Zorro e o Ouro do Cacique

A Fitting and Bravura End to the Team of Clayton Moore and Jay Silverheels as the West's most Exciting Vigilante Team (Zorro worked alone).

From the Initial Concept, the Coupling of a White Man and an Indian as Faithful Companions Set the Stage for a Coming Together of the Races and Respect for the Native American.

This Lone Ranger Movie takes it to the Logical and Presents a Story here that is Provocative and Ahead of its Time, Especially for the Impressionable Kids.

This Cannot be Overstated. Our Heroes are Just That.

They have a Quality that is Remarkable, Commendable, and a Mythos that will Endure.

This Movie is a Wonderful Experience.

A Colorful, Action Filled, Western that has an Elevated Script, some Penetrating Violence, and Characters that are Believable.

A Depth of Behavior Found only in the Better Westerns of the Time.

This Final Outing Retires the Beloved Duo and is quite an Accomplishment from All.

This can Proudly be Revisited by Generations to come as "The Lone Ranger Rides Again" and can Exemplify the "Better Angels of Our Nature" for All Ages.

The Lone Ranger and Tonto have a long, complex history on the screen, but Clayton Moore and Jay Silverheels became forever identified with the roles thanks to the hugely popular "Lone Ranger" TV series, which ran from 1949 to 1957. That series inspired two full-length feature films, of which this is the second.

A stretched-out version of a typical "Lone Ranger" episode would have been unbearably cornball, but this movie avoids that trap. Shot in color at some beautiful desert locations, it has a reasonably intelligent plot, plus action that's a bit more adult (i.e. violent) than in the TV series. It even has a theme: prejudice against American Indians.

The story is about a series of killings of Indians by a gang known as the "Hooded Raiders." As in the TV series, the identities of the villains are clear to the audience fairly early, but in this movie their ultimate motive is not obvious at first. That allows the two heroes to do a bit of sleuthing, and the Lone Ranger gets a chance to doff his mask and don one of his trademark "disguises." (Even as a kid, I could see through these disguises easily, but the bad guys were always fooled.)

Considering that this film was intended mostly for youngsters, its treatment of racial prejudice is pretty powerful for the 1950s. Two of the characters are especially interesting -- a bigoted lawman who abuses the people he's supposed to protect, and a doctor who conceals his partial Indian heritage in an attempt to "pass" as white. The Hooded Raiders are probably meant to suggest the Ku Klux Klan, though they don't really wear their hoods that much. (Their lax attitude toward their disguises strains credibility at times, but it's a forgivable flaw.)

This is a better Western than I expected, and it's a fitting farewell for the Moore-Silverheels team. Though they later appeared in character for personal appearances and at least one commercial, this was the last time they played the Lone Ranger and Tonto in a real screen production.

To cap it all off, "The Lone Ranger and the Lost City of Gold" has two of the great Hollywood beauties of the 1950s: Noreen Nash, as a wealthy schemer, and Lisa Montell, as an Indian maiden. For a lot of dads who were dragged to the theater in the 1950s, the sight of these two ladies must have been a pleasant surprise.

A wounded Tonto standing alone to protect three innocent lives. A devious woman masterminding a deadly plot. Racial tension. Smart Indians.

These are things we rarely if ever saw in the TV series, but this movie adds them all into the mix. While this is most certainly a Lone Ranger movie, it mixes up the formula just enough that those who grew tired of the series would probably still enjoy it. Definitely recommended for any fan.

All new and a brand new thrills , the story of desperado hordes Kilgore's riders and the silver bullet that stopped the most savage Indian uprising ever to menace America's vast frontiers . The legend of the Lone Ranger is ¨the untold story of the man behind the mask and the legend behind the man¨ , it began on radio and made the transition to the small screen more than 50 years ago . This flick follows the adventures of the Ranger , his white stallion Silver and his American Indian pal Tonto, as they attempt to bring local criminals to justice. This cinematic adaptation deals with the Lone Ranger , here he comes , thundering up the West's deadliest treasure trail , blasting his way into the fabled city of gold . The Ranger accompanied by the Indian Tonto who rides with him, on Silver and Scout, throughout the West, doing good deeds and they dedicate their life to combat the evil that Cabendich represents. As they must prevent a war between Indians and ranchers disguised as masked riders in a dangerous adventure . The two heroes ride off in a cloud of dust under classic musical background composed by Rossini and shouting ¨Hi-Yo silver¨.

