Sangue de Pistoleiro

I just saw this, for the first time, on TCM (July 2019) . It's an amazing film experience. I'm not a fan of westerns, by and large. This is one I can recommend. The storytelling engages the timeless themes of fathers and sons, and does so in a way that touches your heart directly enough that you can overlook the one or two fairly obvious scenes.

Tab Hunter was the real deal. :)

This western is well directed and smartly acted by all involved, but the stand out performance is Tab Hunter's role as the oldest son, Ed. The story begins at the point of our witnessing the finality of Ed's hatred and idolatry of his father, a hard-as-nails, always-has-to-be-better-than-his-sons kind of man. Ed is wound so tight that he has little give for anyone. This performance reminds me of Denzel Washington's Oscar winning role in Glory. As the story goes along, more and more nuances are revealed that show the depth of the character. I watched Glory three times before I caught the depth in that character that deserved an Oscar. I have watched Gunman's Walk twice and saw more depth in Hunter's character the second time. It's a fascinating role (maybe Hunter was drawing from the anger he felt for having to hide himself within the Hollywood treatment he underwent) and I don't think anyone could have played Ed any better. It is a shame when such levels of acting come out of actors not expected to do so brilliantly, because they don't get their just recognition, kind of like Val Kilmer's Doc in Tombstone. Hunter was the beefcake, male blond beauty presented in such a manner by Hollywood. He wasn't expected to actually act well, they didn't even consider it (and he didn't do very well with most of the movies they put him in). When you read the biography of Hunter given here on IMDb, Gunman's Walk isn't even mentioned. The focus is on his Hollywood image. Hunter's Ed is well worth the look. Heflin's Lee (everyone calls him Lee, including his sons) is very well acted and, but for Hunter's performance, shines as the gregarious, tough, but flawed father who had no idea how to raise his sons. In the scenes the two are together, the tension is always there and they play off each other well. All the acting is done well (Bert Convy's ability to ride a horse well is suspect, though). The movie is tightly directed, the action is constant, and there are no scenes that will lull you to sleep. If you like westerns with tense action and flawed characters, you won't be disappointed with Gunman's Walk.

I give this movie a 9 out of 10 for its earnest (yet not overdone) acting, sympathetic (yet not sappy) treatment of Indians, and exuberant (yet not overwhelming) energy level throughout. The relatively unknown actors and filmmakers really tried hard here. Aside from the family conflict, there is an intriguing treatment of the theme of historical change and how the Old West relates to the New - also seen in movies such as Bus Stop, The Misfits, and Lonely are the Brave.

Gunman's Walk is not perfect - things get 'explained' a bit too neatly at the Freudian conclusion, for example - but there is scarcely a dull or uninteresting moment. Don't miss the unique details in this film, such as the instant mood swings that the characters, especially the Father, go through, and the astonishing bar scene where the Big Brother cavorts with hookers and sings "I'm a Runaway."

This is a very unusual western and it comes highly recommended.

Van Heflin played second lead in a score of pictures over 3 decades. In this excellent western he gets to play the lead, and his performance is one of the greatest of his long career. He displays a completely believable fatherly range of emotion and makes the audience identify with his 'how the west was won' mentality. Phil Karlson's deft direction keeps the pacing of this picture very crisp and poignant. The settings and western scenes are also quite excellent. All of this has been said without mentioning Tab Hunter's taught performance, which is really the defining touch that makes this movie great. Surprisingly, Hunter was a teen idol especially developed by the movie studio to be just another screen image. He defied the studios by delivering this amazing performance as a wild and reckless young man growing up in the shadow of his father's hard nosed old western legacy, determined to leave his own stamp on the developing times in the west. Gunman's Walk may be the most underrated western in screen history. It almost feels like a real metaphor for the western motif, and the changing civilization that beckons just over the horizon.

"Gunman's Walk" is not only outstanding on the entertainment level, it also presents what could be clichéd material in a superbly directed and written comment on many issues.

The story is an action Western first. Van Heflin, easily one of the greatest of all Western actors, plays a rugged Western hero of the old pioneer days, who participated in many wars against the Native American. Unlike the more sugar coated stories of many Westerns, he is not forgiving of his enemy, and his character is still much the same man when he enters a new era. Heflin's character is now a big man in his territory, respected and feared by all.

Heflin gives this character an incredible likability, which in retrospect, makes him even scarier. It is easy to compare this man with Anthony Quinn in "Last Train to Gun Hill", another impressive performance by another great actor. Except this man is much friendlier and less menacing, yet he commands the respect for his abilities with guns, fists, and bravery.

Heflin now has a big ranch and two sons. The older one, Tab Hunter, wants to be the big hero his father was, but lives in an era when the Native American is not at war with them. In fact, Ed Platt plays an Indian agent who tries to protect the native population from Hunter's outbursts, to no avail. The younger son, James Darren, is perfectly cast as the dove of the family, who abhors violence. To make matters worse, he is attracted to a beautiful Native American girl, which puts him as the one bearing the brunt of suffering in the middle from both sides. Heflin is going along with the times, but not by conventional means. He hangs on to his valor by recalling his feats in the past. Hunter constantly hears the exploits with other older men in the saloon, speaking as if they were in Floyd's Mayberry RFD barber shop.

This film does an excellent job on hitting this theatrical drama of life. Like Opie in the barber shop, the oldest son is fascinated by the stories and the world that existed before he was born. The younger brother played by Darren, envisions the Indians as a necessary part of this existence.

Exploits against the native Americans that aren't allowed any more, but Hunter wants to have such stories told about him some day. Heflin's character hasn't moved with the times. He simply laughs at them. He raises his sons to be fighters and the end result is that the oldest son steps way over any civilized line. The climax is not exactly hidden. We know that Heflin must confront himself, and he does this by confronting his sons. One he admires, and the other he disowns midway through the movie. By the end, he realizes his mistake. But all through the movie, characters remind us that Hunter isn't the one who caused it all. It is actually Heflin. Yet Heflin's performance is so great that instead of seeing him for the evil man he is, we pity him, and don't blame him. Much like the crafty Fred March in "Hombre", one of the evilest men in Westerns, yet able to snake oil his way through it. Heflin's attitude and character is in the oldest son, and he was responsible. In the end, Heflin admits this, and we forgive him at first, when we see him break down.

However, this movie requires much thought. It gives a very frightening picture of the truth about prejudice, and about the evil that is allowed to pass on through cultures and generations, and the way it is done. It is a movie we should watch and learn from, and it is done in a very sneaky way. A must see movie.