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O Idiota

Título original: Idiot
  • 1958
  • PG-13
  • 2 h 4 min
AVALIAÇÃO DA IMDb
7,6/10
940
SUA AVALIAÇÃO
O Idiota (1958)
DramaHistória

Adicionar um enredo no seu idiomaIn the carriage of a train heading to St. Petersburg, Prince Lev Nikolaevich Myshkin, who returns to Russia after four years of treatment in a Swiss sanatorium, meets the wealthy merchant Pa... Ler tudoIn the carriage of a train heading to St. Petersburg, Prince Lev Nikolaevich Myshkin, who returns to Russia after four years of treatment in a Swiss sanatorium, meets the wealthy merchant Parfyon Rogozhin. From him, Myshkin first hears about a certain Nastasya Filippovna Barashko... Ler tudoIn the carriage of a train heading to St. Petersburg, Prince Lev Nikolaevich Myshkin, who returns to Russia after four years of treatment in a Swiss sanatorium, meets the wealthy merchant Parfyon Rogozhin. From him, Myshkin first hears about a certain Nastasya Filippovna Barashkova, a former kept woman of the nobleman Totskiy.

  • Direção
    • Ivan Pyrev
  • Roteiristas
    • Fyodor Dostoevsky
    • Ivan Pyrev
  • Artistas
    • Yuriy Yakovlev
    • Yuliya Borisova
    • Nikita Podgorny
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,6/10
    940
    SUA AVALIAÇÃO
    • Direção
      • Ivan Pyrev
    • Roteiristas
      • Fyodor Dostoevsky
      • Ivan Pyrev
    • Artistas
      • Yuriy Yakovlev
      • Yuliya Borisova
      • Nikita Podgorny
    • 8Avaliações de usuários
    • 1Avaliação da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Fotos14

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    Elenco principal16

    Editar
    Yuriy Yakovlev
    Yuriy Yakovlev
    • Prince Lev Myshkin
    Yuliya Borisova
    Yuliya Borisova
    • Nastasya Filippovna
    Nikita Podgorny
    Nikita Podgorny
    • Ganya Ivolgin
    Vera Pashennaya
    • Elizaveta Yepanchina - General's wife
    Nikolai Pazhitnov
    Nikolai Pazhitnov
    • General Yepanchin
    • (as N. Pazhitnov)
    Sergey Martinson
    Sergey Martinson
    • Lebedev
    Leonid Parkhomenko
    Leonid Parkhomenko
    • Parfyon Rogozhin
    Emmanuil Geller
    Emmanuil Geller
    • Hussar
    Raisa Maksimova
    Raisa Maksimova
    • Aglaya Yepanchina
    Vladimir Muravyov
    Vladimir Muravyov
    • Ferdyshchenko
    • (as V. Muravyov)
    Ivan Lyubeznov
    Ivan Lyubeznov
    • General Ivolgin
    • (as I. Lyubeznov)
    Grigoriy Shpigel
    Grigoriy Shpigel
    • Ivan Ptitsyn
    Lyudmila Ivanova
    • Varya Ivolgina
    Klavdiya Polovikova
    Klavdiya Polovikova
    • Nina Aleksandrovna Ivolgina
    Pavel Strelin
    • Afanasiy Totskiy
    • (as P. Strelin)
    Yevsey Ronskiy
    • Sharmanshchik
    • (não creditado)
    • Direção
      • Ivan Pyrev
    • Roteiristas
      • Fyodor Dostoevsky
      • Ivan Pyrev
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários8

    7,6940
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    Avaliações em destaque

    9khanbaliq2

    A masterpiece of film-making that reveals the depths of human psychology.

