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IMDbPro

Os Fabricantes do Medo

Título original: The Fearmakers
  • 1958
  • Approved
  • 1 h 25 min
AVALIAÇÃO DA IMDb
6,2/10
950
SUA AVALIAÇÃO
Dana Andrews, Marilee Earle, and Mel Tormé in Os Fabricantes do Medo (1958)
Drama políticoDrama psicológicoFilme NoirGângsterSuspenses psicológicosThriller de conspiraçãoThriller políticoCrimeDramaSuspense

Adicionar um enredo no seu idiomaA Korean War veteran returns to Washington and finds his public relations firm taken over by a stranger.A Korean War veteran returns to Washington and finds his public relations firm taken over by a stranger.A Korean War veteran returns to Washington and finds his public relations firm taken over by a stranger.

  • Direção
    • Jacques Tourneur
  • Roteiristas
    • Elliot West
    • Chris Appley
    • Darwin L. Teilhet
  • Artistas
    • Dana Andrews
    • Dick Foran
    • Marilee Earle
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,2/10
    950
    SUA AVALIAÇÃO
    • Direção
      • Jacques Tourneur
    • Roteiristas
      • Elliot West
      • Chris Appley
      • Darwin L. Teilhet
    • Artistas
      • Dana Andrews
      • Dick Foran
      • Marilee Earle
    • 33Avaliações de usuários
    • 18Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos34

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    Elenco principal15

    Editar
    Dana Andrews
    Dana Andrews
    • Alan Eaton
    Dick Foran
    Dick Foran
    • Jim McGinnis
    Marilee Earle
    Marilee Earle
    • Lorraine Dennis
    Veda Ann Borg
    Veda Ann Borg
    • Vivian Loder
    Kelly Thordsen
    Kelly Thordsen
    • Harold 'Hal' Loder
    Roy Gordon
    Roy Gordon
    • Sen. Walder
    Joel Marston
    Joel Marston
    • Rodney Hillyer
    Dennis Moore
    Dennis Moore
    • Army Doctor
    Oliver Blake
    Oliver Blake
    • Dr. Gregory Jessup
    Janet Brandt
    Janet Brandt
    • Walder's Secretary
    Fran Andrade
    • TWA Stewardess
    Mel Tormé
    Mel Tormé
    • Barney Bond
    • (as Mel Torme)
    Robert Fortier
    • Col. Buchane
    • (cenas deletadas)
    Robert Carson
    Robert Carson
    • Man Speaking in Conference Room
    • (não creditado)
    Lyle Latell
    Lyle Latell
    • Police Sergeant Dispatcher
    • (não creditado)
    • Direção
      • Jacques Tourneur
    • Roteiristas
      • Elliot West
      • Chris Appley
      • Darwin L. Teilhet
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários33

    6,2950
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    10

    Avaliações em destaque

    6blanche-2

    Jacques Tourneur directed this artifact

    Despite the fact that it's a B movie,"The Fearmakers" from 1958 is absolutely fascinating to watch today. Directed by Jacques Tourneur, it stars Dana Andrews, Dick Foran, more well-known for westerns, and -- get ready - Mel Torme! And he was good! Andrews plays Alan Eaton, a public relations firm co-owner who fought in Korea and spent time in the enemy camp being tortured. Now back home, he suffers from headaches and blackouts occasionally. When he arrives at his old company, he finds out that his partner died and that the power of attorney he gave his partner was used to sell the business out from under him to Jim McGinnis (Dick Foran). McGinnis offers Alan a consultant job, and he is encouraged to take it by a Senator friend, who suspects shady business in the firm and wants Alan to check it out.

    Here's the shady business. The firm is suspected of using skewed polling data to make certain politicians look good. Alan has plenty to say about the way questions are asked in polls, and to whom, and he also has some things to say about lobbyists. Anyway, he needs to get his hands on the cards that apparently list the people polled or how they were chosen. He's also suspicious of his partner's "accident" and wants to gather information about that.

    Of course, today we call these shady people campaign managers, marketing people, Karl Rove -- I sat through the conversation about special interests and polling and thought I had entered the Twilight zone. I had -- it was 1958, and this guy had ethics that don't exist today since the types of things being referred to are acceptable.

    This film seems short for the material, and there are too many coincidences in the script to make it not totally believable. Andrews does a good job, but by this point had hit the skids - gone were the big 20th Century Fox films, possibly due to his alcoholism. Though he continued to act, he became a very wealthy real estate man and began speaking for the National Alcoholism Council in the '70s. He also served as President of the Screen Actors Guild. Dick Foran is appropriately slimy, and Mel Torme is excellent as an assistant who knows too much.

