Mistérios de Além-Túmulo

Mexican director Fernando Mendez' 1958 horror masterpiece "The Black Pit of Dr. M" originally appeared under the title "Misterios de Ultratumba" ("Mysteries of the Afterlife"), certainly a more appropriate appellation. In this film, you see, Dr. Masali, head of a rural insane asylum, coerces a dying associate, Dr. Aldama, to show him the secrets of the realm of the dead, and then return him to the land of the living. But poor Dr. Masali should have known that when you make a deal with the soon-to-be-dead, things don't always turn out quite as expected! And they don't, in this very cleverly plotted story that conflates a predestined love affair, an insane gypsy woman, a cursed dagger, disfigurement by acid, transmigration and so much more. Rafael Bertrand is truly excellent as the obsessed Dr. Masali, and special praise must also be heaped on cinematographer Victor Herrera for his work on "Dr. M." His B&W nighttime photography (most of the film does transpire at night) is a thing of real beauty, replete with moving shadows and dense, swirling mists; his work on another of Mendez' horror films from 1958, "The Living Coffin," seems far more pedestrian, in prosaic color. "Dr. M" is the kind of film that serves up a startling plot twist every few minutes or so. I would hate to spoil things for any potential viewer by saying too much, but thus feel that this minireview is not doing this tremendous picture justice. So please just trust me on this one--this film should be required viewing for all horror fans. The fine folks at Casa Negra should be thanked for rescuing this little gem from obscurity, and presenting it via a great-looking, excellently subtitled DVD, and with many fine extras, too. Again, gracias, Casa Negra.

Unfortunately the Mexican cinema is still unknown in Brazilian market, now the DVD's advent it changes a little bit in this context, have been arrived valuable movies lately, we Latin American people are tightly propelled to believe in the ghosts, wraiths, zombies and all stories beyond the grave, it's make part of our cultural heritage, "Misterios de Ultratumba" fits perfect in this odd background, where two Doctors made a deal, whoever go to the grave first should be back to tell the secret to live forever, the elder one Dr. Jacinto dies first, shortly Dr. Mazali makes contact through a psychic where the late Dr. Jacinto attends and warning his friend that cheat the death may cost a high price to pay, even so Dr. Mazali is keen take the plunge, thus the arrangement is carried out, in three months the switch will be made, in the meantime Dr. Jacinto as spirit appears to his forsaken daughter Patricia Aldama, asking for her looking for Dr. Mazali at insane asylum to know about his died father, whom she never knew before, a gripping terror mixing many profane elements utterly entrenched at Mexican culture, cheating the death is egregiously forbidden and noisome for religious people like us, the eerie atmosphere and a well-crafted screenplay beef up the picture, till the make-up is enough compelling, it overall doesn't owe nothing for foreigners terror productions!!

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First watch: 2021 / How many: 1 / Source: DVD / Rating: 7

Movies and TV from the Buffy show all the way back to 1960 have been ripping off the dig-myself-out-of-the-grave scene, evidently begun with this film (correct me if I'm wrong). The idea could be as old as Poe but it's this film which, in my history, succeeds with the definitive version. As mentioned earlier, two doctors in charge of an asylum agree to contact the one living, should the other die first. The theme played on the violin by Dr. M is recapitulated at different plot points in a way that earlier audiences would recall from opera.

I cannot claim to be an expert on Mexican Horror cinema so far, but I certainly intend to dig out more films of the kind of this gem. "Misterios De La Ultratumba" aka. "The Black Pit of Dr. M"/"Mysteries From Beyond The Grave" of 1959 is an immensely moody Mexican Horror film that provides both a morbid and fascinating story and a genuinely creepy atmosphere. Occultism, mad science and the resurrection of the dead have always been some of my favorite Horror topics, and "Misterios De Ultratumba" unites all these elements in a very memorable and deeply uncanny manner. The atmosphere of this eerie gem is intensified by a haunting score, great Gothic settings and morbid makeup.

Dr. Mazali (Rafael Bertrand) and Dr. Aldama (Antonio Raxel) have made a pact that the first one of them to die shall come back and tell the other the secret of resurrection. After Aldama's death, Mazali, the head of a remote mental clinic, waits for the instructions of his dead colleague... This is only a very vague description of the plot, but I sure don't intend to give any part of this creepy gem's fascinating and wonderfully morbid plot away. The film, most of which is terrifically set in an old countryside insane asylum, maintains an intensely eerie Gothic atmosphere from the very beginning. The settings and visuals are great, old cemeteries and churches, heavy tombstones and foggy grounds provide the uncanny mood that my fellow fans of classic Horror should appreciate. The film provides morbidity, insanity and genuine scariness, all of which is intensified by the brilliantly intense and haunting score that boosts the creepiness each time it is heard. The performances are very decent, Rafael Bernard is good in the lead and Mapita Cortés is very nice to look at in the female lead as Dr. Almada's illegitimate daughter. This was the first film by Director Fernando Méndez I ever saw, but it certainly isn't going to be the last. Overall, "Misterios De Ultratumba" is an immensely creepy gem that no lover of atmospheric Horror should miss. Highly recommended!

Ages ago a dubbed print of this movie used to run frequently on "Chiller Theatre" on Saturday nights. I saw it so many times I memorised it and it is still among my fondest memories. The music was what I first noticed, it stood out in my mind (many years later someone "borrowed" it for a direct-to-video picture called THE VIDEO DEAD). Rafael Bertrand, who later played "Capt. Labiche" in ISLE OF THE SNAKE PEOPLE; one of Boris Karloff's last movies, is Dr. Masali, master of an insane asylum. He makes a deal with colleague Dr. Harrison Aldeman (Jacinto Aldama in the undubbed print) that whoever dies first will come back and tell the survivor what lies behind deaths door. Dr. Aldeman dies first and returns during a séance to tell Masali a set of events have already begun that will enable him to solve the mystery. He does, but not nearly in the way he had expected to. An insane gypsy woman and an orderly named Elmer figure in the mystery very prominently; so does Dr. Aldeman's daughter who is summoned to the asylum by a mysterious messenger who turns out to be her fathers ghost! Along the way there is unrequited love, mutilation, murder, ghosts and death. I always thought this was a scary movie when I was a child. Somehow I think it still is. Now here is the complicated part. A dubbed print does exist, at least it used to, because New York's Channel 11, WPIX had it. That was more years ago than I care to remember but I would like to think they did not just toss the print out with the trash when they stopped running "Chiller Theatre". Maybe it is still in the vault gathering dust and waiting to be found. For cryin' out loud will somebody go look!