    Some people have been asking me what I think about the summer movies that have been put out in the last few months. Therefore, this is what this post will be about. I haven't been making any film-related videos lately. My videos of late are mostly about culture and sociology, and not about film or anything else. But I still go to the cinema once in a while, mostly to see the special effects featured in Hollywood films. I've read a few articles on the net that state that this year's summer movies are disappointing, that, overall, it hasn't been a blast for moviegoers this summer. Well, I can agree and disagree. Almost all of the films that I've seen this summer are entertaining. But, then again, I haven't seen that many films this summer. I think that Pirates of the Caribbean: Dead Men Tell No Tales is the best film in the franchise since Pirates of the Caribbean: The Curse of the Black Pearl. Pirates of the Caribbean: On Stranger Tides is in third place for me, and I don't want to see Pirates of the Caribbean: Dead Man's Chest and Pirates of the Caribbean: At World's End again. Spider-Man: Homecoming is pretty good. It's certainly not the best Spider-Man film ever, as some people have been (suspiciously) saying. It's in third place for me, after Spider-Man 2 (2004) and Spider-Man (2002). Other 2017 summer movies that I consider to be pretty good are Guardians of the Galaxy Vol. 2, Kong: Skull Island, Wonder Woman, The Fate of the Furious, Baywatch, and Baby Driver. Now, I don't mean that these films are masterpieces. They're just fine. They entertained me. I didn't mind seeing them one time in a theater. They are, of course, nothing like Apocalypse Now (1979) or The Idiot (1958), for example. By the way, The Idiot by director Ivan Pyryev is one of the best films that I have seen in a long time. What a shame that this magnificent Soviet film doesn't get any recognition in the West because of ideological and political reasons. It should be as well known as War and Peace by director Sergei Bondarchuk. The cinematography is gorgeous and the acting is superb. This is easily the best film adaptation of Fyodor Dostoyevsky's works. The Idiot is highly recommended by me. The Brothers Karamazov is the only Dostoyevsky novel that I've read so far. But, after seeing the 1958 film adaptation of The Idiot, I now have an urge to read the novel. Anyway, when it comes to this year's summer movies, there have also been some disappointments, like The Mummy and Alien: Covenant. So, overall, it has been an average, and not a bad, summer movie season, in my opinion. Nothing truly great like Mad Max: Fury Road (2015) or Dredd (2012) has been released so far this year. Good films like these are rare now. It seems to me that the number one goal of Hollywood film studios now is to make films that are first and foremost entertaining and that feature many special effects, in order to draw in crowds of people. Even the not so good films now are entertaining. The number two goal is propaganda. And quality is only in third place or lower. I think that I've already made a post about the fact that Hollywood has been releasing unoriginal and dumb films for about three decades already. But pretty much everything has gone down in quality and originality in the USA in the last several decades. It's not that all Hollywood films are bad now. Some of them are still good, if not great. It's just that there's nothing new. There's no originality. There's no inventiveness. So, as a sentient organism, and not as one of the sheeple, I have to say that things s*ck, which is a phrase that Americans often use. I should mention that I did see one film not long ago that's not that good but that's still daring and kind of original. It's The Space Between Us (2017) by director Peter Chelsom. Watch it until the end, and I think that you'll be surprised by how old-fashioned, daring, and sweet it is. Another thing worth mentioning is that I saw Rogue One (2016), which is the second Star Wars film made by Walt Disney Studios Motion Pictures, after it came out on video. It is, as I expected, rather dull. I don't want to see it again. It disappointed me even more than Star Wars: The Force Awakens (2015). There are only two moments in Rogue One that stood out for me - when Galen Erso delivers an emotional message to his daughter, Jyn Erso, about the Death Star, and when Chirrut Imwe, who's a blind warrior, gets a bag put over his head. One of the few directors working in Hollywood who can film science-fiction well is James Cameron. I heard somewhere that Cameron read many science-fiction novels when he was growing up. If this is true then this must be one of the reasons why he's good at filming science-fiction. Still, his latest film, Avatar (2009), didn't impress me much. Some parts of Avatar are inspired, but, overall, it's not great. Cameron is clearly getting old, and making an original film in Hollywood is difficult now anyway. Lack of originality isn't the only problem with Hollywood films. Another important problem is poor characterization. This comes down to scripts and acting. There's a serious shortage of appealing and interesting characters in Hollywood films now, and not just in summer blockbusters. Those dull, medium and low budget Hollywood dramas and romances feature unappealing characters too. If you want to see good characterization, see The Idiot (1958) as an example. That film puts Hollywood films, and especially summer blockbusters, to shame.
    6jack_o_hasanov_imdb

    I have no idea

    I like Russian literature. This book is one of the best I've ever read. It's not a good idea to adapt this book into a movie. . .
    10Fpi

    The most hypnotic acting I've ever seen

    In the period 1955-60 some absolutely incredible movies were made in the Soviet Union. This is no exception. Based on the classic novel, the script of course holds masterpiece quality. Visually, it's also a masterpiece. The music is one of the most dramatic soundtracks I've heard. And not least, Yuliya Borisova in the role of Nastasia Philippovna gives the most charismatic acting performance I've ever seen. Throughout the movie I simply couldn't wait for her to get into the frame again whenever absent. I've never ever been this hypnotised by an actor or an actress before (and I've actually given that careful thought). The other actors also give stellar performances. As the events unfolded, I felt this movie pushed the script to its ultimate limits. At the end, you will find yourself filled up with uncontrolled emotions that you don't even know the name of. The movie is so dramatic that some people may find it unrealistic, but I assure you: these characters are out there in the real world, and this play may have relevance to anyone's life. At some point, most people with brains will seek out this story. My tip is, don't read the book. Don't see any theatre play or movie based on it but this one. Though the movie may take a lifetime to find - *it's worth it*!
    dupelose

    thee drama of it all

    I stan nastasia filipovna, thee ultimate drama diva and a girlboss i felt as if it was happening right on a stage before me all male characters were deyassifiyed, their stress sweat was getting all over nastasia, they need to take some bubble bath and have a latte, sip some chai-tee.
    Caroline888

    Best Dostoevsky Adaptation Ever

    This is how Dostoevsky adaptations need to be, and hardly ever are. 1) Everyone needs to act like they're on crack all the time, 2) It needs to be either snowing or 100 degrees all the time, and 3) Everyone's eyes have to be crazy.

    This film meets all those requirements, and it's the only one that does. Although the second part was never made, the first part is worth watching and re-watching. The crazy Soviet montages, the crazy eyes, the red velvet everywhere, the lighting from beneath that makes everyone look like they're in hell...it's brilliant.

    The soundtrack is gorgeous. I wish I could find it on mp3. And when one character says to another: "What's wrong with your face?" the face in question is worth the entire film. And it's pure Dostoevsky. HUZZAH for this film.

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    Enredo

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    • Conexões
      Featured in Legendy mirovogo kino: Ivan Pyryev
    • Trilhas sonoras
      Po Nevskomu gulyala prelestnaya Katrin...
      Music by Nikolai Kryukov

      Lyrics by Mikhail Matusovsky

      Performed by Tamara Azarova

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    Perguntas frequentes13

    • How long is The Idiot?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 12 de maio de 1958 (União Soviética)
    • País de origem
      • União Soviética
    • Idioma
      • Russo
    • Também conhecido como
      • The Idiot
    • Empresa de produção
      • Mosfilm
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 4 min(124 min)
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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