Quando Vem a Tormenta

"Hot Spell" is probably Shirley Booth's next to her greatest film, the greatest being "Come Back, Little Sheba. Synopses put aside, the A- List cast shines, along with the story line. It takes you directly to, and into, a dysfunctional family, the Matriarch who desperately tries to keep everything "just fine," the Patriarch who's going through a midlife crisis and "plays around, and the three children with young adult and teen angst the latter defining their personae. Each scene intertwines with the other and tightens up the script marvelously. It's all realistic, poignant and in wonderfully good order. The whole thing actually seems to put you right there as if you were part of the family. You feel their pain. Ironically, Jack Duval's character, played by Anthony Quinn, is both abhorrent and also worthy of compassion at the same time Earl Holliman's, Shirley MacLaine's and Clint Kimbrough's characters are definitely direct descendants of both of their parents. Very believable. The scene with Booth and Eileen Heckart gives just the right and timely comic relief to give the viewer a break before the next dose of drama. There's enough conflict to go around and it keeps you interested. I'd recommend this film to anyone who appreciates serious drama, either on the stage or on the screen. It's too bad it's not being distributed for movie buffs-yet. It's been hibernating for way too long.

I don't know whether it's Shirley Booth's uniquely pathetic acting persona, or simple typecasting, but I always mix this movie up with her other dramas from the 50s, particularly Come Back, Little Sheba. Similarly, I repeatedly misremember this movie as a scenario by William Inge. It is 50s drama at its dankest and Inge-iest, the story of a sad family who live in a frame house in nowheresville, with a Shirley Booth mother who fears losing her husband, feels guilty about not having been a showpiece of a wife, and most of all yearns for a golden past that is probably imaginary. I wonder whether the whole thing isn't really just a recombinant pastiche of TV-playhouse clichés from the early and mid -50s: not only derivative of William Inge but with a generous dose of Paddy Chayefsky and some Tennessee Williams thrown in for good measure. The people who made this film were manufacturing a product to satisfy what they perceived as a popular taste. But I wonder if anyone could have enjoyed it or recommended it to their friends. More likely they felt depressed and unclean and eager to forget the whole thing.

I have a tape of this film that I haven't seen in about 8 years. Therefore, plot details have escaped me. But, in short, it's a rather sad tale of a small, small-town family whose patriarch, played by Anthony Quinn, has a mid-life crisis and philanders about while his sad, lonely wife, played with typical sensitivity and pity by Shirley Booth, sits at home, overlooking his transgressions. I remember enjoying the whole film, including Shirley MacLaine's turn as their daughter. However, one scene which stands out takes place between Eileen Eckhart and Shirley Booth. It's in the middle of the afternoon, and Eckhart teaches Booth how to drink in, I believe, Booth's kitchen. It is quietly HYSTERICAL, and proves how wonderful Eckhart was as an actress. This scene could have gone on another five minutes, it was just so entertaining.

"Hot Spell" is an extremely painful movie to watch....so if you are feeling depressed you might want to think about seeing something else. The story is about a family that is a total wreck due to a petulent jerk of a husband....and the wife tries desperately to convince everyone, especially herself, that she has a good life.

The story begins with Alma (Shirley Booth) running about town meeting with her grown children to organize a birthday dinner for her husband, John Henry (Anthony Quinn). It's obvious that she is desperately trying to make sure everything is perfect. Once John Henry arrives home, however, it's obvious he's a disease....an ugly, selfish jerk who enjoys destroying those around him and cheating on his wife...because it's all about him. It's truly painful seeing the man emotionally mistreat them all...and his wife, through it all, keeps a stiff upper lip and convinces herself that life with this jerk is great. Her kids, also, are part of this game...deluding each other into thinking they have a functional family. You know that sooner or later, something's gotta give.

In some ways, "Hot Spell" is similar to "Death of a Salesman". Both are about men with an inflated view of themselves and who represent the worst of fathers...a man who is emotionally stunted and selfish. Watching him and the way his family reels as a result of his whims is pretty sad to see. And, like "Death of a Salesman", an excellent portrait with some wonderful dialog....though painful throughout and draining. Because of the excellent writing and some amazing actors, it's a very good film....painful...but good. And, it's so painfully realistic...I never want to see this movie again!!

"It takes an awful lot of energy to fool yourself"...and this pretty much sums up this film.

It's a shame that Hot Spell wasn't given a chance on the stage; the screenplay was based off an unproduced play. The script is fantastic. Lonnie Coleman's work would have been wonderful in front of a live audience. All the elements to a great play are present: a dysfunctional family, infidelity, tragedy, young lovers, and of course, a hot, Southern summer.

In Hot Spell, Shirley Booth is preparing a birthday dinner for her husband Anthony Quinn. She's baked a chocolate cake, bought presents for each of her three children to give him, and takes lessons from her neighbor and friend Eileen Heckart on how to turn her husband's head. The audience can see the writing on the wall from the opening scene, and the tragedy squeezes pity for her out of every pore. The family dinner does not go as she planned. Quinn is having an affair with another woman, as we find out in the opening scene. He fights at the dinner table with his son and leaves the house to meet his mistress before the cake is cut.

As depressing as the story is, it really is a quintessential play, so it's expected to be sad. The story is great, but the acting is where the film really shines. Everyone does a spectacular job, but for some reason, this film was completely ignored by the 1959 awards season. Booth is heartbreaking and incredibly easy to root for. Anyone watching her denial of her husband's affair will cry in sympathy. Quinn is fantastic. It would be easy to play his character as merely "the bad guy" but he gives so many layers to his performance, showing the audience his frustration and deep feelings. Shirley MacLaine must have been on a roll in 1958; this same year she gave a career-best performance in Some Came Running, and in Hot Spell, she's truly heartbreaking. Any girl who's ever been in love will cry alongside her and feel her humiliation deeply.

Those who like to go to the theater will be in a position to appreciate Hot Spell. If you like lighter films, you probably won't like it, but for those who aren't faint of heart, it's a very good movie.