O Sádico Selvagem

In the harbor of San Francisco, a porter throws the suitcase of a passenger that has just arrived from Asia into a taxi and the driver hits a truck and a police officer that kills him before dying. The owner Philip Dressler (Raymond Bailey) explains to the police Lieutenant Ben Guthrie (Warner Anderson) and Inspector Al Quine (Emile Meyer) that the content of the suitcase are antiques that he bought in Asia from a street vendor. However the police laboratory discover that one statuette has heroin hidden inside and the inspectors replace the drug per sugar and return the suitcase to Dressler, who is a citizen above suspicion. Meanwhile the gangster Dancer (Eli Wallach), who is a psychopath; his partner Julian (Robert Keith) and the alcoholic driver Sandy McLain (Richard Jaeckel) are hired by the kingpin The Man (Vaughn Taylor) to collect the heroin packages that have been smuggled hidden in the luggage of three other innocent tourists. They succeed to retrieve the two firsts, but the load of the third one vanishes and they panic. Meanwhile the police is hunting them under the command of Lt. Guthrie.

"The Lineup" is another great police story directed by Don Siegel. The story is original and the action scenes in San Francisco are impressive for a 1958 film. The dysfunctional criminals are peculiar and Eli Wallach performs a psychopath killer; Robert Keith takes notes of the last words of Dancer's victims in a notebook; and Richard Jaeckel is an alcoholic driver. My vote is seven.

Title (Brazil): "O Sádico Selvagem" ("The Wild Sadist")

Good crime drama with interesting settings and some good action scenes.The movie really showcases San Francisco. Sutro Baths ( now sadly lost in a fire) is the setting for a some excellent scenes. You will also see the Opera House, the Ferry Building, some freeways being built, and other interesting sights. If you want to see how San Francisco looked in 1958 and see some pretty good action and some pretty mean bad guys you will enjoy this one.

Lots of films have been shot in San Francisco, but few present as many views of the City By the Bay as this one. Here's what we see: Pier 41 and the Embarcadero, Coit Tower, The Ferry Building, The Cliff House, Sutro's Baths (after the closure of the swimming baths in 1954, but during the heyday of the skating rink that took one of the bath's place until 1966--this is probably the only motion picture featuring this rare sight), lots of neighbourhoods, and--to top it all off--a car chase on the then under construction Embarcadero Freeway (since torn down due to earthquake hazard)! Add in a truly exciting and relatively believable story of drug smuggling--certainly cutting edge stuff in 1958--and you have a great little film. Of particular note is Robert Keith (the sheriff in 1954's The Wild One) as one of the twisted criminals. Whenever co-villain Eli Wallach kills someone, Keith writes down the victim's 'final words' in his little black book. And in the some things never change department, Oakland's Lake Merritt is cited as the location of a taxi theft by one of the film's numerous junkies.

This was a breezy, fast-paced little piece of noir that crosses the time barrier pretty efficiently. Each of the three main villains, driving through the sun-lit streets of San Francisco, delivering violence and death, leave up with strongly etched character studies. The locations are wonderful, particularly the ice rink. It's a privilege to sit back, follow, a simple, well-woven plot and travel back in time to a place you never been, yet know pretty intimately anyways. Films that flow with such ease are becoming rare items

This would be a great double bill with Bullitt or Dirty Harry. Heck, it would be a great double bill with anything.

I was relaxing in my easy chair when I saw this film pop up on one of the mystery cable channels. I was very surprised and pleased at what I saw. First of all, the comments made about this film having great views of San Francisco are 100% true. I love "noir" films that set a city mood, and this was probably the best film that ever set a "San Francisco mood" with the possible exception of Dirty Harry. A friend of mine lived near the Cliff House and seeing Seal Rock Road and the Sutro Museum (used to be the Sutro Baths) was just incredible. Its just a hole in the ground now. Pier 39, now an over-sized shopping mall, was great to see as well when it was an actual shipping pier. And the movie itself was quite good. Eli Wallach played a sadistic, yet somewhat complex criminal who had no morals and yet showed flashes of compassion. Brian Keith's Father Robert played his mentor with excellence and style. This film was no high budget spectacular but more then made up for it with Siegel's excellent direction and great location scenes. I immediately went online to IMDb to try and buy the VHS or DVD but imagine my surprise when I saw it wasn't available! CMON, LETS SEE THIS ONE COME ONTO DVD!!!!