    Very interesting movie to view given today's political workings.
    6JohnSeal

    We're through the looking glass here, people

    In the late 1950s, The Fearmakers was a late entry in the Red Scare cycle. By the late 1960s it would have looked like a bizarre and ancient relic. Now in the 21st century, the film looks almost prophetic--if you can overlook the fact that it's basically a pro-nuclear war film. What gives the film resonance for a contemporary audience is its accurate portrayal of 'public relations', polling and advertising, and their ability to sway public opinion. In the 1950s this thesis no doubt took a back seat to the usual Commie-bashing, but now--in the era of push polls, straw polls, and exit polls-- it looks frighteningly accurate. Dana Andrews is excellent as usual. Sadly he is paired up with Marilee Earle as his love interest, and Ms. Earle gives a wooden performance of truly Redwoodian proportions. This was the last film of her brief career.
    7PolkainWarsaw

    Attn.: Political Science Majors !

    I happened on this film by accident one afternoon and was quietly surprised. I am a fan of film noir and thought this film would be along those lines. And it was a bit in that fashion.( "The Killers" starring Burt Lancaster is one of my favorite examples of the film noir genre).

    But mostly this movie is centered on Washington D.C. in the late 1950's, and the beginnings of what today is considered lobbying. How the movie reflects our capitol today is almost eerie, with our poll takers and vested interests. Downright prophetic in its nature, I found the correlations between that era and today striking. Witness the beginnings of how you're votes are bought. Disturbing to say the least.

    I gave the film a "7" rating, because although the movie is worth a look,it is a bit "dated" and does have some "cheese" in the acting.
    8LeonLouisRicci

    Few Films Filled With As Much Fulfilled Prophecy

    Not enough can be said about the de-evolution of the packaging of our politicians and expectations of our news media.

    The societal rumblings of big brother control and the awareness of the effect and success of Edward Bernays book of blueprints to "guide" the people...Propaganda (1928)...began to surface in the 1950's and then sank as fast as Jimmy Carter's presidency.

    This post Mccarthy era movie is gallantry trying to stay on that noble course, but the subject matter is too complex for this type of production to do anything but reduce the rhetoric to a great effort of B-Movie making.

    There is so much here just waiting to be exorcised and exposed, and it is exasperating today to understand that this is an embryonic idea that was born of an ideal and died of an apathetic populace that got the government and the media they deserve.

    You will find few films filled with as much fulfilled prophecy as this.
    6bigmoneygriff1

    Not bad, if you can sift through the symbolism & corniness.

    Just watched this on TCM. A problem I've always had w/Dana Andrews is his self-righteousness, but this 'red scare' film does raise concerns that are far more appropriate today regarding how pollsters & PR firms manipulate/create news & opinion versus measuring it. However in this film, the media (Washington Post reporter) & an 'old school' senator (you know, the ones that used to have a conscience & scruples) are the good guys. Nowadays, that just isn't very realistic as the media, political parties, representatives & lobbiests are all part of the Washington propaganda machine, only interested in retaining & growing on their own power base. But I digress. Look for Mel Torme in ridiculous Coke-bottle glasses. Also, DC-philes will enjoy all of the familiar landmarks with far cooler cars surrounding the city. Overall, not a waste of time. I give it a '6'.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Third and final collaboration between Dana Andrews and director Jacques Tourneur, who were good friends in real life. The first was the Western, Paixão Selvagem (1946), followed by the horror classic A Noite do Demônio (1957) (Night of the Demon).
    • Erros de gravação
      Alan Eaton is depicted as flying in three different airplanes on his flight to Washington, D.C. at the beginning of the film. First is an obvious model of a Lockheed Constellation (L-049 or L-749) with round windows. Next, as seen from inside and outside is a Lockheed Super Constellation (L-1049) with square windows and a white nose. Lastly, when the airliner lands it is a Lockheed Starliner (L-1649A) with a black nose.
    • Citações

      Alan Eaton: You know, Lorraine, you're not only very kind... you're very lovely.

      Lorraine Dennis: [Breaking into a big smile] I thought you'd *never* notice!

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    Perguntas frequentes13

    • How long is The Fearmakers?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • outubro de 1958 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • The Fearmakers
    • Locações de filme
      • Washington, Distrito de Columbia, EUA(location shooting)
    • Empresa de produção
      • Pacemaker
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 25 min(85 min)
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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