O Castelo de Frankenstein

The last association that Boris Karloff had with the Frankenstein character came in this low budget Allied Artists film that I remember seeing in the theater in 1958. It was not the best of endings.

This time Boris Karloff is playing the last descendant of the Frankenstein clan who's an old man and who in his youth was tortured by the Nazis in an effort to divulge Frankenstein family secrets. It left him quite understandably twisted.

Karloff is putting up with a movie company who is shooting on his castle grounds, no doubt shooting a film like Frankenstein 1970, a low budget thriller. The money they're paying him however is paying for an atomic reactor, something his ancestor didn't have, maybe that's the missing ingredient.

Of course the bodies start falling, four of them to be precise as Karloff searches for what he needs to revive the Frankenstein monster which he has found and preserved.

Boris Karloff and his contemporary Bela Lugosi did both great horror films and a lot of junk. Frankenstein 1970 sad to say falls in the latter category.

Lesser Boris Karloff horror picture, notable for being the first time he played an actual member of the Frankenstein family. In his earlier (better) Frankenstein movies, he played either the monster or a non-Frankenstein scientist. This movie and the later Mad Monster Party are, I believe, the only times he played an actual Frankenstein. The story has Karloff playing Baron Victor von Frankenstein, descendant of the Frankenstein that caused all that trouble way back when. The good Baron, disfigured by Nazis during WWII, is in dire financial straits and needs money to continue his own experiments. Ask what kind of experiments and I'll look at you funny. To make some money the Baron allows a horror movie to be shot at Castle Frankenstein. Soon things are getting a little crazy and members of the film crew are being killed off by the Baron for reasons that should be pretty to predict.

Karloff always stood out in his horror films but here he plays to the rafters, no doubt overcompensating for the talky and dull script. Rudolph Anders is good as his friend and Don "Red" Barry does a decent job as the Carl Denham-esque movie director. There are a couple of pretty ladies around as well. Two of the better scenes are fake-outs that turn out to be scenes for the movie-within-a-movie. Perhaps if this movie had been more like that one it would have been more fun. As it is, it's a pretty dreary affair that drags on and on. The effects are poor and the monster, when it actually does something, is laughable. Basically this movie is a slow death by words. Only recommendable to Karloff completists.

This is not a down right awful film... it's actually quite fun to watch. This might not be the best film Karloff has starred in but it's entertaining! It's nice to see Karloff in a role reversal of Frankenstein. He is the scientist who created The Monster in this film.

I have to agree with other reviewers that it is Karloff's presence in the movie that makes this one worth watching over again. Some of the film is laughable - which really creates the "fun" in watching the film.

Love the semi-Gothic atmosphere - and the surprise at the end of it.

All in all this is a good weekend popcorn flick! Worth watching if you like anything Frankenstein and/or Boris Karloff! 7/10

I have a little fondness for this movie. It was on TV quite often when I was a little skippy. It was always on The Ghoul who was a horror host in the Detroit area. Most of the time we were watching to see him but the movies weren't always bad. This one was a little above the rest.

To finance his experiments the last of the Frankensteins (Karloff) allows a film crew to shoot a movie/TV show on the grounds of his estate. Of course the Doc is building a creature down in his secret laboratory. Not only does Frankenstein need cash, he needs a few spare parts for his project as well. The film crew and servants provide him with these - unwillingly of course.

The film crew is really annoying. Seeing them getting bumped off by the bandage-swathed monster is quite fun. Many have complained that Karloff was hamming it up. I disagree as he was dealing with a one-dimensional character.

The ending is kind of predictable. But there are worse ways to spend your time than watching this.

Baron Victor von Frankenstein(Boris Karloff) was scarred by his Nazi captors during World War II, he plans to recreate the legendary Monster originally conceived by his ancestor. In order to raise money to purchase an atomic reactor to complete his experiments, he permits an American TV unit to film a show at his castle. During the late fifties, television exposure of Karloff's old Frankenstein films sparked a new horror cycle in Hollywood. Karloff was made up to look rather like a disfigured German Count and does a careful, convincing job with his role, which is competently written. The supporting cast of Tom Duggan , Irwin Berke, local TV personalities and Jana Lund(one time sweetheart of Elvis Presley) do well enough but cannot be in class with Karloff. No matter what you think of the film, it is still another Boris Karloff classic and should be viewed by all Karloff fans.