Dádiva de Amor

I was quite young (around 14) when I saw this movie on TV. While I could not remember the cast very much at that time, the story and the way the actors/actresses had carried the story through made a lasting impression on me - what it means when any child can be your child - it takes only to show love and how it can fill the gaps in our lives. This story of this film helped me to help many of my friends who did not have their own children and that they can enjoy the gift if they open their minds and hearts to them - as the leading lady impresses upon the husband. The beginning of romance between the two and the moments they draw together and next when we see them as a couple are all well portrayed.

This story was so unbelievably corny, this is one of the worse pieces of crap I have seen from the fifties. The dialogue was brightly phony, Lauren Bacall and Robert Stack must cringe at the thought of their appearances in this movie. And the opening title song, Vic Damone crooning as they show various scenes of Lauren Bacall massaging Robert Stack's shoulders and neck! What was that all about??? The film was beautifully done in color (for 1958) but the storyline so bad- what was she doing, trying to train the adopted girl to become her husband's concubine after her inevitable death? I could not stop watching, it was like being at the scene of a disaster. This is definite high camp from the fifties.

Julie (Lauren Bacall) marries theoretical physicist Bill Beck (Robert Stack). He's a real life rocket scientist working for the government. Suddenly, she has persistent heart issues. Fearing an early death leaving Bill alone, she convinces him to adopt an unusual imaginative little girl named Hitty. Bill struggles to connect with the girl with their differing interests.

This is a sentimental melodrama. It's Lauren Bacall's first film after Bogie's death. It needs a small tweak at the start of the movie. They shouldn't need a reason to adopt Hitty. Julie could still be the driving force but the reason to adopt Hitty is Hitty. If she discovers her medical issues later and keeps it a secret, it would be more dramatic with her desperate to join Bill and Hitty together. Her reveal to Bill would also be a great tear jerker moment. Otherwise, this is perfectly fine. The girl is adorable. Bacall is motherly. Stack is awkward around people. It all fits. Bill's too angry after Julie's death. Being depress is good enough. I don't like him yelling at Hitty. This is a solid sentimental melodrama.

I just saw this movie for the first time on TCM and I'm an older adult. Why anyone would think this movie would appeal only to teenagers or younger is a little pessimistic to say the least. I love the movie - Lauren Bacall, Robert Stack and adorable little Evelyn Rudie are wonderfully talented. Of course, no one will ever compare with Shirley Temple - that's a given. Even tho there have been many talented young actresses, they threw away the pattern with Shirley. The storyline is - as it's supposed to be - rather melancholy - and for the period of time it was made it's rather marvelous I feel. The outcome of the story - which most of us could have guessed of course - is quite a lesson that teaches just how grief can make someone go off the deep end, dealing with just their own pain, and not considering the feelings and welfare of someone else, especially a child. Who knows, maybe Julie's spirit did come and encourage more searching for Hitty - it's possible.

I still remember this movie through the eyes of a 12 year old girl and while I may not be a good critic of quality acting & scripts, I do know that this movie has haunted me since I was 12. It must have had some good qualities but the only other reviews I've read criticized it. I started going to movies with my mother when I was 3 and of the thousands I've seen, this is one of my all time favorites.