life but they have in common his magic touch, the masterful combination of gritty realism and surrealism, his curiosity, his inquisitive mind, his sense of humor, and his dark and shining fantasies. With great pleasure I am adding little seen and almost unknown but amazingly candid and touching surrealistic tragic-comedy "Nazarin" to the list of my favorite films.
    9zetes

    Maybe I'll never "get" Bunuel, but I can still see that Nazarin is an excellent film

    Luis Bunuel has always been a filmmaker whose work was obscure to me. My first experience with him was The Discreet Charm of the Bourgeosie, often considered his greatest work, with which I became so frustrated and bored that I eventually shut the tape off. Likewise Belle de Jour, which is almost certainly his best known film and also generally considered one of his many masterpieces, didn't interest me very much at all. I didn't hate it like I did Discreet, but I didn't like it. Third, I saw L'Age d'Or. Finally, I had gotten somewhere. Fourth, Los Olvidados, also good. Still, neither L'Age d'Or nor Los Olvidados blew me away. Great films, but not masterpieces.

    Nazarin is my fifth Bunuel, and I like it just a tad more than those other two. It is about a priest from Spain now in Mexico who refuses to live in the kind of luxury most priests live in. He wants to be more like Jesus, leading the meekest life possible. He's also willing to forgive everyone for anything, and to suffer without protest. I'm pretty sure Bunuel does not sympathize with the character, and sees him as rather self-righteous. However, I only assume that because of my knowledge of the director, whose most famous quotation is "Thank God, I'm still an atheist," which he apparently said in an interview over this very film (I get this information from John Baxter's book about Bunuel, if you're interested). The interviewer who dragged those words from Bunuel's mouth must have been himself confused about Nazarin. One who was more predisposed to believe in religious conviction, who also knows nothing about Bunuel, might see the priest as a heroic figure. This is especially true if that viewer has his/her own criticisms of organized religion. The priest may be somewhat self-righteous, but he seems to be basically a good man. When he harbors a violent prostitute in his room in order to protect her (and, presumably, to save her soul), people begin to find out and assume that their relationship is sexual. His superiors assume the same and punish him for it. Later on, he suffers even worse punishments from clerics.
    8Andy-296

    Great film by Buñuel, thought provoking.

    Spanish director Luis Buñuel career spanned almost 50 years, from 1929 to 1977. Arguably, his best films were those he made during his exile in Mexico - from the late forties to the early 60s. There he had to deal with very cheap budgets, and work in an industry interested mainly in churning commercial movies to unsophisticated audiences, yet he somehow managed to make interesting, thought provoking movies that have stand the test of time. This movie is based on a novel by Spanish author Benito Perez Galdos - and the adaptation is quite faithful, even if the setting is now early 20th century Mexico instead of early 20th century Spain. The protagonist, Nazarin, is a priest who tries to live a life that is as faithful as it can be to the one prescribed by Christ. The question many would ask is whether such endeavor would be possible, without incurring in the hostility, incomprehension and mockery of your fellow human beings. As it happens, he suffers a lot of indignities, yet he remains stubborn (until the controversial final shot) to this objective. I think Buñuel wanted to show Nazarin as a somewhat ridiculous figure, but perhaps inadvertently, his stubbornness (at least to this viewer) comes out as admirable. In any case, a great film.

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    Drama

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    • Curiosidades
      One of Andrei Tarkovsky's favorite films
    • Citações

      Father Nazario: Night carries yesterday's sorrow and the hope and joy of a new day. That's what death is like. Joyous and sorrowful. Joyous because it frees us of life's chains. And sorrowful because we love our flesh and it hurts us to leave it.

    • Conexões
      Featured in A propósito de Buñuel (2000)
    • Trilhas sonoras
      Dios nunca muere
      Written by Macedonio Alcalá

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    Perguntas frequentes16

    • How long is Nazarin?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 4 de junho de 1959 (México)
    • País de origem
      • México
    • Idioma
      • Espanhol
    • Também conhecido como
      • Назарін
    • Locações de filme
      • Jonacatepec, Morelos, México(town)
    • Empresa de produção
      • Producciones Barbachano Ponce
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 34 min(94 min)
    • Cor
      • Black and White
    • Mixagem de som
      • Mono

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