¨The Legend Of The Lone Ranger¨ is crusader's last silver screen outing , The film contains action , thrills , great scenery with spectacular outdoors magnificently photographed in Warnercolor . This shows a campy and entertaining glimpse at nostalgic television series . It packs some fine action , adequate musical score , thrills and emotion ; as children as well as adults will undoubtedly love this film . Clayton Moore is good as the mysterious and righteous gunslinger, yet he shows have an endearing innocent charm , while Jay Silverheels is acceptable as his faithful sidekick Tonto. Jay Silverheels played as Tonto in the long series and two films , he also played Geronimo in ¨Broken Arrow¨(1950) . ¨The battle of Apache Pass¨(1951) and ¨Walk to proud land¨(56) . He performed about 30 Western from 1957 to 1973 in important roles such as ¨Brave warrior¨, 'The pathfinder¨, ¨Drums across the river¨, ¨Indian Paint and ¨Santee¨ . In addition , he played a cameo as Tonto in the parody ¨Alias Jesse James¨ with Bob Hope . The motion picture was professionally directed by Leslie Selander .Selander is generally considered to be the most prolific director of feature Westerns of all time, with at least 107 to his credit between 1935 and 1967. He realized his first feature in 1936, a western , genre in which he would not only excel but one where he would spent much of the rest of his career . Although Selander couldn't be deemed an "A"-list director, his movies had a professionalism and a verve that many of those made by his fellow B directors lacked . He also filmed detective thrillers, action/adventure motion pictures and even a horror film or two . He finished a close second with 106 horse operas helmed between 1917 and 1949 , for thirty years . He began with Western starred by Buck Jones and subsequently Hopalong Casssidy series performed by William Boyd . He moved to Republic where directed Rod Cameron in ¨Panhandle¨ and Stampede¨and started his collaboration to Tim Holt in 20 films . After that , he directed his best films as ¨Fort vengeance¨, ¨Arrow in the dust¨, ¨Town Tamer¨ and his final picture shot in Spain ¨Texas Kid¨.

Originally created as a radio play in 1933 by George W. Trendle and well developed by Fran Striker . The Lone Ranger started off as an America radio show started in the 1930s and finally ended in 1954 . It began in a ¨Lone Ranger¨ serial (1938) , a program burdened by noisy action and starred by Lee Powell , being directed by William Witney and John English . It later expanded on to the big screen with 1938's "The Lone Ranger," 1939's "The Lone Ranger Rides Again," , a Republic serial in 15 whirlwind chapters with Robert Livingstone , Chief Thundercloud and Duncan Renaldo . The Lone Ranger was also a television series from 1948 through 1957 in which gained widespread notoriety on ABC television, as Clayton Moore donned the mask each week to fight crime and corruption in the old west and of course Jay Silverheels as Tonto . The Masked rider and Tonto in their first feature-length picture was directed by Stuart Heisler and co-starred by Lyle Bettger and Bonita Granville ; its following was this one , well co-starred by Douglas Kennedy , Charles Watts and Ralph Morris . Furthermore , new version by Willam A Fraker titled ¨The legend of the Lone Ranger¨ that wavers between irony and seriousness , starred by Klinton Spilbury and Michael Horse ; but the film bombed so badly at the box office , as the movie's star Klinton Spilsbury never worked in Hollywood again. The last appearance of The Lone Ranger was in 2003 for a two-hour special on WB Network starring Chad Michael Murray and Nathaniel Arcand . Jerry Bruckheimer Films has debuted a logo for the upcoming adaptation of The Lone Ranger , this is the last big screen iteration of the famous character . The tagline on the site reads, "The Legend Returns." Pirates of the Caribbean director Gore Verbinski has been contracted to filmmaking the classic TV show film , a blockbuster retelling for the big screen, and Johnny Depp is attached to play Tonto, the Lone Ranger's partner.

Although beautifully shot, this United Artists feature is not quite as good as the first Lone Ranger big screen color outing of 1956 by Warner Brothers. But neither is it average, for the cinematic effort does go boldly where most westerns of the time dared not. Remarkably, this 1958 film takes on racial bigotry in a manner that was quite daring for a family western of this period. In point of fact, the writers of this feature should be applauded for going a step farther and making racial "passing" an integral part of an otherwise ordinary plot. How many dramatically significant family films of the time can one name that would dare to have dealt with such an emotionally explosive premise?

It should also be noted, Jay Silverheels for the first time, has a much greater speaking role and acting function than normally allowed for his character, Tonto. All in all, with solid acting from most of it's participants, this is not a bad western. On the whole, the film is thoroughly enjoyable, on several levels, for all members of the family.