The Lost Missile

Almost shockingly dark, apocalyptic 1950s Cold War terror fest. Many films of this era disguised their Cold War paranoia and terror within fantasy science fiction allegories. Alternatively, The Lost Missile is almost literal in its depiction of the nuclear threat.

This dread-laden tone is supported by earnest acting, and, as other reviewers have noted, far better than average integration of stock footage with original material. The movie is also effectively paced to create greater suspense than one would expect from this kind of film, given how poorly executed so many of its counterparts were. Yes there are moments of high melodrama - it is a far from perfect movie - but narratively, and as a cultural artifact of that era, it is an entertaining and fascinating watch. I've actually decided to buy it, and think it would be a worthy addition to any aficionado's 1950s scifi film collection.

THE LOST MISSILE concerns the title projectile, its emergence from the unknown reaches of space, and its doomsday trajectory over the Earth. Traveling at 4000 miles per hour, it eviscerates everything in its flight path! All attempts to intercept and destroy it prove futile.

Dr. David Loring (Robert Loggia) and his fiancee / fellow scientist, Joan Wood (Ellen Parker), have their wedding plans cut short. They must find a way to stop this intergalactic ballistic menace, before megadeath results!

This is one of those wonderful 1950's sci-fi movies that, if it weren't for the magic of stock footage, would be about 15 minutes long! Obviously, it utilizes cold war paranoia and fear of nuclear annihilation as a backdrop for its alleged alien attack. Seeing an impossibly young Loggia as a man racing against time, adds to the melodramatic fun. The story is original, and true to its era...

When I saw it as a kid, I didn't understand the premise of the story, and as an adult, I still have problem with the premise that a runaway missile from space starts to circle around the earth by sheer chance. I guess that's what makes this movie one of a kind. If you go beyond the incredible coincidence that this missile just happened to find earth and randomly started killing its inhabitants, the movie is pretty good sci-fi from the '50s. They try to make things look factual by using stock military footage, and use pseudonym of actual existing institution like Havenbrook (which is an obvious reference to Brookhaven National Laboratory).

The scary part of the movie is the glow you see over the horizon as the missile approaches, and the sound it makes. The movie is somewhat leaning towards horror genre in this respect, and what happens to the main protagonist as he attempts to stop the runaway missile. If you've seen this movie once, you'll never forget it - which makes this movie one of the sci-fi classics from the '50s.

If you can find it (as it's getting easier with so many posting of old movies on the internet), this movie is worth a glance.

Very, very cheaply made sci-fi thriller from the Golden Age of the 1950s that surprisingly is much better than you might initially expect. Yes, its is undeniably cheaply made. Yes, many of the actors are sub-par. Yes, the story doesn't always make sense nor is it cohesive. Yes, there is plenty of stock footage for a film that isn't even 75 minutes long. What does it have going for it? Well, the story is entertaining as we follow the exploits of a hydrogen missile or some alien missile as it blazes its way from Alaska through Canada on its way to New York City turning everything it passes over nothing more than a burned cinder. Another reviewer noted that the film is not "scared" to kill people. How true and that is something very unique for a film like this and from the 1950s. It is refreshing(in a twisted way I guess). Robert Loggia does a credible job as the lead - an overworked scientist who is married to his job, fallen in love and out of favour with his fiancée Ellen Parker who is his co-worker as well. we get all the stereotypes one might imagine, but loggia nd even Parker show us enough depth of character to care. the scenes with the people huddling together to escape death are oddly convincing and the mood of the film stays tense throughout. this is not a great science fiction film by no means, but it is better than its budget would initially suggest.

So, Hydrogen Bomb war is about to break out and 1950s heroine/scientist's biggest worry is whether she and her hero/scientist fiancé will finally get married today? Oh well, it was the Fifties, I suppose. At least we get Robert Loggia in an early role. Of course, he isn't onscreen as much as all the stock footage of jets and war rooms and the only thing holding the movie together is an intrusive narration. Still, sci-fi movies of that era are fun as long as you don't think about them too much. And the dialogue is fun, too. A man runs up to our hero and tells him a hotline just opened to the Pentagon "It's a red alert, situation yellow!" Well, that doesn't sound too bad; if it was really bad it would be red-red, right? I liked watching it, but can't give it more than a 4.